The Birthday Boys

I've probably re-written this review 20 times so far and it just gets more and more long-winded each time, so the hell with it, let's do the quick, no-bullshit version.

The show's not good. Y'know when you're watching something that's supposed to be funny, and instead of laughing, even inwardly, you catch yourself instead just thinking things like, "Oh, I see how that could be funny. Or could've been. Neat idea. ... K, why haven't we moved to the next sketch yet?" It's not that it's all that bad, even, I mean, I see how it could be funny at times, but in a lot of ways it's so much worse to be disappointing than just flat-out bad. When something is just bad, it doesn't tend to feel like nearly as much wasted potential as something that could've been real damn good.

Here's hoping these guys learn to edit their show a lot more objectively in their next season. In the meantime, re-watch Mr. Show if you want some actually funny Bob Odenkirk sketch comedy. Hell, go back further to the Ben Stiller Show, more classic sketch comedy, written, produced by, and actually starring Bob Odenkirk and Ben Stiller (nerd note: Ben is also an E.P. on Birthday Boys); the last few episodes of its lone season still hold up incredibly well something like 20 years later, whereas this...

(Truthfully, I'm really sad. I really thought Bob knew how to pick 'em when he got behind Tim & Eric way early, and nearly everyone from Mr. Show is now either a household name or at least seen/heard constantly... This is a very negative review with a very heavy sigh attached to it.)

This group of zany comics produce nothing but laughs and the unexpected plot lines. The only thing wrong with Birthday Boys is that after 10 episodes, it's disappeared! The half-hour show has more than three separate but recurring episodes that are flat-out funny. Bob Odenkirk (Saul the lawyer on "Breaking Bad") appears, and also is the executive producer. The brothers who brew beer, the high-school kid who is stood up by his girl for the prom, with his dad substituting for her...the roofers...too many shows to watch...there are so many exceptional comedy bits in this show that in the great wasteland of reality TV, couldn't intelligent folk be allowed to laugh and genuinely hilarious TV? That's Birthday Boys--it should return, and soon!

With each episode I see, these talented young men continue to impress me. Their sketches are well written, clever, without resorting to the crutch of vulgarity. These are not one joke sketches like those you see on SNL, either. Rather, they build on the absurdities and clever ridiculous premises established early on, throughout the sketch. Their acting is top notch and I can't wait to see what they will accomplish as they move forward. If you want intelligent comedy that doesn't insult your intelligence, this show is for you. Favorites include the Chistian Youth Group sketch, the roofers, and the beer company sketch. I believe these funny young men met each other at college where they had time to hone their comedic skills. I was fortunate enough to see them perform live on the Comedy Bang Bang tour and they were equally as funny live. I also got a chance to meet most of them, and they turned out to be a bunch of great guys with no egos or attitudes.

I don't know why I ever watched this, I don't know why my man and I can quote all of this, but this is a wonderful comedy show. It's so subtle, clever, and quotable. In fact we have a standing drinking game where if one of us makes a reference, we have to take a shot. Anymore it's just mimicking taking shots, but it's still relevant.

And one of them has a head that is perfectly square.

Losing this on Netflix was such a shame, but it really is a well crafted sketch show that was cut down too quickly. Bob Odenkirk is a delightful accomplice to the shenanigans. We love it so much we own the physical copies, which is huge.

So strap in and hold onto your shoes, because I guarantee you will find it adequate.

I'm seeing quite the polarization, here: Folks either think it's the bees' knees, or think it sucks. For one thing, I don't think there's any use comparing it against Mr. Show: The flavor is very updated/refined/lower-key. I like that; it's a different modality, and one I could plug in to.

The key, I think, is that Odenkirk is trying to become a better and better producer of media products that aspire to true art, and I for one see TBBs as a step in this direction.

So: What makes TBBs look, to me, like such a step? The writing and directing are very well-integrated. This integration means that they don't have to rely on an "obvious" sketch gimmick to clue in the acting talent as to their motivation. Bob has a subtler idea, and he ably directs very able actors to achieve these subtler comic effects. Good on 'im!

I was just thinking of watching them again. Yeah! I think I'll do that!