The Holiday Exchange

Let's just say I'm glad that my hands had better things to do while watching this--baked some cookies and par-baked a pie crust, and started a raspberry cheesecake.

Not long ago a friend of mine made an astute never-to-be-forgotten "snobservation" which is so applicable to this movie: "It seems utterly incredible that so few control so much wealth and possess a vocabulary of nothing more than a few monosyllabic grunts." (Where's the Gong Show when you need it?)

Why would his words come to mind while assessing this film? Let me guess: "Well, I sort of like, well basically.... didn't get the plot--basically too many people to follow, but like the men were, well basically like eye candy and at least there was like at least one new Xmas LGBTQ movie this year."

I rest my zero-star rating.

The dialogue is not great and the acting is average to good, and the characters were all too well-off for my liking. But despite that I sensed gay actors were probably involved in its making and that is a bonus. I did not like their lives as represented here much, but who am I to judge ? Most popular heterosexual mainstream films have the same kind of supposed glamour, and that as they say is Hollywood. The plot is easy to follow. Four guys go away for Christmas, exchanging apartments and they find love. One apartment in Los Angeles and the other in an obscure place that looked like a cute Romanian town. It borders on the unbelievable, but then a lot of films do and we accept the fantasy. Samer Salem as a writer was in my opinion the best actor, and Taylor Frey was fun and at the same time irritating to watch. All four find love and how often does that happen either in life or on film? To sum up it is escapist fantasy and so are most of Vincente Minnelli films and Douglas Sirk. This film is arguably lacking their magic, but it does have a lot of wish fulfilment and to a large extent this is the Hollywood ethos, and most do not complain about that.

Holiday movies are not meant to change the world, just brighten it up for a couple hours. This movie knows exactly what it is, doesn't pretend to be anything else, and it delivers. Swapping cities for the holidays with a stranger, and both of them finding love is nothing new, but it's also always a warm feeling, which is great to have in a cold winter night. Some great supporting performances from Kyle Richards and Ashley Fink (who actually gets my favorite moment of the film and pulls the one Lone tear out of my cynical heart).

Maybe I'm a bit biased because it's Taylor Frey, and he and his husband are talented Handsome happy couple goals, but this was great Christmas Eve watching.

Overall a decent, albeit cliche, film. What makes it nearly unbearable is the acting from the lead. It's stilted, unconvincing, and just feels one note - always annoyed. Certainly not a protagonist you root for.

The real star is the lead's mom played by Kyle Richards. I knew she was a Real Housewife but didn't realize she had an acting background.

May still be worth watching if you can make a drinking game out of it. However, if you're looking to see some romantic chemistry and to feel that "butterflies" feeling, the lack of connection between the main couple will likely leave you disappointed.

I am a firm believer that Gay themed movies are either really good or really bad. There is never a middle ground when it comes to these types of movies. This one happens to be really bad and the lead actor Taylor Frey has to be the absolute worse. He happens to be very stiff and fake. There is also nothing original about this story. Let's travel across the world and meet your love. Maybe this story could have been good if they would have only hired a lead actor that could act. I have seen a few of his painful attempts at acting before and each one only gets worse. The rest of the cast was easier to watch. Save your time and skip this movie.