Chosen Family

This movie was cringe-worthy, cheesy, sappy, and corny. I understand that the creators had good intentions, and I managed to finish it, so I want to rate it at least two stars. They worked hard on this film, but it wasn't good. The acting and directing left a lot to be desired.

Heather Graham and Julia Stiles look amazing, but both are in their 50s, and I think they are trying to act like they're in their 30s. Their outfits were a bit revealing throughout the movie, which felt excessive. The film didn't seem very realistic or effectively portray real life. While Heather Graham has a beautiful body, part of me thinks she took this role mainly to showcase it and not much of her acting skills. And how does a yoga instructor afford a beautiful house by the water? I don't understand how anyone can relate to this movie.

Set against the charming backdrop of East Greenwich, Rhode Island, Chosen Family delivers a heartwarming blend of romance, comedy, and drama. Heather Graham stars as Ann, a yoga teacher struggling to balance the chaos of her demanding biological family with her search for romantic fulfillment. Ann's well-intentioned nature often leads her to try and fix everyone's problems, particularly those of her sister Clio (Julia Stiles), who is dealing with addiction.

Ann finds support in her close friends, who encourage her to pursue a relationship with Steve, a divorced father. While Ann is immediately drawn to Steve and his daughter, Lily, she soon finds herself navigating the unexpected challenges of winning over a jealous and competitive seven-year-old.

Chosen Family explores the complexities of family dynamics, both those we're born into and those we create. The film highlights the importance of supportive friendships and the challenges of finding love and building a blended family. While it embraces familiar romantic comedy tropes, it's grounded in relatable situations and genuine emotional struggles. This film is recommended for those who enjoy character-driven stories that celebrate the power of friendship and the possibility of finding love amidst life's messy realities. It's a feel-good movie with a good balance of humor and heart.

I did not get through the whole movie. I loved the premise, but the execution was bad. It is not okay to call a little girl a b***ch word and compete with her to get her father's attention. It was clear that the little girl was going through a separation trauma and needed help, she did not need a grown woman-baby taunting her and throwing tantrums.

Initially, I was mesmerized by the main character and could relate to the struggle of having to put up with unreasonable relatives. However, as the movie progressed, it just turned into something completely weird where a grown woman was behaving like a five year old.

"Chosen Family," written and directed by Heather Graham, felt to me like a very personal story that took courage to reveal & tell. But that risk of vulnerability she undertakes makes it very relatable. I was rooting for Anne (Heather's character) all the way.

Moments of self-baring, discomfort, heartbreak and even dread are handled with directness. However, the light comedic tone underpinning Anne's experiences helps keep her -- and our -- head above water. More than that, it leads to self-empowerment as well as a realization of what exactly the word "family" -- or what constitutes a healthy support structure in one's life -- should mean.

I was both moved and entertained by Heather Graham's story & film.

"Your family is only as happy as its least happy member." When it comes to Ann's family, the least happy person seems to rotate as fast as the lazy susan on your countertop. Heather Graham stars as the Ann in question, and her very screwed-up family consists of younger sister, Clio (Julia Stiles), father Alfred (Michael Gross) and mom Dorothy (Julie Halston). Each member of the family comes with their own box of smashed chocolates. And it appears to be Ann's assignment to keep them all happy, keep all the balls in the air, even while her own dreams remain stagnant.

The happy family combo is definitely off the menu here. Clio has just been released from rehab and her parents are too self-involved to pick her up at the center to bring her home. Dorothy feels lost in her decades long marriage and is trying to reinvent herself with bizarre YouTube renditions of old standards. And dad Alfred spends most of his time belitting Ann with verses from scripture about her wicked ways. No wonder Ann has tried to find an oasis outside the family she was born into, turning to bad relationships but also having good friends to keep her grounded.

It sounds like the story would come with big jokes but, really, there's very little humor, which I personally found unexpected. The film is written and directed by Graham and EP'd by Julia Styles. I got the impression that the two were comparing notes on some real-life scenarios and bad choices that they've experienced and decided to make a movie about. Dating unavailable men. Dating men with children. Dating men who are children. Perhaps the scenes with the parents were meant to be funny, since both of them are a bit on the extreme side. But if they were going for humor, it felt more uncomfortable than amusing.

Set in Rhode Island, Ann is a yoga teacher, living in what appears to be a seaside village in a stunning multi-story home. Do yoga instructors make that much money in Rhode Island? Especially when her boss keeps pushing her to bring in more clients. The home felt extremely unrealistic. She never seems to have money issues, but she's definitly not taking money from her parents. If Graham were trying to make her struggle seem realistic, perhaps she should have rethought this location.

Ann's sister has a chip on her shoulder the size of a VW. For most of the film, we're not sure if it's because she has no job, no life, no prospects and is a resentful adult, living with her parents in the room she grew up in, playing second to Ann, the parent's favorite. Clio is always angry, and we don't know why until near the end of the film. It's not as if there are any breadcrumbs to follow, either. This is a family filled with resentment. So, really, it's not surprising that Ann finds solace and acceptance in her long-time friends. And these people are very interested in trying to find her a better relationship with an available man.

So she gets introduced to 'hunky architect' Steve (John Brotherton), who happens to be remodeling her friend Max's new restaurant venture. They hit it off, until they hit the inevitable snag: Steve's really obnoxious, demanding, manipulative 7-year-old daughter, Lily (Ella Grace Helton), who seems to be channeling his ex-wife. Are 7-year-old's still so intent on breaking up their dad's relationships these days? I almost feel like they have their own interests, their own friends and especially, their own Ipads to distract them from whatever their parents are involved in. That part of the storyline felt reminiscent of something from the 1980's, not 2024.

Many of the film's other details are realistic. Life is messy, someone is always being blamed for something, there's always some sort of competition going on between siblings. But overall, it felt more like this is a film about one woman's search for self-actualization, and we're going on the journey with her. There were no highs, there were no lows and it simply felt flat, except for the joy she finds among her friends, her 'chosen family'. We're not especially happy or sad for anyone in the film. In addition to leaving me feeling meh, story-wise, it also was lacking background music. When used in films, you don't always notice that it is present, but you definitely notice when it is absent. There may have been budget issues, there may have been directorial or editing choices. But either way, it was very vanilla.