Although it takes a while to get used to, 'Grand Theft Hamlet (2024)' is ultimately surprisingly compelling considering it's essentially a series of screen recordings of 'Grand Theft Auto Online (2013)'. This documentary depicts two out-of-work actors deciding to merge two of their major interests by staging a production of Shakespeare's 'Hamlet' entirely within the open-world sandbox of their favourite COVID-lockdown distraction. After tentatively staging auditions, the pair and their documentarian observer (a non-fiction filmmaker who's also the wife of one of the focal actors) are surprised to find legitimate interest from people all over the world. Soon, their dreams of putting on the first GTA-only production of a play are underway, and they find themselves reckoning not just with the unruly nature of their digital stage but also with the schedules of their fellow actors. At its best, the piece is a testament to the sense of community and connection both theatre and video-games can provide, something we all realised was incredibly important during the recent pandemic (arguably, something like this could only be made under such circumstances). At times, though, it does feel overly staged and it also struggles to justify its length, even though said length is only around ninety minutes. Still, it's an intermittently funny, intermittently moving, and generally inspiring experimental documentary that offers a unique take on its material and feel specifically crafted for today's digital world. It's arguably one of the most timely updates of Shakespeare we're seen in a long time, even if it's more about the making of a Shakespeare production than an actual production itself (said production was live-streamed and viewed in-game a few years ago). It's an engaging experience that isn't ashamed to be exactly what it is and is all the better for it.
