Daaku Maharaaj

Sentence: If you are capable of torturing yourself with your mental health, then congratulations, this movie is for you.

Okay, telling you from the storyline, the movie started with a fight scene, which is a trimmed part of the middle portion to introduce the Protagonist. Then, how the movie turned out really puzzled me.

Talking about the Cast, Balakrishna's acting is good (5/10 stars), but the Hindi dubbing and dialogue delivery for the particular protagonist didn't blend well. Ravi kishan's acting is superb, and I enjoyed it. Urvashi's character is a Police Inspector, but I don't know if I'm blind; I didn't see her in uniform, and the way she portrayed her character is not justified. Lord Bobby's acting is also better than any others, but his screen time is too short.

The story telling, what a pressentation of a cliche story line .. its fabulously crafted .. and the twists and film surprises, i knowingly dont want to give spoilers for those who havent watched and urging for not to check wikipedia or spoilers , the magic of the film is the journey with the characters found a complete strategically making of this film, casting artists from north indian cinema industry, but also keeping the values of south indian cinema .. i particularly love the way south indian film makers speak about the religion , belief and doesnt hesitate to speak , unlike bollywood where film makers take a middle route ..

I don't know if it's too much to ask a basic, decent movie, with bare minimum emotional touch, watching big hero movie from Telugu is frustrating

Balakrishna does everything in his usual style, albeit with the loudness toned down. Urvashi's Butts has got more screentime than her face, Pragya does nothing, Shraddha Srinath surprisingly has got a decent role and did well. Bobby Deol except for fighting cigarettes does nothing.

Technically, movie is super slick with solid cinematography by Vijay Karthik, rousing score by Thaman, fair work by editor Ruben, production values are fine for a Balayya film.

Coming to writer-director Bobby Kolli, don't know how he keeps churning out such half baked movies on a consistent basis, might do commercially well, but they are far from satisfactory.

BOTTOMLINE : It's neither VIKRAM nor JAILER.

IDaaku Maharaaj is a new Telugu language movie directed by Bobby Kolli and it stars Balakrishna, Pragya Jaiswal, Shradha Srinath and Bobby Deol with a cameo appearance by Urvashi Rautela. This movie tracks well with Balakrishna template where he is introduced as nobody but has a flashback where was a savior of people and he unleashes that fierceness in the climax. No surprises there. This movie was as predictable as sunrise and sunset.

While there is nothing wrong with formulaic commercial mass movies, the way this particular movie is written is an insult to the audience. The makers planned a "high elevation" scene every 10 minutes where we see Balakrishna uttering a senseless "punch dialogue" to cater to the "masses" followed by equally senseless songs with disgusting lyrics disguised as "mass numbers" all the while aided by S. Thaman's raucous background score that he lifted from Anirudh's Jailer theme "Alapara" and Hans Zimmer's Dune desert bass. Fortunately, this movie was not as loud as his other recent works so that's a concession, I guess.

While the movie shows so many objectionable scenes, especially involving little girls and women, the audience have to come accept that these form the core of a "Balakrishna Template". This is an unfortunate development where the audience make this kind of low effort scrap a commercial success. I cringed a little every time Balakrishna spanks the female lead in the movie. If that is not enough, the director Bobby Kolli made a little girl, probably a 6 year old, spank the female lead for Balakrishna in the name of "mass". Not stopping there, the liberal use of double entendres which leave no room for imagination is low even for Balakrishna's standards. The screenplay leaves no element of surprise by providing you exactly what you'd expect to happen exactly at the time you'd expect to happen.

What felt fresh, again for a Balakrishna template, was the cinematography. They were more subdued than a typical Balakrishna movie. However, the color grading was all over the place. There are scenes where excessive grunge effect was applied turning blood into a black colored liquid, again, presumably, to appease to the masses I guess.

Bottomline: This movie was a low effort scrap that caters to very specific set of audience.

I actually wanted to give a 6.5, since it's not possible, I gave it a 7. In first half, Protagonist does etc things like protecting, fighting, etc but doesn't give a proper reason. It captivates our curious minds. Second half gives a proper flashback and answers all our questions in the first half. In last 20 minutes of the movie, the plot comes to present time. Protagonist kills antagonist hence the movie ends 🤷. Just like the lead actor's N Balakrishna previous movies, he gets all that unnecessary hype like his entrances with sandstorm, earthquakes, etc. Despite these similarities, these movie's inner plot is interesting and has a strong sense of justice. Also there's no boring clips in the whole length. That's what actually makes it watchable despite it's repetitive plot.