Gangues de Tóquio

The costumes/movie set are quite breathtaking and songs are very catchy. Another eccentric movie by Sion even if it doesn't break any grounds. It's probably hard to watch again as the plot is extremely superficial and never takes itself seriously. Never knew Rap was a thing in Japan until I googled some of the actors from the movie that are actually real artists irl.

Sion Sono seems to be entering a new phase in his career that is just incredible. With 6 films set to be released in 2015 alone, and putting the insanity of Why Don't You Play In Hell and Tokyo Tribe into consideration, I think it's safe to say that Sion Sono is the new Takashi Miike. Only better since Sono actually writes his owns movies.

If you are asking "where can he go after doing Why Don't You Play In Hell?", the answer is Tokyo Tribe. The movie is an instant cult classic and one of the most ambitiously original films of his career that I doubt any other director could pull off. He dubs it as "the worlds first battle rap musical", and it definitely is. Over 90% of the dialog is rapped. Most of the shots are in long masterful takes. While it's not as gory as Why Don't You Play In Hell, the action is nearly non stop and absolutely mind blowing. The sets in this film are truly a site to behold. He said at TIFF that he employed a lot of students to make them. The all around visual style of this film is just unreal. The only film I could compare this to would be Sogo Ishii's Burst City. Both are musicals that chronicle Japanese music scenes of the time with a very loose plot connecting it all together. Like Burst City, it's not about the plot, it's about the visual and musical experience. Sion Sono took a risk that most film directors of his calibre wouldn't even dare and he pulled it off masterfully. Love Exposure will always be his supreme masterpiece, but I can safely say that I rank Tokyo Tribe among his best films, and i've nearly seem them all.

Some people who hate hip hop may hate this movie. I myself am a major hip hop nerd but I don't see that as bias, If anything It made me more concerned before watching but wow. This movie rules and is the best musical in ages and the only good hip hop musical ever produced.

Neva Eva Die

Well, what can I say? That was something a bit different! If I had known in advance that what I was about to watch was a Japanese hip-hop musical about warring gangs in an alternate Tokyo, I suspect at least a few alarm bells might have gone off. The idea is so wilfully absurd that the movie could easily fall into car crash territory. But you are probably thinking that there is a 'however' coming up here and you would indeed be correct, as in the event Tokyo Tribe proved to be a properly exhilarating movie experience. The originality on display was pretty mind-boggling not just in terms of basic idea but also in execution. There is a story but I realised pretty early on that paying full attention to it was not really a primary requirement. Needless to say, I can't actually be bothered summarising the plot synopsis. What this one is resolutely all about is style over substance. For some viewers that is a cinematic crime but I personally think that we get a little too much 'substance' and not anywhere near enough genuine style in our modern movies. Tokyo Tribe is an example of a film that is great, great style and is pure cinema from start to finish.

Seemingly it was based on a manga comic, which isn't exactly surprising given the sheer insanity that unfolds on the screen. It has an extremely colourful aesthetic with great sets and costuming. The look is constantly interesting and surprising, a fantastic spectacle overall. But this crazy film also has most of its dialogue rapped as well. I hadn't even been aware of Japanese hip-hop before this so it was an education I can tell you. The style of filming with lots of long takes was somewhat similar to the style that many rap music videos adopted, so this is another disparate element mixed into the overall concoction. So what do we have here? Well, we have martial arts fighting (although not so much so that it gets overbearing), some good old fashioned sexploitation elements, a beat-boxing maid, a Mr Big gangster with an ever-present dildo, human furniture, a tank driving Samurai, a super-strong black henchman, (very) cute Japanese women of various shapes and sizes, some men with misguided hair-cuts, a wheel of death, a depressed youth in a hoodie who pitches up every so often like a Greek Chorus, comic-book violence and bling weaponry. There is even more going on than this as well but that's the best I can do for now. On the whole, this is a highly entertaining action-comedy-musical with a real energy and originality. This really does define the term one of a kind!

Actually watching this I can't imagine anyone being serious ... I was surprised at how much "Rap" was in it (even though some of the actors actually weren't that good with their MC skills) - you can and should call this a musical. Obviously, if rap music isn't your thing, you should not even think about watching this.

Anyone else open to a mad world, go ahead and have fun. And you can have fun. There are so many crazy and wicked ideas in this, you'll have quite a lot to talk about with friends or generally on the internet. There were a couple of moments that seemed unnecessary (misogynistic), but other than that, this is really just a fun little movie, that almost made me stand up at the end singing along - Tokyo Tribe

You'll either find this mash up of gang violence, martial arts action and hip-hop musical (it is told almost entirely in rap verse), based on a popular Manga series ingenious or totally bonkers, but director Sion Sono delivers a movie that goes beyond the midnight-movie oddness of the plot, and has a knack of making the dumbest of ideas work. In a futuristic Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. When one of the gang leaders breaks the fragile peace, it triggers a brutal street war for supremacy. Featuring a cannibalistic yakuza boss and his son who has a room full of human furniture, a (computer-generated) tank rolling down the streets of Tokyo and bombing buildings, a lot of humour, and even a homage to Bruce Lee (not Kill Bill) in Game of Death, there's a lot to like in this movie even if the novelty of it all does start to wear a little thin after a while.