We're All Gonna Die

This was probably the biggest waste of time ever. It didn't make much sense the dialogue was as bland as possible and there is no explanation of what is going on. It feels like there could possibly be an interesting concept here but this is the worst execution they could have done. I get that it is an indie film but it is still God awful by that standard. With other indie films at least there is some value and interesting dialogue occasionally but this has none of it and clearly they had a somewhat good budget because the effects are decent and the props were somewhat decent, but clearly the director doesn't know how to direct, I hope they learn because again it is an interesting concept.

What a wonderfully engaging film. It's a package of emotional loss and resettling, genuinely amusing side lines, light romance and drama with a one percent Science Fiction content used to tie it all together.

If you're expecting to watch a Sci-Fi indy film with all that may encompass, I suspect you're going to be one of the ones on here using the incredibly tired cliche about having wasted an hour and three quarters of their life.

The Sci-Fi element is more of a small Segway to bind all the other components. It's a weird spike - that's it, it doesn't need explaining, the film doesn't require it.

The acting, story, setting and outcome make up for what I was originally expecting in every way and left me with an emotional feel good lift that was far from expected and very much appreciated and enjoyed.

Highly recommended as a light but emotional feel good drama - with a teensy tiny bit of Sci-Fi thrown in.

An ambitious blend of slice-of-life, road trip, and science fiction, infused with some genuine intents at its core, which I wholeheartedly admire.

While it might not be the most sophisticated or high-concept feature, the messaging resonates well. The chemistry between the lead characters, Thalia and Kai, portrayed by Ashly Burch and Jordan Rodrigues, is commendable as they effectively strikes the right emotional chords.

If only the comedic moments had landed more effectively and the balance between the contrasting tones been nicer, I would have been more generous with my rating.

Nevertheless, I liked it for what it wanted to convey and would definitely recommend it to anyone in search of a 'comfort' feature, this might soothe your mind.

I rarely watch anything outside of mystery/horror and true SciFi. I only watched this because I was intrigued by the idea of a teleporting alien spike. So for me to come write a review of this movie means this movie had a impact. It honestly really is just a drama, with a little comedy, a little romance, and even less SciFi. But the ending point of it was sooo good. The leads are okay, not fantastic, and there was an awkwardness that I don't feel was intentional, it kinda felt like young acting jitters. Nothing spectacular about the scenery other than the spike. The music was appropriate but nothing great. There was not ONE particular thing that stood out, but when it all came together at the end, I felt content and glad that I watched this movie.

In full honesty, one hour in, and I wasn't sure if this movie was going to really "pay off"; a burden I put on the film, not something promised to me. The characters didn't click with me immediately, no matter how hard I tried. Not to say the performances were bad, Ashley Burch is a stand out for sure, but the tone felt a little disjointed/inconsistence to me. My mind was changed during the climax of the film. The last 20 minutes of succinct story telling, beautiful cinematography and clever use of special FX ties everything together beautifully. I was crying, smiling and laughing by the end of the journey. As the credits rolled I felt like I had watch two people grow, change, and mature together; An absolute joy of a film! I want more Sci-Fi RomComs from Matt and Freddy; please and thank you!

P. S. Composer Maxton Waller's music throughout the film was absolutely incredible; very reminiscent of Shane Curruth's work in Upstream Color. Not similar in tone per se, but in his ability to match each "short" musical piece and interlude with the scene presented on screen. The backing track was always so expressive and perfectly emblematic of the emotions depicted. A+!