Acompanhe o ladrão de túmulos e assassino em série Ed Gein, mais conhecido como "O Demônio de Plainfield" e "O Açougueiro Louco".Acompanhe o ladrão de túmulos e assassino em série Ed Gein, mais conhecido como "O Demônio de Plainfield" e "O Açougueiro Louco".Acompanhe o ladrão de túmulos e assassino em série Ed Gein, mais conhecido como "O Demônio de Plainfield" e "O Açougueiro Louco".
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Had to put a small review after two episodes as I can't understand the low rating. If you like true crime then this is a good watch. They're not telling you anything we don't already know as such, it's just much more detailed and a 'deep dive into Geins crimes, mindset and family history. Also the impact on this quiet backwater town in Wisconsin which is forever known as 'Geinsville'. You also get to hear Geins voice for first time which is interesting. Anyway so far so good for me.
*edit* now watched all 4 episodes and it did dip slightly. The first episode remains the best one by far. That been said its still worth your time and a broad take on both him, his crimes and the impact the crimes made on cinema.
*edit* now watched all 4 episodes and it did dip slightly. The first episode remains the best one by far. That been said its still worth your time and a broad take on both him, his crimes and the impact the crimes made on cinema.
First off, the three podcasters in this are really, really annoying, laughing and joking around about Ed Gein's murders and laughing about the victims...
Let's just all admit that podcasting is not a genuine form of media when clowns like this are included in a documentary that has actual experts, from people in the town to the author of what's the quintessential Ed Gein biography...
Why these podcaster clowns are included is a mystery, but it's probably because the filmmakers felt that most young people can relate to young jokers, or something...
As for the titular interview tapes: they take about ten lines from Gein and try making a four-part doc with them, and that's a tall order...
With horror-movie music and a few shots making Gein look formidable, it's really the case of taking who's more a backwoods Barney Fife type than a Norman Bates or Buffalo Bill and making a contrived terrorizing study, which doesn't gel here at all...
However it's not a terrible documentary as you do learn some things about Gein... but learning/educating audiences isn't what passes for documentaries anymore...
For True Crime, books are always the best bet because there aren't any repetitive facts, opinions, speculations or photos, and best yet, no annoyingly childish podcasters.
Let's just all admit that podcasting is not a genuine form of media when clowns like this are included in a documentary that has actual experts, from people in the town to the author of what's the quintessential Ed Gein biography...
Why these podcaster clowns are included is a mystery, but it's probably because the filmmakers felt that most young people can relate to young jokers, or something...
As for the titular interview tapes: they take about ten lines from Gein and try making a four-part doc with them, and that's a tall order...
With horror-movie music and a few shots making Gein look formidable, it's really the case of taking who's more a backwoods Barney Fife type than a Norman Bates or Buffalo Bill and making a contrived terrorizing study, which doesn't gel here at all...
However it's not a terrible documentary as you do learn some things about Gein... but learning/educating audiences isn't what passes for documentaries anymore...
For True Crime, books are always the best bet because there aren't any repetitive facts, opinions, speculations or photos, and best yet, no annoyingly childish podcasters.
This could have been an interesting series listening to the tapes and revisiting some of horrors from the Geins case. Instead we have an overly produced mess with loud overly dramatic music that makes you feel like you're watching a low budget horror movie.
It seems more like an experiment to see if they could make a series with very limited new material. What we have shows that MGM thinks that dramatic music will hide how poorly researched and put together this docuseries is, repeated half truths that have been corrected over time are in here, the entire series feels lazy.
A frustrating and annoying watch.
It seems more like an experiment to see if they could make a series with very limited new material. What we have shows that MGM thinks that dramatic music will hide how poorly researched and put together this docuseries is, repeated half truths that have been corrected over time are in here, the entire series feels lazy.
A frustrating and annoying watch.
I wanted to like it and some parts were good but there's to much Speculations from bloggers and podcasters that say what they think happened without any prof that happened and it's been over 50 years so i assume that if it had merit it would be facts by now cause this is the most researched serial killer in history. It's hard to take it serious when the "experts" are 3 podcasters or someone that found about about Ed by mistake and than wrote a book. But if you can ignore that i would still recommend it because of the new tapes.and fotagedes it adds to the story that hasn't been known previously.
Like a lot of these shocking docu-series, you realize the producers do all they can to stre-e-e-e-etch 90 minutes worth of material into four hours, and it really dilutes the finished product. The premise is a bit shaky, in that we're never told why these "lost tapes" have never been heard, not even by Gein's biographers. We're just supposed to accept that they are unearthed treasures. The tapes are somewhat interesting but anticlimactic because Gein doesn't have much to say. We hear from a few experts, a few interesting people who actually knew Ed Gein, a good cross section of contributors, and three sophomoric podcasters who, I guess are there for color but seem to think the whole topic is one big joke and end up dumbing down the documentary significantly. All the while, we see the same stock footage and hear the same audio clips over and over, even within the same episode. If all that superfluous filler had been trimmed it could have been an interesting and tight project. Not bad overall, but way too long.
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