Rahel Makan Kora is a cinematic work belonging to the romantic comedy drama genres, which was directed by Ubaini.
The film's narrative is focused on the characters of Kora and Gautami. Kora assumed the role of conductor on the KSRTC route, a position previously held by Gautami, who was engaged as a conductor on a temporary quota basis. Following the termination of her employment, she has experienced a decline in self-esteem and is now exhibiting emotional distress. Consequently, she harbours resentment towards Kora. Nevertheless, Kora does not experience any difficulties with Gautami. He is an aesthetically pleasing individual. The circumstances in the Gautami's household are extremely challenging. She is the primary guardian of the entire family unit. The subject performs a multitude of roles in order to provide care for her family. Later both kora and Gauthami are positioned within the PSC rank for the role of Panchayat Secretary. They are both marked with the same identifier. Kora possesses a marginal advantage in terms of securing the position. He makes the considerable sacrifice of his job for the benefit of Gautami. The development of romantic feelings was observed in both them, with these feelings gradually intensifying over time. Kora's mother requested that Gautami convert to Christianity for the purpose of marriage. Nevertheless, the occurrence has been reported as breaking news in the village. The community's decision to withhold support from her family was a significant development. The situation is deteriorating for her. In a particular instance, Kora intervened to protect her younger sister from the threat of sexual assault. Subsequently, Kora was permitted to marry Gautami without undergoing a religious conversion.
The narrative was of mediocre quality, and the direction was substandard. It is evident that the performances are somewhat peculiar and lack the requisite dramatic intensity. The film is not considered to be of sufficient merit to a one time watching.
