AVALIAÇÃO DA IMDb
4,6/10
2,5 mil
SUA AVALIAÇÃO
Após descobrir que o ladrão de arte que ela está procurando é seu ex, uma agente da Interpol cria um plano para pegá-lo em flagrante.Após descobrir que o ladrão de arte que ela está procurando é seu ex, uma agente da Interpol cria um plano para pegá-lo em flagrante.Após descobrir que o ladrão de arte que ela está procurando é seu ex, uma agente da Interpol cria um plano para pegá-lo em flagrante.
Muharrem Can
- Tailor Morris
- (as Muharrem Can Aldemir)
Vicdan Özdemir
- Newsreader
- (as Vijdan Özdemir)
Avaliações em destaque
I thought that hallmark
movies were only for north America . , but in this case this movie could have worked if they took a little more time and maybe some better actors. I am not sure if it's the story because premisses is there and this should been a very good movie. Great location just poor acting and editing is the only i can think
why this movie is so bad even for a romance movie
in the end i keep watching it not because of the movie location and beautiful scenary which is excellent. So with that in mind i gave it a 4 stars. But it could have been much better oh well enjoy it as long it's free dont pay for it.
The only good thing about the movie was the locations in which the movie was shot. Otherwise, it is a cheap, low budget and tasteless movie. The plot is wafer-thin, the story inconsistent and the climax non-existent. The acting was bad and the direction was amateurish at best. The direction focuses more on cheap, gross and tasteless stuff than the actual story line.
The lead actress has been gradually building her stature in industry with solid roles like those in Ataturk, Dirilis: Ertugrul and Ramo, and had been building an aura of grace, beauty and solid acting. This role ruins this image completely. The role focuses on cheap, distasteful and vulgar stuff, rather than any opportunity to demonstrate acting skills. The role suits more to a desperate B-grade movie star, rather than an A list actor. In my opinion, this role will hurt the stature and reputation of the lead actress in the long run.
Overall, an utter and sheer disappointment on all fronts.
The lead actress has been gradually building her stature in industry with solid roles like those in Ataturk, Dirilis: Ertugrul and Ramo, and had been building an aura of grace, beauty and solid acting. This role ruins this image completely. The role focuses on cheap, distasteful and vulgar stuff, rather than any opportunity to demonstrate acting skills. The role suits more to a desperate B-grade movie star, rather than an A list actor. In my opinion, this role will hurt the stature and reputation of the lead actress in the long run.
Overall, an utter and sheer disappointment on all fronts.
The movie claims to be a romantic comedy but there is literally no romance or humor to be found. The characters, both individually and as a couple, lack development, making it difficult to invest in their relationship. There's zero foundation for their connection or emotional journey. They just throw these two actors together with a revolving door of hair styles/colors and skimpy outfits (most with absolutely no relevance to the plot, by the way), Plus, they throw in random smooches with no build-up, no emotional depth, just a slapdash attempt to fulfill some quota.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
I'm going to write this review in a way that avoids giving any spoilers at all. Here goes...the one-line plot summary sounded good, but it turns out the way the lackluster and hole-filled script - dialogue, transitions, important moments - was written and executed seemed as though it was pulled off a teenager's even-worse-than-mediocre Wattpad fanfic page.
The plot is contrived nonsense, and by about 10 minutes in, you know exactly what's going to happen. There's zero suspense, only predictability littered with boring cliches along the way.
There is zero chemistry between the lead actors. They are both very good looking, but there's zero fire, passion, or electricity between them. Zero character depth or growth throughout the film. Zero investment in the characters individually or as a "couple."
The shooting locations were beautiful. That's the only positive, hence the one star.
I have to say that I was most shocked at how bad the performance of the lead actress was. I discovered Esra Bilgiç through her role as Sibel on Ramo a few years ago, and she was absolutely legendary. Her talent then was the complete opposite of what I watched here, and it was extremely disappointing. I hope she will re-hone her acting skills, and then go back to taking on valuable, legendary roles instead of cheap, vulgar, contrived, forgettable trash characters like Alin.
Skip it.
The plot is contrived nonsense, and by about 10 minutes in, you know exactly what's going to happen. There's zero suspense, only predictability littered with boring cliches along the way.
There is zero chemistry between the lead actors. They are both very good looking, but there's zero fire, passion, or electricity between them. Zero character depth or growth throughout the film. Zero investment in the characters individually or as a "couple."
The shooting locations were beautiful. That's the only positive, hence the one star.
I have to say that I was most shocked at how bad the performance of the lead actress was. I discovered Esra Bilgiç through her role as Sibel on Ramo a few years ago, and she was absolutely legendary. Her talent then was the complete opposite of what I watched here, and it was extremely disappointing. I hope she will re-hone her acting skills, and then go back to taking on valuable, legendary roles instead of cheap, vulgar, contrived, forgettable trash characters like Alin.
Skip it.
Where do I even begin? Buckle up, dear reader, because Love of Art is a cinematic train wreck I wouldn't wish on my worst enemy.
The "thrilling" plot was as predictable as sun rising from the east. The movie was full of clichés, with zero character development, zero attention to pacing the story and zero focus on important moments. The "chemistry" between the lead actors was about as sizzling as a wet firecracker. Their forced interactions were painful to watch, and dialogue so clichéd it could have been written by a fortune cookie machine.
Then there's the direction. Imagine a middle school play directed by an overenthusiastic student council president. That's the vibe I got. The action sequences were so poorly choreographed I could've planned a better fight scene with a sock puppet show.
Honestly, the only thrilling aspect of this movie was the sheer audacity of it existing. Save yourself the wasted brain cells and avoid this cinematic catastrophe. You're welcome.
In all seriousness, it amazes me how Netflix agreed to put their name behind such nonsense. But then the quality of Netflix originals isn't the same as it used to be.
The "thrilling" plot was as predictable as sun rising from the east. The movie was full of clichés, with zero character development, zero attention to pacing the story and zero focus on important moments. The "chemistry" between the lead actors was about as sizzling as a wet firecracker. Their forced interactions were painful to watch, and dialogue so clichéd it could have been written by a fortune cookie machine.
Then there's the direction. Imagine a middle school play directed by an overenthusiastic student council president. That's the vibe I got. The action sequences were so poorly choreographed I could've planned a better fight scene with a sock puppet show.
Honestly, the only thrilling aspect of this movie was the sheer audacity of it existing. Save yourself the wasted brain cells and avoid this cinematic catastrophe. You're welcome.
In all seriousness, it amazes me how Netflix agreed to put their name behind such nonsense. But then the quality of Netflix originals isn't the same as it used to be.
Você sabia?
- Trilhas sonorasDon't You Wanna Be Mine
written by Mert Oktan
performed by Gulnur Gokçe and Cem Kahraman
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Art of Love
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
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