Orang Ikan

I recently watched the Japanese film 🇯🇵 Monster Island (2024) on Shudder. The storyline follows a group of war criminals whose boat explodes, leaving them stranded on a remote island in the Pacific Ocean. But they're not alone-something deadly hunts them, picking them off one by one. Where is this creature from, and can anyone survive it?

The film is written and directed by Mike Wiluan (Buffalo Boys) and stars Dean Fujioka (Fullmetal Alchemist), Callum Woodhouse (B&B), and Alan Maxson (V/H/S: Beyond).

There was a lot I enjoyed about this film. The practical effects were fantastic, and I especially loved the creature design-it had a strong Creature from the Black Lagoon vibe. The gore and kill scenes were impressive, but the CGI was hit or miss. Explosions, fire, and blood effects didn't quite land and pulled me out of the moment a bit. The story itself was very straightforward and lacked imagination, and by the final act, it started to lose steam.

In conclusion, Monster Island is a solid monster movie that mixes old-school creature feature charm with modern special effects. I'd give it a 6.5/10.

The look of the creature in this movie is inspired by Creature from the Black Lagoon but it is nowhere a pg13 creature.

The creature attack scenes r solid n so are the practical effects.

Thankfully nothing is shot in the dark n none of the shaky cam stuff.

The kills are very brutal.

Decapitations, heart removal, slashing via claws, etc.

The creature ripping apart the jaws of a big fat crocodile will remind King Kong ripping apart the jaws of a dinosaur in the Peter Jackson version.

The lead actor Callum Woodhouse looked a bit similar to Michael Hall of Dexter fame.

The Japanese actor showcased some good sword skills.

What can you say when the scrip is obviously one of Bruno Mattei's old leftover Preditor rip offs, literally whole scenes ... In this day and age how on earth could this get passed as anything other than a pastiche ? ... But no, sense of humour is totally absent ... Its well filmed and acted ... It isn't written, its some dreadful cut and paste job ... The creatures are quite good, though obviously a guy in a suit, which is cool in my book ... The pacing is awful, it draaaaaaaaaaags from the start ... What should have been a fun romp creature feature is just handled far too seriously and it totally ruins it ... Just a complete waste of time and money when they obviously had enough money to make something decent ... Main problem must have been obvious from pre production ... Who green lit this and didn't have the suss to see that it could have succeeded with a bit of work from a decent writer and a director that knew what he was doing.

Despite of never having heard about the 2024 movie "Orang Ikan" (aka "Monster Island"), of course I opted to watch it as I had the opportunity here in 2025. I am a big fan of all things horror after all.

The storyline certainly sounded interesting as served through the synopsis, however I have to say that the actual movie itself, well not so much. Sure, it was watchable, and there was potential, but ultimately it was a tedious and generic movie.

I was not familiar with a single actor on the cast list. The acting performances were not particularly outstanding or memorable, which was a shame, as the movie had a very small cast ensemble, and thus was depending on the acting performances to carry a certain weight of the movie.

The effects in the movie were okay, and I did like the creature design and the way that they made the aquatic creature look. It definitely helped keep the movie afloat, pardon the pun.

Ultimately then "Orang Ikan" is not a movie that I would recommend you to waste 84 minutes on watching.

My rating of writer and director Mike Wiluan's 2024 movie "Orang Ikan" lands on a generous four out of ten stars.

Monster Island is a World War II-era creature feature that swings for the fences with a bold genre mashup: part survival thriller, part war drama, part folklore-fueled monster flick. Directed by Mike Wiluan (Buffalo Boys), and inspired by Malay mythology and classic films like Creature from the Black Lagoon, the movie feels like a love letter to mid-century horror wrapped in the rugged grit of a wartime survival tale.

The setup is promising. A Japanese soldier and a British POW are marooned on a remote island during WWII, forced to put aside their hatred and histories to survive. But it's not just each other, or the encroaching Japanese military they have to worry about. Something hungry stalks the jungle, able to camouflage itself like a chameleon, striking from the shadows with lethal precision. Think The Defiant Ones meets Predator, with a splash of Southeast Asian folklore.

It's a clever concept, and the film wears its influences proudly. The callbacks to The Defiant Ones aren't subtle, nor are the nods to classic monster movie tropes: the slow reveal of the creature in the dense jungle. When the film leans into its atmosphere, it works. There are stretches where you feel the tension between the two men just as much as the threat lurking in the trees.

Unfortunately, the execution doesn't always live up to the potential. The CGI creature design is interesting-drawing on mythical elements instead of going full Hollywood-but the visual effects themselves are... well, rough. The monster too often looks like it belongs in a Syfy original from the early 2000s, standing out awkwardly from the environment rather than blending in. That disconnect pulled me out of the experience, and while I try not to judge a film solely on its visual effects, they do matter in a creature feature... especially one built on stealth, camouflage, and primal terror.

Storywise, it's serviceable. The relationship between the two leads carries enough emotional weight to keep the film moving, and the pacing never drags. There are a few solid gore moments, but nothing that will shock seasoned horror fans. The ending, while not bad, lands right where you expect it to a little too safe for a film that tries to position itself as something unique.

For fans of offbeat monster movies or those with a soft spot for war-horror hybrids, Monster Island is a solid watch. It might not break new ground, but there's enough here-folklore inspiration, tension between enemies, turned-allies, and a cool creature concept to justify its runtime. For me personally, the movie didn't quite hit the right notes. I love a good creature feature, but I'm easily turned off by poor CGI and uneven tone. Still, there are many flavors of horror, and this one might just be the right bite for someone else.