O Caçador de Ratos

Garage owner Claude has a rat problem. He hires an expert to deal with the problem. The Rat Man is truly an expert in his field to the point of resembling a rat himself. While Claude and his employee are fascinated by his methods they are also quite unsettled by him.

Another of Wes Anderson's four-episode short story-series, all adaptations of Roald Dahl stories. The others in the series are The Wonderful Story of Henry Sugar, The Swan and Poison.

Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.

Having already watched two of Anderson's Roald Dahl-based short films, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).

A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.

Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.

Still, it's interesting and watchable enough.

This Short-story Directed by Wes Anderson and protagonized by Ralph Fiennes (The Rat Catcher). Tells the story of a little town with a rat issue. To solve this problem they resort to a peculiar, misteryous and unorthodox rat Catcher. This story carries you during 17' through a nice story which happens in your ears with the voice of the narrator but also on the screen, So you mix the imagination on books with the comodity that represents watching a TV.

The director creates a perfect mix between movie and audiobook, creating a completely New Genre. Watch it! At the end it's just 17 minutes!

Thanks for reading!

"The Rat Catcher" is the latest addition to Netflix's Roald Dahl collection, offering a delightful tribute to Dahl's peculiar storytelling. Narrated by Richard Ayoade and featuring performances by Ralph Fiennes and Rupert Friend, the story follows the enigmatic Rat Man's arrival in a quaint village to deal with a rat problem. Wes Anderson's distinctive style elevates the narrative, with the first half showcasing his signature filmmaking techniques. However, it's the second half where Anderson's creative use of lighting, shadows, and animation truly shines. Inspired by a Dahl short story, the film captures his unique storytelling style and concludes with an intriguingly ambiguous ending. "The Rat Catcher" is a captivating 15-minute short that keeps viewers engaged and offers a fresh perspective on liquorice. It's a must-watch for fans of Dahl's whimsical tales and Anderson's cinematic artistry.

Maybe, after three adaptations of Roald Dahl short stories, I was too tired to appreciate The Rat Catcher. Because all seems a sort of mannierism, seductive when you discovere first, not very pleasant later.

A story with horror reflections about Rat Man, his work secrets, his failure and demonstrations. But than Ralph Fiennes is a great actor is a certitude and the subject is so...dirty than far to be the most temptanting.

I suppose, a film for the fans of Roald Dahl. Applauding the Netflix series, being grateful to Wes Anderson art, it seems only...too much.

With the good thoughts about Swan, my favorit from series, I saw The Rat Catcher as the last tricks demonstration of show..

'The Rat Catcher (2023)' is probably the weakest of Wes Anderson's four short Roald Dahl adaptations, primarily because it kind of feels as though it's lacking a point. In a way, it's a quirky character study of its eponymous rodent trapper, who becomes creepier and creepier as the piece progresses, as seen through the bemused eyes of the people who hire him. Making use of similar stage play techniques to 'The Wonderful Story Of Henry Sugar (2023)' but being far less elaborate, the picture unfolds in the same hyper-concentrated from of its director's style as the other entries in its pseudo series. The narration comes quickly and without pause, the characters often look dead down the barrel of the lens and, save for a brief stop-motion segment, the effects and props are all entirely imaginary. It's a distinct aesthetic, for sure, and it does work to catch your eye. Just under twenty minutes also feels like a more suitable runtime for this type of affair, so the flick manages to hold your attention throughout while never feeling too overwhelming. Ralph Fiennes' performance as the rat-like rat catcher is really enjoyable, as is Rupert Friend's brief stint as a rat. Like I said before, though, there just doesn't seem to be all that much to the story. It ends on an entertaining punchline but is far more about its vibes than its narrative. Still, it's a solid effort overall that's definitely distinct.