Aquela Sensação que o Tempo de Fazer Algo Passou
Título original: The Feeling That the Time for Doing Something Has Passed
AVALIAÇÃO DA IMDb
5,7/10
1,5 mil
SUA AVALIAÇÃO
Ann enfrenta a estagnação em um relacionamento casual de BDSM, um emprego medíocre e uma família judaica conflituosa. Em meio à alienação crescente, ela luta para encontrar seu caminho.Ann enfrenta a estagnação em um relacionamento casual de BDSM, um emprego medíocre e uma família judaica conflituosa. Em meio à alienação crescente, ela luta para encontrar seu caminho.Ann enfrenta a estagnação em um relacionamento casual de BDSM, um emprego medíocre e uma família judaica conflituosa. Em meio à alienação crescente, ela luta para encontrar seu caminho.
- Direção
- Roteirista
- Artistas
- Prêmios
- 6 vitórias e 20 indicações no total
Avaliações em destaque
Greetings again from the darkness. It's billed as a comedy, though for many, the funniest part may be in trying to remember the film's title. Deadpan reaches a new level in this debut feature film from actor-writer-director-producer-editor Joanna Arnow. It's tough to recall any film that more belongs to one person. Indie filmmaker Miranda July's work is the closest I can think of, yet in comparison, her work comes closer to mainstream Spielberg than it does to this one from Ms. Arnow. None of that is meant to be harsh, it's simply a challenge to describe this film to anyone who hasn't seen it ... or even to someone who has.
The film is divided into five chapters, each named for the key "other" characters (not named Ann). Arnow stars as Ann, and the opening scene finds her in bed next to the much older Allen (Scott Cohen). It's here we discover she's age 33 and has been Allen's submissive since age 24. In fact, two of the chapters are named "Allen", and Ann even suggests they were "destined to be together". She makes this proclamation after a couple of attempts to try a modern approach to dating, each creating complications for her. These ventures are presented as vignettes and include a musician, a sleepover with her sister, a role-play costumer, dating app (mis) matches, and a film buff with a love of pickled herring. To cap it off, these interactions provide a certain symmetry with Ann's soulless work at a generic corporation. Imagine being rewarded with a one-year acknowledgement after you've worked there more than three years. You are getting a sense of Ann's personality ... somewhat less than memorable.
Ann is slumpy and frumpy, and her deadpan delivery masks a sharp wit and a spark that rarely comes through to others. As she begins the foundation of a more traditional relationship with Chris (Babak Tafti, "Billions"), her path to self-discovery seems to open up ... although that path may or may not surprise you by this point. Some of the vignettes are shockingly brief, and many feature Ann in an exposed (literally) state of vulnerability. As the vignettes zip by, watching this isn't dissimilar to scrolling through a feed. Joanna Arnow's real life parents (David Arnow, Barbara Weiserbs) play her parents here, and serve up the only raised voices in the film as they sing an animated version of "Solidarity". And no, Ann's relationship with her parents is not much different than the rest of her life. At times, this 'comedy' feels like a beatdown, but leaves us with one key life lesson: pay attention the first time you ask, "What college did you go to?".
Opens April 26, 2024.
The film is divided into five chapters, each named for the key "other" characters (not named Ann). Arnow stars as Ann, and the opening scene finds her in bed next to the much older Allen (Scott Cohen). It's here we discover she's age 33 and has been Allen's submissive since age 24. In fact, two of the chapters are named "Allen", and Ann even suggests they were "destined to be together". She makes this proclamation after a couple of attempts to try a modern approach to dating, each creating complications for her. These ventures are presented as vignettes and include a musician, a sleepover with her sister, a role-play costumer, dating app (mis) matches, and a film buff with a love of pickled herring. To cap it off, these interactions provide a certain symmetry with Ann's soulless work at a generic corporation. Imagine being rewarded with a one-year acknowledgement after you've worked there more than three years. You are getting a sense of Ann's personality ... somewhat less than memorable.
Ann is slumpy and frumpy, and her deadpan delivery masks a sharp wit and a spark that rarely comes through to others. As she begins the foundation of a more traditional relationship with Chris (Babak Tafti, "Billions"), her path to self-discovery seems to open up ... although that path may or may not surprise you by this point. Some of the vignettes are shockingly brief, and many feature Ann in an exposed (literally) state of vulnerability. As the vignettes zip by, watching this isn't dissimilar to scrolling through a feed. Joanna Arnow's real life parents (David Arnow, Barbara Weiserbs) play her parents here, and serve up the only raised voices in the film as they sing an animated version of "Solidarity". And no, Ann's relationship with her parents is not much different than the rest of her life. At times, this 'comedy' feels like a beatdown, but leaves us with one key life lesson: pay attention the first time you ask, "What college did you go to?".
Opens April 26, 2024.
What a surprise! The second film by very talented Joanna Arnow (she edited, wrote, directed, and starred in the film) is a symphony of ambient shame, with movements centred on the different men that Ann, the protagonist, has varied-length and ambivalent relationships with. She manages to hit a range of painful notes in these movements, from ritualised abjection of sensual humiliation to cutting corporate indignities.
Extremely original, astute, truthful, and humorous. I adored how the openly sexual material contrasted with the visual aesthetic; it gave me the impression of the female gaze in action. In over 50 years of watching movies and writing reviews it is time to say: I've never seen a movie like this and I truly enjoyed it. Check it out if you enjoy subtle character development and deadpan humour...
Extremely original, astute, truthful, and humorous. I adored how the openly sexual material contrasted with the visual aesthetic; it gave me the impression of the female gaze in action. In over 50 years of watching movies and writing reviews it is time to say: I've never seen a movie like this and I truly enjoyed it. Check it out if you enjoy subtle character development and deadpan humour...
The worst movie I've seen in years! There wasn't a single character I cared about at all. The script is almost non-existent. There are many, many, minutes of silence with no real activity on screen. Everyone in this movie seemed like they were ill, half asleep or just had totally boring. Nobody & nothing made any actual sense.
Not sure what equipment they used to make this movie but I've seen better video quality taken with a cellphone. And there was often obnoxious background noise. Not natural but maybe camera noise? Terrible.
The BDSM was more about strange relationships than actual BDSM. I know enough that It's usually not the submissive that tells the Master what they want. It was more just the main character wanting someone to be assertive in sex. The sex scenes here are not even softcore BTW.
Then there's the dialogue. An example is the Mother says: It's getting dark and it's 7:30. Ann says: Yes, I know. Mother: Tomorrow it will be 7:29. That's an entire scene. Hopefully no one was paid for writing this.
Nothing was funny. Nothing was dramatic. Nothing was exciting. Nothing was interesting. Movies like this one is why IMDB should allow Zero stars out of ten. One is too generous.
Not sure what equipment they used to make this movie but I've seen better video quality taken with a cellphone. And there was often obnoxious background noise. Not natural but maybe camera noise? Terrible.
The BDSM was more about strange relationships than actual BDSM. I know enough that It's usually not the submissive that tells the Master what they want. It was more just the main character wanting someone to be assertive in sex. The sex scenes here are not even softcore BTW.
Then there's the dialogue. An example is the Mother says: It's getting dark and it's 7:30. Ann says: Yes, I know. Mother: Tomorrow it will be 7:29. That's an entire scene. Hopefully no one was paid for writing this.
Nothing was funny. Nothing was dramatic. Nothing was exciting. Nothing was interesting. Movies like this one is why IMDB should allow Zero stars out of ten. One is too generous.
I was struck with the idea of this film from the moment I saw the ads for it via the Florida Film Festival. I was drawn in by the deadpanned comedic chemistry that was equal parts candid as it was daring. Joanna Arnow (the powerhouse whom wrote, directed, and starred in this film) pulls off all blinders to the core themes of this film: sexuality, emotional pining, complacency, honest candor, and a feeling that can only be truly described with the film's apt title.
From beginning to end, we explore only as much of our protagonist Ana's psyche that she allows us to see. Guarded, yet open, her interactions with those around her paint a portrait of indecision and a trajectory of her life that is in one way ambiguous, but also free. The comedic stylings are delivered in a way that isn't over the top, relying of smart dryness and offbeat humor - a refreshing element to a story like this.
At this film's core, we are given a person to observe, and not necessary one do applaud or boo. Her choices, relationships, and actions happen in a way that we can empathize with, even if her character who is one in no need of it. Even so, with this film's gut-punch conclusion, you find yourself deciding what you want for her. This is a stark reminder that we are not meant to predict or encourage any of her behaviors and hope for any specific outcome, and that what transpired in this story is deeply personal but inevitable and fated.
I don't think I've seen a film like this one, and I don't think I ever will again. It's hard to accurately describe the emotions I felt during this film. It is expertly crafted and full of the quiet vigor of a story begging to be absorbed and understood completely.
From beginning to end, we explore only as much of our protagonist Ana's psyche that she allows us to see. Guarded, yet open, her interactions with those around her paint a portrait of indecision and a trajectory of her life that is in one way ambiguous, but also free. The comedic stylings are delivered in a way that isn't over the top, relying of smart dryness and offbeat humor - a refreshing element to a story like this.
At this film's core, we are given a person to observe, and not necessary one do applaud or boo. Her choices, relationships, and actions happen in a way that we can empathize with, even if her character who is one in no need of it. Even so, with this film's gut-punch conclusion, you find yourself deciding what you want for her. This is a stark reminder that we are not meant to predict or encourage any of her behaviors and hope for any specific outcome, and that what transpired in this story is deeply personal but inevitable and fated.
I don't think I've seen a film like this one, and I don't think I ever will again. It's hard to accurately describe the emotions I felt during this film. It is expertly crafted and full of the quiet vigor of a story begging to be absorbed and understood completely.
From the second the fil starts to the closing credits, you'll laugh so hard you'll have a hard time catching your breath. It's just non-stop action, one-liners, and zingers coming at you. DUCK! Here comes another one! Wow! What an amazing movie-going experience!
Okay, I lied. In reality, I had to qquit this dreadful film after about 30 minutes. It was going absolutely no where. I think a better title for the film would be: "The feeling that something is going to actually happen has passed." Yes, it's that boring. Naturaly Rotten Tomatoes gave it a high rating. Something like an 86. But that was the critic's rating. The viewer rating was in the mid 20s. Trust the viewer's rating on this one. It reminded me of a film by that Greek fella where absolutely nothing happens for hours on end.
If you need something to put you to seep, forget the Melanonin or the Z-Quil. Just put this movie on and you'll be fast asleep in no time flat!
Okay, I lied. In reality, I had to qquit this dreadful film after about 30 minutes. It was going absolutely no where. I think a better title for the film would be: "The feeling that something is going to actually happen has passed." Yes, it's that boring. Naturaly Rotten Tomatoes gave it a high rating. Something like an 86. But that was the critic's rating. The viewer rating was in the mid 20s. Trust the viewer's rating on this one. It reminded me of a film by that Greek fella where absolutely nothing happens for hours on end.
If you need something to put you to seep, forget the Melanonin or the Z-Quil. Just put this movie on and you'll be fast asleep in no time flat!
Você sabia?
- CuriosidadesJoanna Arnow's real life parents appear in the movie, playing Ann's parents.
- Trilhas sonorasDancing Dancing
Composed by Monica Hyde
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- How long is The Feeling That the Time for Doing Something Has Passed?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Feeling That the Time for Doing Something Has Passed
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 82.083
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.113
- 28 de abr. de 2024
- Faturamento bruto mundial
- US$ 82.083
- Tempo de duração1 hora 27 minutos
- Cor
- Proporção
- 1.78 : 1
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