AVALIAÇÃO DA IMDb
5,7/10
5,6 mil
SUA AVALIAÇÃO
Um ex-agente da DEA e uma ex-agente secreta revivem seu romance durante um fatídico fim de semana em Taipei, sem saber das perigosas consequências de seu passado.Um ex-agente da DEA e uma ex-agente secreta revivem seu romance durante um fatídico fim de semana em Taipei, sem saber das perigosas consequências de seu passado.Um ex-agente da DEA e uma ex-agente secreta revivem seu romance durante um fatídico fim de semana em Taipei, sem saber das perigosas consequências de seu passado.
Lun-Mei Gwei
- Joey
- (as Gwei Lun-Mei)
Patrick Pei-hsu Lee
- Bolo
- (as Patrick Lee)
Chung-Hua Tou
- Deputy Liu
- (as Tsun-Hua Tuo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Weekend in Taipei is an unapologetically nostalgic action film that feels like a love letter to the high-octane, melodramatic thrillers of the 90s and early 2000s. Directed by George Huang and featuring Luke Evans, Gwei Lun-mei, and Sung Kang in pivotal roles, the movie delivers a mix of explosive action, emotional beats, and stylistic flair that's as entertaining as it is self-aware. While it's not without its flaws, it manages to carve out a space as a fun, casual watch that's perfect for a weekend with friends and a giant bowl of popcorn.
One of the film's most creative touches is how it frames itself as a sequel to a movie that never existed. Through its numerous flashbacks, the story creates the illusion of a complete backstory, as if the characters' previous lives were already immortalized in some lost 90s action flick. These flashbacks, drenched in moody lighting and slow-motion drama, evoke the vibes of films like Hard to Kill, Max Payne, or even The Crow. It's a bold stylistic choice that not only leans heavily into nostalgia but also gives the movie a sense of history and weight, even if that history is fabricated.
The plot centers around Luke Evans's John Lawlor, a classic one-man-army DEA agent who lives by his own rules. After years away, he finds himself back in Taipei on the trail of an international drug-running billionaire, only to uncover a web of personal and professional entanglements. At the core of the story is Joey (Gwei Lun-mei), a mercenary driver and John's former lover, who married Kwang (Sung Kang), the crime lord, out of necessity after John's abrupt departure years earlier. The discovery that John has a son he never knew about adds an emotional layer to the chaos, making the story more than just a series of shootouts and chase sequences.
Where Weekend in Taipei really shines is in its ability to balance the emotional with the absurd. The love triangle at the heart of the film-Joey torn between the father of her son and the man who provided for her when she was most vulnerable-gives the story a soul that elevates it above standard action fare. Throwing an adolescent child into the mix only deepens the stakes, creating moments of genuine heart amidst the chaos. The movie also knows when to laugh at itself, using comic relief to lighten the tension without undermining the drama. It's a delicate balance, but one the film pulls off surprisingly well.
Stylistically, the film borrows from the slick, neon-lit aesthetic of early Fast & Furious movies while weaving in the international sensibilities of post-Wanda-acquisition Legendary Pictures films. The cinematography and editing choices feel designed for a global audience, blending Western action beats with Eastern influences in a way that's visually striking but might not sit perfectly with American audiences. It's a film made for the world stage, and while that ambition sometimes creates tonal inconsistencies, it also gives Weekend in Taipei a distinctive energy.
That said, the movie is far from perfect. Its adherence to familiar action tropes-rebellious hero, shady billionaires, over-the-top situations-means it doesn't break much new ground. The plot can feel predictable, and the dialogue occasionally veers into cliché. But to criticize it too harshly for these flaws would be to miss the point. Weekend in Taipei isn't trying to be groundbreaking; it's trying to be fun. And in that, it succeeds.
This is the kind of film that's best enjoyed as a casual watch. It's not something you rush out to see, but it's perfect for streaming when you're in the mood for a lighthearted, action-packed romp with friends. Pair it with a classic like Romeo Must Die or Fist of Legend for a double feature that celebrates the best of nostalgic action cinema.
Verdict: casual watch - Weekend in Taipei may not be a great movie, but it's a highly entertaining one. It's the perfect kind of "popcorn flick" to kick back with, laugh at the ridiculousness, and maybe even feel a little nostalgic for the days when action heroes were larger than life and flashbacks had their own dramatic weight. Not essential viewing, but definitely worth a watch.
One of the film's most creative touches is how it frames itself as a sequel to a movie that never existed. Through its numerous flashbacks, the story creates the illusion of a complete backstory, as if the characters' previous lives were already immortalized in some lost 90s action flick. These flashbacks, drenched in moody lighting and slow-motion drama, evoke the vibes of films like Hard to Kill, Max Payne, or even The Crow. It's a bold stylistic choice that not only leans heavily into nostalgia but also gives the movie a sense of history and weight, even if that history is fabricated.
The plot centers around Luke Evans's John Lawlor, a classic one-man-army DEA agent who lives by his own rules. After years away, he finds himself back in Taipei on the trail of an international drug-running billionaire, only to uncover a web of personal and professional entanglements. At the core of the story is Joey (Gwei Lun-mei), a mercenary driver and John's former lover, who married Kwang (Sung Kang), the crime lord, out of necessity after John's abrupt departure years earlier. The discovery that John has a son he never knew about adds an emotional layer to the chaos, making the story more than just a series of shootouts and chase sequences.
Where Weekend in Taipei really shines is in its ability to balance the emotional with the absurd. The love triangle at the heart of the film-Joey torn between the father of her son and the man who provided for her when she was most vulnerable-gives the story a soul that elevates it above standard action fare. Throwing an adolescent child into the mix only deepens the stakes, creating moments of genuine heart amidst the chaos. The movie also knows when to laugh at itself, using comic relief to lighten the tension without undermining the drama. It's a delicate balance, but one the film pulls off surprisingly well.
Stylistically, the film borrows from the slick, neon-lit aesthetic of early Fast & Furious movies while weaving in the international sensibilities of post-Wanda-acquisition Legendary Pictures films. The cinematography and editing choices feel designed for a global audience, blending Western action beats with Eastern influences in a way that's visually striking but might not sit perfectly with American audiences. It's a film made for the world stage, and while that ambition sometimes creates tonal inconsistencies, it also gives Weekend in Taipei a distinctive energy.
That said, the movie is far from perfect. Its adherence to familiar action tropes-rebellious hero, shady billionaires, over-the-top situations-means it doesn't break much new ground. The plot can feel predictable, and the dialogue occasionally veers into cliché. But to criticize it too harshly for these flaws would be to miss the point. Weekend in Taipei isn't trying to be groundbreaking; it's trying to be fun. And in that, it succeeds.
This is the kind of film that's best enjoyed as a casual watch. It's not something you rush out to see, but it's perfect for streaming when you're in the mood for a lighthearted, action-packed romp with friends. Pair it with a classic like Romeo Must Die or Fist of Legend for a double feature that celebrates the best of nostalgic action cinema.
Verdict: casual watch - Weekend in Taipei may not be a great movie, but it's a highly entertaining one. It's the perfect kind of "popcorn flick" to kick back with, laugh at the ridiculousness, and maybe even feel a little nostalgic for the days when action heroes were larger than life and flashbacks had their own dramatic weight. Not essential viewing, but definitely worth a watch.
I don't mean to hate on this movie so much so I'll make a compliment sandwich. I think this movie has some seriously well made action scenes and visually stimulating cinematography. The drama in this felt so cheesy like drenched a fondue pot.
Ultimately it's a spy movie, and they really spent a bunch of money in the right place on this movie, except maybe find someone else to do a score, because my god, can someone arrest the man who scored this movie. I swear every action scene was scored with something that managed to make no sense with what was happening at all. The only scene where the music felt ok was when it was diegetic.
It was hard to pay attention to much else once you notice how off the music is compared to what's happening on screen. The romance was cute and I appreciate that it was an older, matching aged couple. But it wasn't a strong story line. The few moments that sparkled didn't stand out against the rest of the bland film.
Overall an okay watch with some fun action scenes and poor music.
Ultimately it's a spy movie, and they really spent a bunch of money in the right place on this movie, except maybe find someone else to do a score, because my god, can someone arrest the man who scored this movie. I swear every action scene was scored with something that managed to make no sense with what was happening at all. The only scene where the music felt ok was when it was diegetic.
It was hard to pay attention to much else once you notice how off the music is compared to what's happening on screen. The romance was cute and I appreciate that it was an older, matching aged couple. But it wasn't a strong story line. The few moments that sparkled didn't stand out against the rest of the bland film.
Overall an okay watch with some fun action scenes and poor music.
I am a fan of this action movie genre, but there are so many below average action movies that I didnt expect much at firsthand, but after having watched it I can confirm that this movie is quite an enjoyable action flick.
The good: I NEED riveting action, chases and fights. And THAT is exactly what I got. Not the best, but good enough for me to have a fun time watching it.
More good: what's even more to like is that the characters are credible. The acting is solid (not earthshattering good, but solid) and it has got characters and a storyline I can believe in. THAT matters to me, because even in an action flick like this I WANT the characters to be credible.
Any bad? Dont expect action heaven, this is just another action movie but a really solid one. Recommended for the fans of this action genre.
The good: I NEED riveting action, chases and fights. And THAT is exactly what I got. Not the best, but good enough for me to have a fun time watching it.
More good: what's even more to like is that the characters are credible. The acting is solid (not earthshattering good, but solid) and it has got characters and a storyline I can believe in. THAT matters to me, because even in an action flick like this I WANT the characters to be credible.
Any bad? Dont expect action heaven, this is just another action movie but a really solid one. Recommended for the fans of this action genre.
Marketed as a "throwaway" foreign action film with veteran action/thriller star Luke Evans, I went in with low expectations. To my surprise, this was a better than expected action flick with great action sequences.
What with an assassin-like lead in a foreign country, with heavy family theme overtones, the movie had heavy Taken vibes. Similarly, prominent car action sequences in a foreign country - including Fast and Furious regular Sung Kang by the way - clearly gave off Fast and Furious vibes.
The first and last quarter of the movie had top-notch edge of your seat action, gratifyingly up to the standards of legendary co-writer and co-producer Luc Besson.
The middle 50 percent of the movie, unfortunately, does get bogged down in complicated relationship entanglements between Evans, the bad guy Kang, and Kang's wife. In an almost James Bond-ian, if not Gilda-esque, plot point, the -ex of the good guy is now the wife of the bad guy - which is always a problem.
The movie relies heavily on a series of massive and incredulous coincidences and contrivances, yet, to be honest, I was willing to overlook these flaws in deference to the overall entertainment value of the flick.
If you're looking for a light action flick, perhaps only a notch below a Jason Statham flick, then you will like this movie.
What with an assassin-like lead in a foreign country, with heavy family theme overtones, the movie had heavy Taken vibes. Similarly, prominent car action sequences in a foreign country - including Fast and Furious regular Sung Kang by the way - clearly gave off Fast and Furious vibes.
The first and last quarter of the movie had top-notch edge of your seat action, gratifyingly up to the standards of legendary co-writer and co-producer Luc Besson.
The middle 50 percent of the movie, unfortunately, does get bogged down in complicated relationship entanglements between Evans, the bad guy Kang, and Kang's wife. In an almost James Bond-ian, if not Gilda-esque, plot point, the -ex of the good guy is now the wife of the bad guy - which is always a problem.
The movie relies heavily on a series of massive and incredulous coincidences and contrivances, yet, to be honest, I was willing to overlook these flaws in deference to the overall entertainment value of the flick.
If you're looking for a light action flick, perhaps only a notch below a Jason Statham flick, then you will like this movie.
Years ago, committed DEA agent John Lawlor (Luke Evans) fell in love with Joey Kwang, a Taipei-based transport driver working in the criminal underworld, but was forced to flee due to tragic circumstances. Now, the duo reunites when Lawlor blows his cover as a chef and takes an off-the-books weekend mission to Taipei to bring down a billionaire drug kingpin (Sun Kang)... who just so happens to be Joey's (Lun-Mei Gwei) new husband. There John will rediscover a past that he thought he had left behind 15 years ago. Pack for a long weekend !. From the creators of Taken and The Transporter, Weekend in Taipei hits theaters this November 8th !.
After their time in the 'Fast and Furious' saga, Luke Evans and Sung Kang share the lead roles on screen again in another adrenaline-fueled film, in this violent thriller of action and high-voltage romance. Resulting to be an over-the-top and nail-biting thriller that will leave you emotionally and and physically drained due to constant fights, car chases and violent shootings. Intriguing and suspenseful thriller about a three attractive roles who become involved into a triangular drama, including a a brave son in the middle. There's also a charming love story in which the two main roles revisit their romance during a fateful weekend in Taipei, unaware of the dangerous and fateful consequences of their past.
The trio of protagonists give decent performances. Luke Evans is acceptable as John Lawlor, a drug agent who heads to Taipei with the objective of tracking down Kwang - well played by Sung Kang - the leader of the drug cartel in Taiwan, along with t.he Taiwanese star Lun-Mei Gwei as the third in discord and cause of dispute .
Lavishly produced by Luc Besson, winner of the Cesar for best director for 'The Fifth Element', and the script is by Besson himself together with the film's director George Huang. Although professionally directed by George Huang (Trojan War, Swimming Sharks, How to make a monster, The Invisible Man), this film is clearly a work of Luc Besson, as evidenced by his usual trademarks and ordinary visual pyrotechnics, such as: unstoppable action, luxurious sets, exotic environments, twisted romances and clever crime dramas. Besson often features fully enclosed sets with no natural lighting and typically, during the opening-titles, the camera moves towards something important for the movie, but looks down until the important part of credits was shown, then swings up, now looking at a place or character. Luc often casts Jean Reno and music always by Eric Serra. Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Lucy¨, ¨Malavita¨, "The lady¨,¨The extraordinary aventures of d'Adèle Blanc-Sec¨, "Arthur and the Minimois¨, ¨Valerian and the City of a Thousand Planets ¨, ¨Anna¨ and , of course , ¨Nikita¨, among others . Rating Weekend in Taipei (2024) 6/10 . Well worth watching . The pic will appeal to action movies fans.
After their time in the 'Fast and Furious' saga, Luke Evans and Sung Kang share the lead roles on screen again in another adrenaline-fueled film, in this violent thriller of action and high-voltage romance. Resulting to be an over-the-top and nail-biting thriller that will leave you emotionally and and physically drained due to constant fights, car chases and violent shootings. Intriguing and suspenseful thriller about a three attractive roles who become involved into a triangular drama, including a a brave son in the middle. There's also a charming love story in which the two main roles revisit their romance during a fateful weekend in Taipei, unaware of the dangerous and fateful consequences of their past.
The trio of protagonists give decent performances. Luke Evans is acceptable as John Lawlor, a drug agent who heads to Taipei with the objective of tracking down Kwang - well played by Sung Kang - the leader of the drug cartel in Taiwan, along with t.he Taiwanese star Lun-Mei Gwei as the third in discord and cause of dispute .
Lavishly produced by Luc Besson, winner of the Cesar for best director for 'The Fifth Element', and the script is by Besson himself together with the film's director George Huang. Although professionally directed by George Huang (Trojan War, Swimming Sharks, How to make a monster, The Invisible Man), this film is clearly a work of Luc Besson, as evidenced by his usual trademarks and ordinary visual pyrotechnics, such as: unstoppable action, luxurious sets, exotic environments, twisted romances and clever crime dramas. Besson often features fully enclosed sets with no natural lighting and typically, during the opening-titles, the camera moves towards something important for the movie, but looks down until the important part of credits was shown, then swings up, now looking at a place or character. Luc often casts Jean Reno and music always by Eric Serra. Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Lucy¨, ¨Malavita¨, "The lady¨,¨The extraordinary aventures of d'Adèle Blanc-Sec¨, "Arthur and the Minimois¨, ¨Valerian and the City of a Thousand Planets ¨, ¨Anna¨ and , of course , ¨Nikita¨, among others . Rating Weekend in Taipei (2024) 6/10 . Well worth watching . The pic will appeal to action movies fans.
Você sabia?
- CuriosidadesLuke Evans and Sung Kang have appeared in the Fast and Furious franchise, both in The Fast and Furious 6 movie.
- Erros de gravaçãoThe salesman at the car dealership says that the Ferrari is a "488 Pista Spider", but the car is a 488 GTB, as shown on the dashboard in the car.
- ConexõesFeatures O Clã das Adagas Voadoras (2004)
- Trilhas sonorasPaint It, Black
(Mick Jagger (as Michael Phillip Jagger): Keith Richards)
Performed by Nini Music
Courtesy of ABKCO Music Inc.
Publishings Promopub B.V.; Westminster Music Ltd
Courtesy of BMG Rights Management (France) Europacorp
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- How long is Weekend in Taipei?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Misión en Taipei
- Locações de filme
- Taipei, Taiwan, China(city of main events)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 608.034
- Fim de semana de estreia nos EUA e Canadá
- US$ 380.057
- 10 de nov. de 2024
- Faturamento bruto mundial
- US$ 2.987.898
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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