AVALIAÇÃO DA IMDb
4,6/10
2,5 mil
SUA AVALIAÇÃO
Após descobrir que o ladrão de arte que ela está procurando é seu ex, uma agente da Interpol cria um plano para pegá-lo em flagrante.Após descobrir que o ladrão de arte que ela está procurando é seu ex, uma agente da Interpol cria um plano para pegá-lo em flagrante.Após descobrir que o ladrão de arte que ela está procurando é seu ex, uma agente da Interpol cria um plano para pegá-lo em flagrante.
Muharrem Can
- Tailor Morris
- (as Muharrem Can Aldemir)
Vicdan Özdemir
- Newsreader
- (as Vijdan Özdemir)
Avaliações em destaque
I thought that hallmark
movies were only for north America . , but in this case this movie could have worked if they took a little more time and maybe some better actors. I am not sure if it's the story because premisses is there and this should been a very good movie. Great location just poor acting and editing is the only i can think
why this movie is so bad even for a romance movie
in the end i keep watching it not because of the movie location and beautiful scenary which is excellent. So with that in mind i gave it a 4 stars. But it could have been much better oh well enjoy it as long it's free dont pay for it.
Despite good cinematography and captivating locations, the movie falls flat with its clichéd plot, lackluster scriptwriting, and subpar acting. The revelation that the art thief is the protagonist's ex-lover feels contrived, and the attempts to inject suspense fall short due to predictable twists. The performances are hardly adequate and they struggle to breathe life into characters that feel one-dimensional and lacking in depth. The chemistry between the leads, meant to ignite the screen with passion and conflict, fizzles rather than sparks, making it difficult for viewers to invest in their journey. While the visuals offer moments of aesthetic pleasure, they can't compensate for the film's overall lack of substance. The movie may dazzle the eyes, but it leaves much to be desired in terms of storytelling and execution.
The storyline stolen from the classic "The Thomas Crown Affair". Its not an adaptation. No credit to original story writer. There are two versions; one with Steve Mcqueen and Faye Dunaway made in 68 and the other one made in 1999 with Pierce Brosnan and Rene Russo. They're both decent, good time movies. I can not say the same thing about this one.
Such a shame wanna be writers steal from a classic and getting away with it. These writer make a living of a stolen idea when such original stories waiting on the sideline in Turkey. Netflix Turkey has become so corrupt no talents are welcome there. I'm sure global Netflix has no idea what kind of shananagans going on under its management.
Such a shame wanna be writers steal from a classic and getting away with it. These writer make a living of a stolen idea when such original stories waiting on the sideline in Turkey. Netflix Turkey has become so corrupt no talents are welcome there. I'm sure global Netflix has no idea what kind of shananagans going on under its management.
The movie claims to be a romantic comedy but there is literally no romance or humor to be found. The characters, both individually and as a couple, lack development, making it difficult to invest in their relationship. There's zero foundation for their connection or emotional journey. They just throw these two actors together with a revolving door of hair styles/colors and skimpy outfits (most with absolutely no relevance to the plot, by the way), Plus, they throw in random smooches with no build-up, no emotional depth, just a slapdash attempt to fulfill some quota.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
This is a movie for those that are curious about international productions that are presented in order to appeal the majority of spectators. It has a style that I'd compare to many American projects; that is, it is cinematic, contains a few action scenes, and has a score that elevates the final product. Taking place Istanbul and Prague, the viewer gets to discover multiple landscapes, different sets, and is immersed in a fictional universe that transports you from the comfort of your home to these cities. I'd recommend this to those that are opened to embrace what international markets have to provide cinematically.
Você sabia?
- Trilhas sonorasDon't You Wanna Be Mine
written by Mert Oktan
performed by Gulnur Gokçe and Cem Kahraman
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Art of Love
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 39 min(99 min)
- Cor
- Mixagem de som
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