The Borderlands

A low budget British gem that delivers. Don't let the found- footage sub-genre put you off as this isn't your typical-shaky-cam film.

I love the way the friendship develops between the two leads. Deacon, the cynic is having doubts about his faith and spends half the film finding solace in the bottom of a wine bottle. Grey, the cheeky-geezerish bloke who you take an instant like to, though not a believer per se, Grey can't entirely discount the possibility of a more cosmic force guiding our lives in unseen ways. Together they uncover a sinister truth more horrifying than either of them could have imagined.

The film has ambition that transcends its meager budgetary constraints. There are some terrifically unsettling set-pieces

It uses gore sparingly, focusing more on claustrophobic chills and general edit room trickery to build up a picture of a world on the verge of ripping itself apart.

The ending will probably stay with you for some time. I still feel uneasy just thinking about it.

Enjoy!

A small team of investigators head off to a typical English village to find out what's been going on in the church. Apparently The Vatican are the ones asking the questions, which is questionable in that it all seems very Anglican. Still, nice to know that the His Holiness is willing to allocate resources to the C of E ; clearly the manifestion of Evil is a universal issue.

It's really the familar 'Most Haunted' style set up, but with some new angles, particularly with the technology. And there's the sceptic guy/veteran guy double act, which is played with good humour and minimal exposition. Later on explanations are offered as characters' suggestions and therefore explorable, not the clumsily implausible to be found in lesser works.

The supernatural occupiers, rather than wanting to communicate, seem to be mostly interested in throwing stuff around. Spooky but grainy visuals which don't tread on the toes of your imagination abound.

The script is witty and interesting. In a particularly good scene where one character is reading from a dusty old witness journal the material is exceptionally well conceived and poetic. These few moments are worth your full attention. If you like that sort of thing.

I also enjoyed the photography - scenes from the front of a speeding car down a narrow lane put the viewer right in the middle of the action - again, something which someone appears to have taken care over.

What I found most surprising was the quality of the acting. In most cases films in this bracket only have the budget for one decent actor, so to find two or three among the tombstones was a bonus.

It's a pretty much a sausagefest, the only exception I spotted a background girl who went to the aid of a boy in cameo. Unusual these days. But this just means the screaming is lower pitch.

The plot unfolds in a measured way while the action accelerates; the final scenes are a bit of an endurance test, especially if like me you have a bit of a phobia. It is testimony to the excellent execution that I became very uncomfortable and internally urged them to call a retreat, because the way back was evaporating. That such a location exists is in itself a kind of horror.

Fans of low budget goreless Brit fodder will have this gem in their collection.

I hope to see lots more like this from Elliot Goldner.

I gotta say, The Borderlands is actually very funny in places, they took a great risk tying together humour and scares but for some bizarre reason, it certainly works.

I fully enjoyed both elements of the film, and it's acted really, really well (and filmed the same). The tale follows some investigators sent by the Vatican to check out a claim by a local priest of a possession in an old church. One of the investigators isn't a religious man however, just a tech guy there to do all the video stuff etc. Hes the funny one, and I kinda felt the humour amplified the scares when they came. When it gets to a screaming sheep set on fire (yes really) it is quite shocking as it's unexpected. And from there it swings from light hearted banter (never forced) to heavy shocks. I enjoyed it, and thought I wouldn't. Definitely worth a watch.

A superior found footage horror movie that is heavy on atmosphere rather than scares, and is all the more unsettling for it. A team of Vatican investigators is sent to the British countryside following reports of paranormal activity at a remote church. They encounter hostile locals who set fire to sheep as events start to take a darker turn, and they discover far too late that something much more sinister and ancient has been awakened.

Wow, what a great little film. I'd seen trailers for this quite a while ago and was waiting for this to come out on the big screen. However, it seems that this has just played at a few film festivals and then been released on DVD, so this film will pass quite a lot of viewers by, which is a huge shame.

The story concerns a Vatican team of investigators, conducting an investigation into a 12th (I think) century church in rural England. The local priest has reported supernatural goings on that he considers to be miracles, but these so called miracles soon turn out to be something far more unpleasant.

Most write ups of this film have focused on the fact that this is a found footage film. Please ignore this, as I find that this does the film a huge disservice. Found footage these days has mostly negative connotations, but The Borderlands effectively avoids the pitfalls of this most lazy of filming styles. There is very little time spent here watching empty rooms, or being confused by wildly shaky camera work. This is no half hearted causally thrown together film. Instead, this is an expertly crafted little film, with lots of great ideas and wonderful characters.

What surprised me the most about this film were the characters. The two central characters, Deacon and Gray, are the warm beating heart of this film. Watching their relationship develop from awkwardness and barely concealed disdain for one another to something much more akin to friendship was great. I had worried that Gray, who serves as the film's comic relief, would begin to grate after a while, but he serves effectively as our guide into the film's darkness, at first full of quips and digs aimed at everyone and everything around him, but he then becomes more serious and increasingly uncomfortable and alarmed as the situation spins out of control.

The religious aspect of this film also serves to add to the film's depth, with the religious characters serving as the skeptics and Gray, the only non religious member of the investigation team, being the most willing to believe. This, plus the dawning realisation that the supernatural elements at play here may be something altogether more malevolent and older even than Christianity, means that this is a very human film and one filled with chills and effective scares.

And then there's the end, and this goes back to my comment on the film's ideas. Wow! I loved the end to this film, although I have read comments from those who feel that this was out of keeping with the rest of the film. Without going into spoilers, I will say that the film's final section delves into altogether deeper and darker territory, but as long as you're paying attention, this is well built towards throughout the entire film. The film drip feeds in information and nods in the direction of what is a superbly original and downright horrible sting in the tail of this wonderful film.

No, it isn't the 'scariest film ever!!!!' as some of the critics have described it. But then again I'm not easily scared when it comes to this type of film. But it is a darkly creepy and nasty little film, with a great plot and nicely developed characters. And as such, I thoroughly enjoyed The Borderlands and would recommend it highly.