Um grupo de arqueólogos procura um artefacto místico nas catacumbas de Paris. Mas aquele local, revelará um segredo que vai mexer com a mente de todos, fazendo os demónios pessoais de cada u... Ler tudoUm grupo de arqueólogos procura um artefacto místico nas catacumbas de Paris. Mas aquele local, revelará um segredo que vai mexer com a mente de todos, fazendo os demónios pessoais de cada um voltarem para os assombrar.Um grupo de arqueólogos procura um artefacto místico nas catacumbas de Paris. Mas aquele local, revelará um segredo que vai mexer com a mente de todos, fazendo os demónios pessoais de cada um voltarem para os assombrar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Hamid Djavadan
- Reza
- (as Hamidreza Javdan)
Emy Lévy
- Tour Guide
- (as Emy Levy)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This movie does an outstanding job at doing what others have done time and time again, yet does it in a way that captivates you. It will either have you on the edge of your seat, or off to take a bathroom brake without pausing.
The opening scene of this movie is full of good intent but left me feeling confused. And not in the good way, but more in the way that makes you think that this movie is going to be just as bad as you expected.
The rest of the first half of this movie is extremely basic setup. It does absolutely nothing to innovate, captivate, or even make you care about who, what, when, why, where or how. Meet the characters, make them seem young and hip, and as always, convey that they are way out of their league.
All of this made me want to turn off my TV and call it a day. But i decided to stay and it was well worth my patience.
As soon as the characters enter the tombs, the movie picks right up. Making me feel like i'm stuck down there with them and all of their fears being exploited left me as a paranoid wreck through the rest of the film.
The movie isn't that scary, but more intense than anything.
The ending was well thought out and not cliché. It also left me wanting more movies that are written with this much thought.
The opening scene of this movie is full of good intent but left me feeling confused. And not in the good way, but more in the way that makes you think that this movie is going to be just as bad as you expected.
The rest of the first half of this movie is extremely basic setup. It does absolutely nothing to innovate, captivate, or even make you care about who, what, when, why, where or how. Meet the characters, make them seem young and hip, and as always, convey that they are way out of their league.
All of this made me want to turn off my TV and call it a day. But i decided to stay and it was well worth my patience.
As soon as the characters enter the tombs, the movie picks right up. Making me feel like i'm stuck down there with them and all of their fears being exploited left me as a paranoid wreck through the rest of the film.
The movie isn't that scary, but more intense than anything.
The ending was well thought out and not cliché. It also left me wanting more movies that are written with this much thought.
This movie is just what you expect. A Blair Witch Project/ Tomb Raider crossover. And does that sound good on paper? No, but it actually ends up being pretty good. If you like Horror/ Action Films (and enjoy found footage) then this movie delivers.
I thoroughly enjoyed this movie. A cool and different idea for a found footage movie involving a real place that is creepy as hell. Just a good movie that combines multiple elements to scare the audience. Solid flick.
As Above, So Below is a tense and claustrophobic found-footage horror film that effectively utilizes its haunting underground setting. Set in the Paris Catacombs, the film follows a group of explorers searching for the Philosopher's Stone, only to find themselves trapped in a psychological and supernatural nightmare.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
Absolutely love this movie! It's a breath of fresh air from other found footage horror movies, especially with the whole archeological adventure spin on it. I loved that! It felt like Tomb Raider horror film about hell! Wicked cool!
And to understand completely what's going on, you need to read Dante's inferno\ Divine Comedy. It will fill in all the gaps of the film, especially the confusing parts and ending...
Awesome film... very scary.
Você sabia?
- CuriosidadesThis was the first ever production that secured permission from the French government to film in the Paris catacombs, both in the public and in the off-limits area. They got permission the night before shooting began. The air and water quality in the catacombs were tested before shooting to make sure the cast and crew would not walk through battery acid. The only entrance to one of the catacombs' main locations was through the parking lot of an hospital. There was very little use of props. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago. There was no electricity, no bathrooms or cell phone service in the tunnels. Sometimes the cast and crew had water up to their waists, and some days they had to crawl around on all fours for an hour. Several scenes were lit up by the actors themselves with their head lamps. Director John Erick Dowdle said that the actors were shooting the film 90% of the time.
- Erros de gravaçãoThe poem on Flamel's stone shouldn't rhyme in English.
- Cenas durante ou pós-créditosOn the last seconds of the end credits, you can hear a character saying "The only way out is down", followed by some of the noises heard on the catacombs earlier in the film.
- ConexõesFeatured in FoundFlix: As Above So Below (2014) Ending Explained + Analysis (2017)
- Trilhas sonorasSur La Planche 2013
Written by Sacha Got and Marlon Magnée
Performed by La Femme
Courtesy of Musique En Societe S.A.R.L.
By arrangement with Hyperion Music Services
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Así en la Tierra como en el infierno
- Locações de filme
- Catacombes of Paris, Paris, França(Whole set)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 21.321.100
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.632.820
- 31 de ago. de 2014
- Faturamento bruto mundial
- US$ 41.898.409
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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