A filha de um marionetista japonês tem problemas com uma gangue criminosa durante uma de suas apresentações, onde conhece Sugarman e seu filho Little Sugar.A filha de um marionetista japonês tem problemas com uma gangue criminosa durante uma de suas apresentações, onde conhece Sugarman e seu filho Little Sugar.A filha de um marionetista japonês tem problemas com uma gangue criminosa durante uma de suas apresentações, onde conhece Sugarman e seu filho Little Sugar.
- Prêmios
- 1 indicação no total
Bryan Michael Mills
- Musician Bandit
- (as Bryan Mills)
Avaliações em destaque
To be honest, I was really quite disappointed with this. It all centres around the search for some stolen gold that has been re-stolen and hidden by "Tornado", the partner in a father/daughter Japanese puppetry show that is touring the shires of late 18th century Britain. The gold was originally acquired by "Sugar" (Tim Roth) and his gang but as they stopped to watch the show, it was re-acquired by an opportunist urchin (Nathan Malone) whilst he was being watched by "Tornado" (Kôki). When the gang discover it's missing, all hell breaks loose and so she hides the loot and the boy in their wagon and off they go. It doesn't take long for the men to put two and two together and they set after the slow-moving visitors and a rather dishonourable encounter ensues. Meantime, "Little Sugar" (Jack Lowden) is tired of taking orders from his old man and has plans of his own to secure the cash - and that's bound to lead to a conflict with his no-nonsense father. So now we have a brute chasing his money, a son looking for change and a samurai-trained woman out for revenge. It has the ingredients of a good adventure. Sadly, though, she is just not a very convincing actor, there is far too much meandering around the countryside setting and re-setting the scenario and there is a real paucity of pace here. It can't have had an huge budget, but that needn't have mattered if the the story had taken a little longer to develop a little more depth to the characters. It's all too episodic and though it does mix the timelines a little to break up the narrative, there are too many characters who appear then add little before we move on. It does create an overall sense of a fairly poverty-stricken and lawless rural life, but once we hit the home straight it all just takes a predictable path to it's conclusion. Nobody is really used to full effect here and though the bleakness is conveyed well enough, the story doesn't really deliver.
This is experimental cinema... a hodgepodge of various genres and styles based entirely on the imagination of the creator ... nothing wrong with that. In the 1960s, for example, the brilliant Sergio Leone accidentally created an entirely new class of film which HAD NEVER EXISTED BEFORE -- the "Italian western." Not merely a financial success -- it turned a failed, out-of-work, actor named Clint Eastwood into a Hollywood icon. Does lightening strike twice? Not here, it doesn't. Sorry. The rating is for technical merit only. The film itself will put you to sleep. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
I liked it. Soundtrack was wonderful. Cinematography beautiful. Costume design appropriate. Settings were sparse but it's the scottish wilderness. I loved the blending of Scottish rural peasantry and samurai perspective. The bad guys were suitably despicable, life cheap and honorable choices, few but meaningful. I liked the evolution of the main character, her initial wooden behavior totally appropriate to a naive teen, protected by her father. If your looking for choreographed fight scenes and explosions this is not for you. If you want something to kill a boring Sunday afternoon while you scroll your phone, out of luck. Would watch the sequel in a heartbeat.
I was low-key looking forward to this movie when I first saw the trailer. An original samurai drama in European lands? Hell yeah! But in reality, this movie feels skeletal. The story is simple and promising, and it has its moments. But it lacks compelling characterization and the storytelling is kind of just boring. Certain plot beats just don't feel developed enough to be interesting, and things kind of just happen without much build up or clarity. It doesn't help that some scenes feel a bit illogical, making the characters seem either stupid or nonsensical.
Visually, this movie is fine. I love Tornado's costume design and the cinematography is decent. But I feel like the coloration is a bit dull and not all that interesting. The soundtrack overall is fine, but the more mellow songs are really good.
Tornado is such a missed opportunity, man. An original action-flick with an interesting backdrop and premise, let down by a story that feels unfinished and uninspired.
Visually, this movie is fine. I love Tornado's costume design and the cinematography is decent. But I feel like the coloration is a bit dull and not all that interesting. The soundtrack overall is fine, but the more mellow songs are really good.
Tornado is such a missed opportunity, man. An original action-flick with an interesting backdrop and premise, let down by a story that feels unfinished and uninspired.
This was a fun film! And the art team was on it!!! Every color and prop was so perfect- literally down to the protagonist's red nose- Wes Anderson is gonna be jealoouussss. And a samurai, pulp, scottish hybrid?! What will they do next? I really hope to see this production team make another film. I mean I have to admit that the protagonist lost its substance really quick; a fart in the wind. Yet they got me back with the action. Very on the nose funny, blocky, power ranger-esque choreography. Great aesthetic and sound design; looking forward to seeing this unique style come back soon. But I expect more depth.
Você sabia?
- CuriosidadesShot on 35mm Kodak film. Director John Maclean had wanted to shoot on celluloid for his debut Slow West but was unable to due to budgetary reasons so this marks his first time shooting on film.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 213.795
- Fim de semana de estreia nos EUA e Canadá
- US$ 138.279
- 1 de jun. de 2025
- Faturamento bruto mundial
- US$ 449.650
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente