Kadhalikka Neramillai
- 2025
- 2 h 20 min
AVALIAÇÃO DA IMDb
6,1/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young woman desires a perfect life of love and children, but falling for a man who has no interest in marriage or a family makes her search difficult.A young woman desires a perfect life of love and children, but falling for a man who has no interest in marriage or a family makes her search difficult.A young woman desires a perfect life of love and children, but falling for a man who has no interest in marriage or a family makes her search difficult.
Avaliações em destaque
Kadhalikka Neramillai - visually cool with AR Rahman's music, where the "heartbroken" Nithya Menen choses to become a single mother through IVF process bypassing the marriage, later finds love in Ravi Mohan. The film tries to be romcom, "progressive" with today's girls prioritising career, "shock" the audience with Nitya saying that she is not a virgin and "bold" by having a gay friend. But towards the end you realise that it is all facade with Nitya falling for the man who had unknowingly lent his sperm. So technically she marries the biological father of her child and the movie is "culturally" correct. Hypocitic.. Remember "Rhythm (2000)" where widower Arjun marries another widow Meena with a child? She says that her husband died on the day of marriage and the child is adopted on as per her husband's wish. Rhythm celebrated for "remarrying a widow", is actually remarriage of a "technical" virgin. Even after 25 years the creators' hypocrisy hadn't changed.
Notes:
- Nithya Menen brings her natural charm to the role, making Shriya both adorable and memorable.
- Ravi Mohan, for a change, feels like he's at ease playing Siddharth. The scene with the two "oh"s is a good example.
- Vinay Rai (just being a chill gay dude) and Yogi Babu bring in the laughs. Missed them in the (rather cliched) second half.
- Seeing Lal play poker was kinda meta (for Malayalis.. hihihi, cue *Junglee Rummy* gibberish noises).
- ARR's soundtrack (especially Yennai Izhukkuthadi, Lavender Neramae) works big time here. The song placements are also neat.
- I think the work / professional "friction" angle is poorly integrated into the plot. How it brings Shriya and Siddharth back together is refreshing, however.
- I see a large chunk of the audience unnecessarily throwing shade at Kiruthiga Udhayanithi for tackling a very urban, contemporary, millennial romance. We need these too, and not just violent gangsters and (realistic) misery overload in Tamil cinema. Props to her tbh.
- I think the film's length could've been reduced a bit, especially in the second half. A 2h 10m runtime would've done the job without hurting the essence. That said, most of the supporting performances are on point. Special shoutouts to TJ Bhanu and Vinodhini Vaidyanathan.
A modern new age coming of love, parenting complications shown in a different dimensions more seriously unlike other movies of coming-of age love like love today, lover, which was in comical and confused genre...the director trying to be revolutionary in this entire movie but finally showing up as love wins... Ravi and Nithya menon were perfectly cast especially heroine shown completely confused and trying to be more modern resonating current generation... But the key missing part here is the role of parents in guiding the confused youngsters were missing and shown that the GEN Z knows everything and parents has to be mute spectators ... Overall nothing preachy but just taken a modern flow .. songs were completely misplaced and not existing at all... Screenplay was decent and thanks to be not much preachy... Overall okie for one time watch.
Despite having a lot of positive elements that the makers tried hard to inject to make this film an intellectual one, Kadhalikka Neramillai fails to impress me as a regular audience.
I aim not to blame anyone for the film, except for one thing, and that is that a commercial film should remain commercial. If they try to input 'progressive stuff' in a wrong way then it would become a piece of garbage. A woman willingly conceives with the help of a fertility centre just because she realised that her acquaintances want kids seems a vague idea. Also, this movie showed a comparison of women from a patriarchal man's perspective is problematic. They tried to make a progressive commercial film based on an illogical story. Not recommended.
I aim not to blame anyone for the film, except for one thing, and that is that a commercial film should remain commercial. If they try to input 'progressive stuff' in a wrong way then it would become a piece of garbage. A woman willingly conceives with the help of a fertility centre just because she realised that her acquaintances want kids seems a vague idea. Also, this movie showed a comparison of women from a patriarchal man's perspective is problematic. They tried to make a progressive commercial film based on an illogical story. Not recommended.
After a long time, I watched a movie that plays with a lot of emotions, accompanied by excellent background music. Unlike the usual films with heroes fighting with 1,000 gundas , 40,000 bullet shots but no single hit on hero body, and cars flying and touches airplanes, this one felt refreshing. However, the story plot might make it uncomfortable to watch with family. It's better suited for watching alone or as a couple but the comedy scenes are definitely enjoyable and bold. The music and songs are fantastic and have already made their way into my playlist.
Not sure if this marks Ravi's comeback, but his acting has been elevated to the next level. Hats off to the director for this incredible story. Nithya Menon - applause!
Not sure if this marks Ravi's comeback, but his acting has been elevated to the next level. Hats off to the director for this incredible story. Nithya Menon - applause!
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 70.834
- Tempo de duração
- 2 h 20 min(140 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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