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6,4/10
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Uma família de refugiados da Síria, um professor de inglês do Afeganistão e um guarda de fronteira reúnem-se na fronteira entre a Polônia e a Bielorrússia durante a mais recente crise humani... Ler tudoUma família de refugiados da Síria, um professor de inglês do Afeganistão e um guarda de fronteira reúnem-se na fronteira entre a Polônia e a Bielorrússia durante a mais recente crise humanitária na Bielorrússia.Uma família de refugiados da Síria, um professor de inglês do Afeganistão e um guarda de fronteira reúnem-se na fronteira entre a Polônia e a Bielorrússia durante a mais recente crise humanitária na Bielorrússia.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 30 vitórias e 32 indicações no total
Behi Djanati Atai
- Leïla
- (as Behi Djanati Ataï)
Muhammad Al Rashi
- Grandpa
- (as Al Rashi Mohamad)
Michal Zielinski
- Sasza
- (as Michael Zielinski)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
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Avaliações em destaque
"Green border" shows immigration from a different perspective than is slowly becoming mainstream in Europe, being it Poland (the land in which the film is situated), Holland (in which the anti-immagration party PVV won the election of november 2023) or England (that want to send refugees to Rwanda).
The situation on the Eastern border of Poland is different in this respect that the Belarus of Lukashenko uses refugees as a weapon against the European Union (EU). They lure refugees to Belarus with the promise that the transit to the EU (i.e. Poland) is without any difficulty, which of course is not the case.
"Green border" is a documentary like film that shows the story from different perspectives. These perspectives are those of a Syrian family, Polish border guards and Polish activists.
The episodes about the Syrian family and the border guards are heavy stuf and the episode about the Polish activists is desperately needed to bring back some confidence in humanity.
The conservative Polish government was very angry about the movie and even called director Agnieszka Holland a Nazi. This is of course ridiculous. The anger was most probably directed against the episode about the Polish border guards, but even these episode is not totally negative as its shows that the border guard these episode is about has increasing psychological difficulties with the job he is doing (pushing back refugees to Belarus). The episode is indeed very critical about his superior, telling the border guards that the refugees are not human beings but bullets fired by Lukashenko.
One perspective that is missing is the Belarussian one. One can criticize the harsh behaviour of the Polish border guards but there can be no doubt abourt the fact that Belarus started using the refugees as pawns in a cynical political power struggle.
Also from Western Europe we have to be carefull with too much criticism. The push backs on land by the Polish border guards are illegal, but what about the push backs on sea by Frontex? Moreover, we have easy talk, not bordering on a cynical regime like that of Lukashenko.
Images say more than 1000 words and in this respect the film is in my opinion a must see for those who want to understand more about the immagration crisis. In the Netherlands I had the feeling that the film was in roulation very short. I had to hurry to visit the last performance and was accompanied by only one fellow visitor.
To conclude one point of critic. In the epilogue the film shows how welcome Ukrainian refugees were when in february 2022 their country was invaded by Russia, strongly suggesting that there is a racist element in which refugeest are being supported and which not. I would like to qualify this suggestion. In the first place the aggressor in the Ukranian war is also a threat to Poland, unlike the aggressors in the other conflicts generating refugees (such as Assad in Syria). In the second place has the loyalty with Ukraine cooled down considerably (not in words but in deeds) after two years of war.
The situation on the Eastern border of Poland is different in this respect that the Belarus of Lukashenko uses refugees as a weapon against the European Union (EU). They lure refugees to Belarus with the promise that the transit to the EU (i.e. Poland) is without any difficulty, which of course is not the case.
"Green border" is a documentary like film that shows the story from different perspectives. These perspectives are those of a Syrian family, Polish border guards and Polish activists.
The episodes about the Syrian family and the border guards are heavy stuf and the episode about the Polish activists is desperately needed to bring back some confidence in humanity.
The conservative Polish government was very angry about the movie and even called director Agnieszka Holland a Nazi. This is of course ridiculous. The anger was most probably directed against the episode about the Polish border guards, but even these episode is not totally negative as its shows that the border guard these episode is about has increasing psychological difficulties with the job he is doing (pushing back refugees to Belarus). The episode is indeed very critical about his superior, telling the border guards that the refugees are not human beings but bullets fired by Lukashenko.
One perspective that is missing is the Belarussian one. One can criticize the harsh behaviour of the Polish border guards but there can be no doubt abourt the fact that Belarus started using the refugees as pawns in a cynical political power struggle.
Also from Western Europe we have to be carefull with too much criticism. The push backs on land by the Polish border guards are illegal, but what about the push backs on sea by Frontex? Moreover, we have easy talk, not bordering on a cynical regime like that of Lukashenko.
Images say more than 1000 words and in this respect the film is in my opinion a must see for those who want to understand more about the immagration crisis. In the Netherlands I had the feeling that the film was in roulation very short. I had to hurry to visit the last performance and was accompanied by only one fellow visitor.
To conclude one point of critic. In the epilogue the film shows how welcome Ukrainian refugees were when in february 2022 their country was invaded by Russia, strongly suggesting that there is a racist element in which refugeest are being supported and which not. I would like to qualify this suggestion. In the first place the aggressor in the Ukranian war is also a threat to Poland, unlike the aggressors in the other conflicts generating refugees (such as Assad in Syria). In the second place has the loyalty with Ukraine cooled down considerably (not in words but in deeds) after two years of war.
Agnieszka Holland's *Green Border* (*Zielona granica*) is a powerful and unflinching portrayal of the humanitarian crisis at the Polish-Belarusian border. Through the intersecting stories of a Syrian refugee family, an Afghan English teacher, and a conflicted border guard, the film sheds light on the harrowing realities faced by those caught in the no-man's-land of geopolitical conflict.
Jalal Altawil delivers a heart-wrenching performance as the father of the Syrian family, embodying both resilience and despair. Maja Ostaszewska portrays the Afghan teacher with a quiet strength that anchors her story, while Behi Djanati Atai adds nuance to the role of a border guard torn between duty and conscience. Together, their narratives create a tapestry of human suffering, hope, and moral ambiguity.
Holland's direction is both compassionate and unrelenting, refusing to shy away from the brutality of the situation. The stark, desolate visuals of the borderlands, captured with haunting beauty, underscore the desperation of those trapped in this liminal space. The screenplay, co-written by Holland, Maciej Pisuk, and Gabriela Lazarkiewicz, navigates complex themes of humanity, politics, and survival without resorting to simplifications or clichés.
At 2 hours and 32 minutes, the film's runtime allows for a thorough exploration of its characters and their plights, though some viewers may find the pacing demanding. Nevertheless, the emotional impact and urgent relevance of *Green Border* make it a vital watch.
This is a film for those who seek stories that challenge and provoke, offering no easy answers but demanding empathy and reflection. *Green Border* is a haunting reminder of the human cost of political indifference.
Rating: 8/10 - A deeply moving and essential portrayal of a modern humanitarian crisis.
Jalal Altawil delivers a heart-wrenching performance as the father of the Syrian family, embodying both resilience and despair. Maja Ostaszewska portrays the Afghan teacher with a quiet strength that anchors her story, while Behi Djanati Atai adds nuance to the role of a border guard torn between duty and conscience. Together, their narratives create a tapestry of human suffering, hope, and moral ambiguity.
Holland's direction is both compassionate and unrelenting, refusing to shy away from the brutality of the situation. The stark, desolate visuals of the borderlands, captured with haunting beauty, underscore the desperation of those trapped in this liminal space. The screenplay, co-written by Holland, Maciej Pisuk, and Gabriela Lazarkiewicz, navigates complex themes of humanity, politics, and survival without resorting to simplifications or clichés.
At 2 hours and 32 minutes, the film's runtime allows for a thorough exploration of its characters and their plights, though some viewers may find the pacing demanding. Nevertheless, the emotional impact and urgent relevance of *Green Border* make it a vital watch.
This is a film for those who seek stories that challenge and provoke, offering no easy answers but demanding empathy and reflection. *Green Border* is a haunting reminder of the human cost of political indifference.
Rating: 8/10 - A deeply moving and essential portrayal of a modern humanitarian crisis.
Movies like "Green Border" are tricky. If you're watching it in the first place, you likely already have some awareness of and empathy for the plight of refugees and migrants who are being demonized around the world. If you need to be convinced that they are deserving of empathy, you're probably not ever going to watch this movie. So the onslaught of suffering we are subjected to feels like punishment, like we're being lectured on something we already believe.
I thought I might bail on this movie at about the 30-minute mark. That first half hour is misery porn about a Syrian family trying to make its way across the Belarus/Poland border and the inhumanity they face. I felt for them, but didn't want to watch a movie that was just going to throw in my face misery that I already feel bad about. But veteran director Agnieska Holland had something more varied in mind for this film, and the perspective switches multiple times to show events from the perspective of a Polish border guard, a group of activists trying to help the refugees, and a psychotherapist who turns her outrage into action and joins the cause.
"Green Border" is a well made movie, and it's pretty engrossing. But there's something a little too narratively slick about it. I've seen documentaries about the refugee crisis, and though it tries, this movie doesn't capture the visceral, life or death desperation of those films. Maybe it's not fair to ask it to, but it's hard to feel completely satisfied by this movie's fictional version of what's happening in the world when the real thing is being documented and made available. If this had been my first exposure to the refugee crisis, I might have found it to be more searing than I did. And there's something a little naive about it too. It's very simple in its ideology. All of the refugees and anyone on their side is good, anyone working against the refugees is bad, and there's no nuance or attempt to address the complicated social impact of large masses of people entering countries without the resources to support them. In this movie's version, if we all just open our borders and welcome whoever wants to come in, we'll all live together in a utopian society and won't that be wonderful. But that's not the way the world works. I'm one of the first to wish it did, but I'm more realistic than that. I wish this movie had been more realistic about it too.
But all that aside, it is still a very effective movie, and I found myself more enraged than depressed by it. I'm afraid I might be one of the ineffectual liberals criticized in the movie, people who feel bad about what's happening but don't actually do anything about it. To be fair to myself, I'm not sure exactly what it is I'm supposed to be doing, but still, movies like this make me want to just go out in the world and help someone, anyone, so I guess this film serves a valuable purpose in that regard.
Grade: A.
I thought I might bail on this movie at about the 30-minute mark. That first half hour is misery porn about a Syrian family trying to make its way across the Belarus/Poland border and the inhumanity they face. I felt for them, but didn't want to watch a movie that was just going to throw in my face misery that I already feel bad about. But veteran director Agnieska Holland had something more varied in mind for this film, and the perspective switches multiple times to show events from the perspective of a Polish border guard, a group of activists trying to help the refugees, and a psychotherapist who turns her outrage into action and joins the cause.
"Green Border" is a well made movie, and it's pretty engrossing. But there's something a little too narratively slick about it. I've seen documentaries about the refugee crisis, and though it tries, this movie doesn't capture the visceral, life or death desperation of those films. Maybe it's not fair to ask it to, but it's hard to feel completely satisfied by this movie's fictional version of what's happening in the world when the real thing is being documented and made available. If this had been my first exposure to the refugee crisis, I might have found it to be more searing than I did. And there's something a little naive about it too. It's very simple in its ideology. All of the refugees and anyone on their side is good, anyone working against the refugees is bad, and there's no nuance or attempt to address the complicated social impact of large masses of people entering countries without the resources to support them. In this movie's version, if we all just open our borders and welcome whoever wants to come in, we'll all live together in a utopian society and won't that be wonderful. But that's not the way the world works. I'm one of the first to wish it did, but I'm more realistic than that. I wish this movie had been more realistic about it too.
But all that aside, it is still a very effective movie, and I found myself more enraged than depressed by it. I'm afraid I might be one of the ineffectual liberals criticized in the movie, people who feel bad about what's happening but don't actually do anything about it. To be fair to myself, I'm not sure exactly what it is I'm supposed to be doing, but still, movies like this make me want to just go out in the world and help someone, anyone, so I guess this film serves a valuable purpose in that regard.
Grade: A.
Very complicated topic treated in a masterful way. Committed film, so much so, that many purely political comments and ratings have appeared probably from ¨reviewers¨ who I doubt have even seen the film (calling it boring is simply absurd, giving 1 point in 10 is absurd).
It is difficult not to respond emotionally to the harshness of what is presented to us. Self-security, fear, comfort in the face of the insecurity and suffering of others. Some heroes without hesitation align themselves with those who suffer, others not so much out of comfort or risk and others are simply bad people who take advantage of every situation to bring out the worst in themselves. Whether they are Poles, Belarusians or Muslims is simply circumstantial. Poor people used as cannon food, this is happening in our true world and we are lucky to have people who reflect this with their artwork.
The actors are very good, the script, photography and direction are very good. It is, above all, a very complete film that keeps the viewer in tension and takes them out of their comfort zone.
It is difficult not to respond emotionally to the harshness of what is presented to us. Self-security, fear, comfort in the face of the insecurity and suffering of others. Some heroes without hesitation align themselves with those who suffer, others not so much out of comfort or risk and others are simply bad people who take advantage of every situation to bring out the worst in themselves. Whether they are Poles, Belarusians or Muslims is simply circumstantial. Poor people used as cannon food, this is happening in our true world and we are lucky to have people who reflect this with their artwork.
The actors are very good, the script, photography and direction are very good. It is, above all, a very complete film that keeps the viewer in tension and takes them out of their comfort zone.
At the begining i must say, i'm from Poland and i was very curious about this movie, as i was pretty familiar with volunteers stories, i had an opportunity to talk with few of them, a few medics and just regular people that wanted to help. Outside all the media coverage both private and national, i've read a lot of memories and interviews with people, both with volunteers' as well as the border guards and people living in the area. Some of them were really brutal, raw and just... sickening.
This movie is something i wanted to check out, to see if all the criticsm in (mostly far right) media was justified. And i'm really happy i checked it myself.
The cinema i was watching the movie in, was pretty much full, except for the first 3-4 rows, and the movie ended, everyone was just quiet. Like if everybody needed a minute to think. People only started talking in the main hall / outisde of the cinema.
In my opinion movie mixes some of the real events with a bit of fake scenarios, some scenes were probably a bit exaggerated, but on the other hand, seeing photos and videos that were recorded on the real border, i think it's a good move by the creators of the movie.
I believe that movies like "The Green Border" are highly needed in our society. Society that often listen to only just one side of the story, without even trying to hear what others have to say. That's what all the buzz surrounding this movie came from. Just a lot of people, that didn't even seen it, criticise it to gain something. Especially now, right before elections in Poland.
Putting politics aside... It's just a good movie. With a very good acting, pretty good cinematography and remarkable importance for everyone, who's not aware of the humanitarian crisis, happening to this day at Polish-Belarusian border.
To summarize... I think this movie is for everyone, who's not afraid of criticism of their beloved party, state services or his own morals. This movie may leave you with some heavy emotions, thoughts and it's deafinately not an easy movie to watch. But i trully belive, everybody should check it on his own, with open mind and being ready to hear and see uncomfortable truth.
This movie is something i wanted to check out, to see if all the criticsm in (mostly far right) media was justified. And i'm really happy i checked it myself.
The cinema i was watching the movie in, was pretty much full, except for the first 3-4 rows, and the movie ended, everyone was just quiet. Like if everybody needed a minute to think. People only started talking in the main hall / outisde of the cinema.
In my opinion movie mixes some of the real events with a bit of fake scenarios, some scenes were probably a bit exaggerated, but on the other hand, seeing photos and videos that were recorded on the real border, i think it's a good move by the creators of the movie.
I believe that movies like "The Green Border" are highly needed in our society. Society that often listen to only just one side of the story, without even trying to hear what others have to say. That's what all the buzz surrounding this movie came from. Just a lot of people, that didn't even seen it, criticise it to gain something. Especially now, right before elections in Poland.
Putting politics aside... It's just a good movie. With a very good acting, pretty good cinematography and remarkable importance for everyone, who's not aware of the humanitarian crisis, happening to this day at Polish-Belarusian border.
To summarize... I think this movie is for everyone, who's not afraid of criticism of their beloved party, state services or his own morals. This movie may leave you with some heavy emotions, thoughts and it's deafinately not an easy movie to watch. But i trully belive, everybody should check it on his own, with open mind and being ready to hear and see uncomfortable truth.
Você sabia?
- CuriosidadesAt 00:11:12, a refugee checks their location using an OpenStreetMap-based map on a smartphone. The location shown is the Poland-Belarus border at 52.61281 23.74398.
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- Green Border
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 96.595
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.305
- 23 de jun. de 2024
- Faturamento bruto mundial
- US$ 4.240.827
- Tempo de duração2 horas 32 minutos
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