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As usual, Scott Adkins is as good as it gets. But when you have a terrible script, two likable actors in the lead are wasted in silly, inane, predictable style. He is 10 times the actor and the martial artist that jvcd ever was. But for reasons I cannot explain, he gets stuck in b minus movies like these. Most of the movie takes place at the penthouse of a hotel room where they duck behind a sofa for cover,. Yes a sofa which has bullet holes through it as if a sniper couldn't just pepper it and kill everyone and end the movie.

Accident man is one of Atkins best including avengement. Stick with those, skip this..

Here's my review of Take Cover:

Scott Adkins was the only redeeming factor in this film, though calling it "enjoyable" would be a stretch. His performance managed to elevate certain moments, but unfortunately, it wasn't enough to save the movie.

The opening scene failed to make an impression, with a script that lacked both engagement and impact. The issue was compounded by the overly loud background music, which often drowned out the dialogue and made it hard to follow. This pattern continued throughout, making the viewing experience frustrating at best.

The plot and script were major disappointments, wasting the potential of some decent acting. The narrative felt dragged out and underwhelming, with scenes like the one in the hotel room coming across as bland and predictable. There was no tension or excitement, as it was far too easy to guess what would happen next.

While the cinematography was decent, the music often overstayed its welcome, especially in moments that were supposed to be pivotal. The script felt rushed and uninspired, leaving the actors with little to work with, though some performances stood out slightly above the rest.

Overall, Take Cover had potential but was let down by its weak script, predictable narrative, and poor sound design, making it a forgettable experience despite Scott Adkins' best efforts.

For the record, I am a fan. I have an Adkins film on my list of all-best movies, a claim few other reviewers can make. But, at the same time, I have been outspoken in my view that, since his Boyka films, he has not really found an outlet to best showcase his talent. TAKE COVER 2024 changes all that. Writer Joshua Todd James has cleverly turned a hi-rise apartment into a killbox, showing once again how a limited set does not have be a disadvantage. Properly done, the suspense becomes palpable. The script cleverly pushes the "turnabout" trope -- Adkins's being targeted by a faraway shooter works well because, in the story, he himself is also a sniper. Clever! There is a lot of action and tension in Take Cover, and many of Adkins' special skills are effectively deployed for the first time in quite a while. Recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

Based on the actors you know what you are getting with Scott Adkins.

But I felt this was way below average and one of his worst.

Nothing to do with the acting which is always serviceable enough but the script was so bad I think they may be trying to be a parody of these sort of movies.

You have the standard assassin type and you can fill in the blanks it is paint by numbers, but some of the choices are insane, the handlers Alice Eve voice is jarring, she does not suit a small part or play it very convincingly.

You dont need an amazing or necessarily logical script but this one is seriously below average there was no need for some of the most stupid plot points.

Scott Adkins can act well enough for these sort of parts but never has a chance.

The action sequences are so boring with no interesting parts.

I think they should not have gone with Alice Eve and spent the money on a better script and director.

This was pretty poor. It looks like a made for TV movie, that wouldn't even had made it to the VHS bargain bin back in the day.

The acting is lame. The script is atrocious which attempts to play somewhere between a Ryan Reynolds 'action comedy' and an epicly poor Tarantino action thriller.

Adkins colleague is very bad indeed. The action sequences are very poor.

I'd strongly recommend that you give this a wide berth. It's one of those films where you really wish that you can't unsee it, or feel bad about the amount of time that you lost watching it. I had to turn it off at about 35 minutes just during the flat fight sequence. I wish I'd given it up sooner.