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Tokyo Eye

  • Série de TV
  • 2006–2022
  • 30 min
AVALIAÇÃO DA IMDb
8,1/10
12
SUA AVALIAÇÃO
Chris Peppler in Tokyo Eye (2006)
Documentário

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  • Artistas
    • Chris Peppler
    • Deirdre Ikeda
    • Michael Keida
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    12
    SUA AVALIAÇÃO
    • Artistas
      • Chris Peppler
      • Deirdre Ikeda
      • Michael Keida
    • 2Avaliações de usuários
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Episódios359

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    Fotos

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    Chris Peppler
    • Self
    • 2009–2022
    Deirdre Ikeda
    • Self
    • 2020–2021
    Michael Keida
    Michael Keida
    • Self
    • 2014–2022
    John Daub
    • Self
    • 2008–2022
    Felicia Gonzalez
    • Self
    • 2020–2022
    Arisa Adams
    • Self
    • 2020–2022
    Ananda Jacobs
    • Self
    • 2010–2022
    Ryan Drees
    Ryan Drees
    • Self
    • 2021–2022
    Jennifer Julien
    • Self
    • 2011–2022
    Mirei Yamagata
    • Self
    • 2021
    Matt Alt
    Matt Alt
    • Self
    • 2008–2011
    May Pakdee
    • Self
    • 2013–2022
    Lindsay Sakamoto
    • Self - Reporter
    • 2010–2012
    Sachiko Relnick
    Sachiko Relnick
    • Self
    • 2021
    Winnie Hsu
    • Self
    • 2020–2021
    Lisa Wallin
    • Self
    • 2021–2022
    Mark Chinnery
    Mark Chinnery
    • Reporter
    Valeria Mancini
    • Self
    • 2011–2012
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários2

    8,112
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    Avaliações em destaque

    6ayuanak2011

    Was a great show ... WHAT HAPPENED?!?

    I love that there is a show like this on TV that shows off Tokyo's attractiveness in English. I have been watching every week since it started in 2006 or so. I record all the episodes. The Tokyo Eye studio has changed many times! So has the quality of the show. A sad fact.

    Tokyo Eye used to have a lot of passion! The reporters were great. Kevin Cooney, John Daub, Jennifer Julien, Estela Mak, Megumi Ageishi, Matt Alt, Lindsay, George ... I remember their names because they were so good together. My favourite episodes were when John Daub was with another reporter, especially Kevin Cooney. They were so funny together.

    ** My favourite all-time episode was the 2009 AKIHABARA MAID CAFE episode with John Daub and Kevin Cooney. I recorded it and watched it many times then visited the same places when I went to Tokyo in 2010. Tokyo Eye was the no.1 show on NHK World in 2009 because of the reporters. I loved that style of show!! Fun and inspirational. I remember the reporter's names because I always looked forward to seeing them. I wish the old shows were on YouTube.

    Those were the best years -- 2007 to 2011.

    In the last 2-3 years, the show has become so boring. I like Chris Peppler but he is not a good reporter. He does not connect with real people. The show focuses on him too much. He has a nice voice and moves the show along but I want to hear more from people who live there, not a guy who is a Tokyo celebrity who does not experience Tokyo like we would as tourists.

    Is Tokyo Eye now "Chris Peppler's Eye"? Maybe Tokyo Eye uses May Pakdee too much? She is very nice and polite but also very boring. Not much personality. That's my humble opinion.

    What has happened to the show I love? I do love George!! However, where is Jennifer, John, Kevin and Estela? (I'm so glad Matt does another NHK show.) Where is the fun, laughter, enjoyment? I can not see it on anyone's face anymore. The show has not looked comfortable since 2012.

    Also, since 2012, the themes are very boring. Recently, there was a show on embassy workers in Tokyo. Are the producers/reporters out of ideas? Bring back some of the great ideas, stories and reporters that had personality and made Tokyo come to life.

    By the way, the virtual studio is awful. Again, no personality. Bland. Boring. Out of ideas.

    Tokyo is supposed to be a lot more fun and colourful than the recent image Tokyo Eye is showing. As a long time viewer of NHK World and Tokyo Eye, I am very disappointed at the progress of Tokyo Eye, but the show is always reinventing itself. It's time to do that again with lessons from the past.

    Always hopeful for the future of this show.
    5jolittle

    Weekly travel program that has lost its passion ...

    It's not easy to run a show for as long as Tokyo Eye, but it is not hard when you have a talented and experienced staff. I consistently ask myself why the show has worsened, but I also still watch because there aren't many other shows available on Tokyo like this.

    I've been a loyal watcher of NHK World in both Germany and now the USA for many years. This used to be one of my favorite programs. Here are a list of things that give this show only a 5 out of 10 for me.

    First the positive: The show presents unique places not found in a guide book. This is the biggest value. Tokyo Eye, when it started, was fresh and full of energy. The reports really opened my eyes to Tokyo. Some were very funny and creative! The show always kept me thinking and looking forward to the next episode. It inspired me to visit Japan a few years ago! This leads me to the present where things are not as positive.

    1) The host Chris Peppler seems to have no passion for this program or Tokyo. After several years, he looks worn out. It is very obvious to me as a long time viewer. It is not NHK's style to keep the same person for so long so I am not sure why he is still the "navigator" when it is clear there are so many other people who have a passion for both Japan and Tokyo and are talented at conveying a better message.

    2) The producers / directors are out of ideas. The topics are interesting one week and absolutely boring the next. I never had this feeling a few years ago. Themes like embassy workers, foreign media hot spots, Tokyo Wolesale Guide (great for the .1% of the audience who sell wholesale, I guess) just mystify me as to why a network like NHK would make a show about it ... some topics are fantastic (Akihabara, Ramen, Odaiba) but I have to be honest, it's the same episode from 2 years ago -- but 2-3 years ago, the reporters were better and the show has passion.

    3) The current studio. It's ... It went from a colorful magazine-type studio to some strange Space Age theme with all white to ... all blue screens with gaudy computer graphics. This illustrates my point of the show losing quality, creativity and ideas.

    4) NHK does not have to equal "boring". There are many GREAT programs on NHK World. This leads me to believe that whoever is in charge of this program is sinking the ship so to speak.

    All in all, it's a good show to watch ON SOME DAYS if you can handle Chris Peppler's lack of excitement and the production's lack of creativity and energy. Check the schedule and see what the topic is before investing / wasting your time.

    To end on a positive note, as one reviewer wrote, the show is always changing so maybe we'll have a Tokyo Eye that was as good as it used to be in the near future.

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    Detalhes

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    • Data de lançamento
      • 4 de outubro de 2006 (Japão)
    • País de origem
      • Japão
    • Idiomas
      • Japonês
      • Inglês
    • Também conhecido como
      • TOKYO EYE 2020
    • Locações de filme
      • Tóquio, Japão
    • Empresa de produção
      • NHK
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      • 30 min
    • Cor
      • Color

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