Uma mãe de dois filhos cujo mundo é virado de cabeça para baixo quando ela concorda em deixar sua filha de nove anos dormir na casa de sua nova melhor amiga.Uma mãe de dois filhos cujo mundo é virado de cabeça para baixo quando ela concorda em deixar sua filha de nove anos dormir na casa de sua nova melhor amiga.Uma mãe de dois filhos cujo mundo é virado de cabeça para baixo quando ela concorda em deixar sua filha de nove anos dormir na casa de sua nova melhor amiga.
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Avaliações em destaque
I'm actually a bit lost for words on this one. It is so badly written, the story is ridiculous with characters doing things no real person would do, ever and the acting by the lead is so bad that it's hard to understand how this actress got the job. The whole production feels cheap and lacking any quality. How can this be on Disney? How did it get made? Who hired this writer who doesn't seem to have the most basic grasp of storytelling and cannot write dialogue that even vaguely approximates real life. One of the reviews says it's from the same team as those Harlen Coben dramas on Netflix and that makes sense as they are equally rubbish with unbelievable female characters and storylines, poor production values and terrible actors. 1/10 is generous.
A well acted and we'll written thriller with a strong cast and good performances throughout. It play's on the fears of parents everywhere. The tension builds from the start and whilst it stretches credulity a little in places with maybe one too many plot twists the overall premise is sound. It would probably have benefited from being longer which is a rarity in these days of streaming and looking back at it in hindsight there are a few minor plot holes but nothing significant enough to spoil my enjoyment. Somewhat reminiscent of Harlan Coban but where as his work does have a habit of getting a bit preposterous this tended to stay just the right side of the line. Looking forward to the next Alex Dahl adaptation.
The only reason why I did not give this show a lower rating is because I love Holliday Grainger who was the best part of the show.
The mother with the stolen girl and the journalist are two of the most unlikeable characters I have seen in a very long time. Part of it can be attributed to the writing for sure but half of it is the acting. The mother is an absolutely annoying character and the journalist has the most horrendous facial expressions. I swear I just want to fast forward whenever they're on screen which is the majority of the time.
I'm also absolutely shocked that Jim Sturgess (still handsome as ever) is in the show. He was on the verge of becoming a real big star about 15 years ago and now he's in this god awful tv show.
The mother with the stolen girl and the journalist are two of the most unlikeable characters I have seen in a very long time. Part of it can be attributed to the writing for sure but half of it is the acting. The mother is an absolutely annoying character and the journalist has the most horrendous facial expressions. I swear I just want to fast forward whenever they're on screen which is the majority of the time.
I'm also absolutely shocked that Jim Sturgess (still handsome as ever) is in the show. He was on the verge of becoming a real big star about 15 years ago and now he's in this god awful tv show.
The main plot of the show is really good, and the production is paced well. It has that problem that most 'streaming binge' drama has in that it is constantly explaining the obvious, treating the audience as if they are either a) on their phone or b) really stupid. So the script feels a little on the wonky side from the get go.
The major drawback, and this stops it getting a higher score for me is just how howlingly bad some of the acting. Everything line comes at you with a sigh, every line has a sharp intake of breath and a really laboured way of delivering 'plot' which makes it feel less classy than a show of this budget should.
It's okay and passes a few hours of telly wallpaper but with a plotline that's as potentially good as this it could have been much much better.
The major drawback, and this stops it getting a higher score for me is just how howlingly bad some of the acting. Everything line comes at you with a sigh, every line has a sharp intake of breath and a really laboured way of delivering 'plot' which makes it feel less classy than a show of this budget should.
It's okay and passes a few hours of telly wallpaper but with a plotline that's as potentially good as this it could have been much much better.
The abduction was quite innovative in the way it was planned so there was some initial intrigue. That said, this series failed to deliver on several fronts, the motive for the kidnapping was silly, and so was the whole line of the story associated with it. The ending fell flat. The car crash scene was verging on the ridiculous, the way the stationary car was overturned and destroyed and yet the other car travelling at speed didn't so much as get scratched, farcical. But the worst thing about the series for me was the acting of Ambika Mod, painfully wooden and bland. The character she was playing was also childish and annoying, not sure if that was intentional or not. Unbearable to watch either way.
Você sabia?
- CuriosidadesThe working title, "Playdate," was taken from Alex Dahl's novel, on which this adaptation is based.
- Erros de gravaçãoA car hits another car with enough force to roll it over, but the airbags don't deploy.
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