End Times

Yet another post-apocalypse, "let's see how badly people can treat each other" movie.

In this particular movie the apocalypse is a zombie one, but really, it could have been any apocalypse, it wouldn't really have made a difference. They skip the really good, interesting part about the actual outbreak, which is what makes a decent zombie movie, and just move straight into the endless rehash of nasty and degenerate things people do to other people (particularly women).

It's not like it even really has any kind of story to make it worth sitting through almost 2 hrs of pointless violence, degradation, and human misery.

Everything about this movie was amateur. Back-and-forth back-and-forth to the same locations fight choreography that looks like it was made up at the time by the Director and worst of all the producers didn't even give full credits at the end of the movie. Not a single credit for set decoration for production design for Costume Design no PROP MASTER credit yet somebody was handling the one single gun that Kept getting used over and over. Plus when all else fails and you can't afford any more zombie make up go to the standard group of people living in some kind of post apocalyptic cult. Not only does this movie not show you anything you haven't seen over and over and over again. It looks like the whole movie was shot in several weeks. Don't waste your time skip it.

Following a zombie apocalypse, a desperate woman and an aging mercenary decide to team up to navigate their way safely across the undead-strewn landscape, but when they join a group of survivors in a remote commune they find it threatens their safety as much as the encroaching zombie hordes.

Overall, there's quite a lot to like about this one. One of the big aspects to be had here is the highly enjoyable setup that serves the film's low-budget origins quite well. The post-apocalyptic zombie effort like this features the type of fare presented here means that this can really focus on the humanity of the two leads forced into the situation that sees a drastic change and shift in their personality over time. Initially starting the journey as a prissy do-gooder too afraid to fight back even if her life depended on it, the change into a cold, ruthless fighter at least capable of going into a fight is handled rather well which happens with the more encounters they have not only with other figures but survivors as well. It's serviceable enough in this type of scenario and makes their relationship fun to follow as the point is to help her toughen up and survive. This manages to provide some rather fun zombie action that pops up here. Starting with the necessary encounters that show off the post-apocalyptic scenario this is attempting to tell with the encounters showing the creatures arriving to take out the victims in their homes or out on the streets, it's a fine start to things while also showing off the kind of environment where her changing condition shows itself off rather nicely. This also serves as a fine means of getting them together when he saves her from an attack and they team up with their training sessions also providing the kind of first-hand training that's fun to see, especially when it's the only stuff here that really carries any kind of action until the finale when it offers the full scope of it's setup giving this a spectacular heartfelt conclusion perfectly in tone with the rest of the film. It's all enough to make this exceptionally enjoyable even if there isn't much to hold this back but it does have some slight issues. One of the main drawbacks holding it back is the somewhat overlong running length that could've been trimmed down somewhat. A lot of the film consists of him teaching her survival tactics and weaponry skills to help prepare her for the situation which can be somewhat redundant with it relying on him instructing what needs to be done, her failing it, and then trying it again when everything goes smoothly. That all helps to establish the situation present as well as their relationship but does feel a little overlong as they don't even reach the colony of survivors until an hour into here which is all to the detriment of the zombie attacks. There's not a whole lot throughout here which is kept to brief but thrilling encounters due to these other factors. These end up being the main drawbacks to this one.

Rated Unrated/R: Graphic Violence, Graphic Language, and Brief Nudity.

Writers should only write and never direct nor act.

Directors should direct and never write nor act.

Actors should act and never write nor direct.

Now say it again and again and again.

I implore you combo wanna be I can do it all people in film; stick to one line of work and do it well otherwise what you produce looks like this dribble you call a film.

Write a good script and let a professional director and actors do the rest.

This movie is so bad on so many levels I had to stop driving to post this after seeing it an hour earlier.

Where to begin, how about the terrible script written by an amateur who thinks he can write and then had the audacity to direct it.

I will stop here. Now go back to the top of this post Mr. Director/Writer and reread this.

Not the worst horror movie I've seen, (have you seen the 2020 remake of Children of the Corn? Yikes). But... not good. I won't lean too hard into the flagrant misogyny because it seemed so intentional that it need not be highlighted further. Needless to say, Alison Bechdel would not give it a passing grade. I feel like several fetishes were being brought to life on the screen - skimpy outfits on daft women, brutal rape, and ditzy blondes who say things like, "we're very open here" which is thinly veiled code for hot chicks who are about to make out.

The storyline is very "been there, done that, killed those zombies a thousand times" that has the overused desaturated grey look of every post-apocalyptic movie shot on a DSLR. Nothing new there unless you think mixing The Walking Dead with Midsommar sounds like a good idea (it's not). Craig Stark was the saving grace, once you got past the trite dialogue and forced machismo. Jamie Bernadette's character was written like a mindless 1940s female lead; I'm surprised she didn't have a fainting spell and was accused of "hysteria." I understand that Freddie (Stark) had to explain the backstory for our benefit, but that Claire (Bernadette) knew nothing about the apocalypse because "I don't watch the news, it's too depressing" was absurd. Her character was a failed attempt at the clichéd party-girl-turned-badass role.

Some of the pros were a few well-executed and gloriously bloody kill scenes and the zombie make-up was pretty good. Unfortunately, that wasn't enough to save this unoriginal movie.

My suggestion is that you use those delightfully gory skills for something more imaginative. Zombies in Space? Zombie Babies? Attack of the Killer Stereotypes?