Um grupo de criminosos sequestra uma bailarina de doze anos, filha de um poderoso homem do submundo, para coletar um resgate de US$ 50 milhões. Em uma mansão isolada, os raptores logo descob... Ler tudoUm grupo de criminosos sequestra uma bailarina de doze anos, filha de um poderoso homem do submundo, para coletar um resgate de US$ 50 milhões. Em uma mansão isolada, os raptores logo descobrem que não estão com uma garota normal.Um grupo de criminosos sequestra uma bailarina de doze anos, filha de um poderoso homem do submundo, para coletar um resgate de US$ 50 milhões. Em uma mansão isolada, os raptores logo descobrem que não estão com uma garota normal.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 21 indicações no total
- Direção
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is fun - almost in the style of Hammer. It's gory, but not scary. A clichéd plot and characters, but directed and acted with enthusiasm, and a good nod to classic vampire films. All the references were there, we were just missing Vincent Price and Christopher Lee and an over-coloured palette.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
Now that I've seen this I can understand all the warnings on here to avoid the trailers and I can understand why. I had no idea what this was about other than it involved a young girl who is kidnapped, much to the eventual dismay of said kidnappers. Not having a clue where this was going help immensely with the surprise factor. This thing is good, bad, too long due to a back story, absolutely bonkers, wild, crazy, bloody, corny, gory, exciting and fun! Its setup is what I stated, but from there on in, you are on your own here. The cast is pretty good. The title character, the little girl, is wonderfully played by Alisha Weir. Dan Stevens plays one of the kidnappers and this guy is becoming a chameleon with his variety of roles. Here he is mean, internally ugly and pretty much a sleazeball type. Kevin Durand as a dim muscleman is funny as are a lot of things in this smorgasbord of a horror film. There are a few things that are just stupid, but it's a little hard to tell what is intentional as opposed to just poor writing. As I never watch TV anymore, I had never seen Angus Cloud before. Hard to tell much about him from this, but he does play a loser here very well. If you like horror films, ya gotta see this!
Everything in this movie is mediocre except the cinematography and the production design. I was looking forward to this due to me really liking Radio Silence's 'Ready or Not'. I was hoping for a fun horror comedy akin to that, but 'Abigail' ended up being as frustrating and obnoxious as their 2 'Scream' movies. It was however, better than 'Scream 5', but that's not saying much.
The acting all round is pretty bad. Dan Stevens is hamming it up, Melissa Barrera is a blank slate, but the worst performance by a mile is from Kathryne Newtown. Newtown has been bad in everything I've seen her in ('Detective Pikachu', the 'Death Note' remake), but here she's impressively awful, she can't even scream convincingly. The little girl is good for a child actress, but her dialogue is embarrassing lazy and stilted. She's the exact same kind of "toying with her victims" villain we've seen a million times before, now just in child form.
There are TWO 3-minute exposition scenes in this movie where a character just stops the film dead in its tracks, and explains everyone's backstory. It wouldn't be as unbearable if these characters weren't stock and unlikeable, but not one of them has an interesting backstory, so wasting this time trying to "flesh them out" ends up being a complete, cliched waste. Theres even a gag where the big "muscle" character screams like a little girl, as if we haven't seen that joke a million times before...
There were no engaging twists or revelations, and the characters were impossibly stupid. Unlike 'Ready or Not', where the lead character makes smart decisions, and the villains only make idiotic decisions because that's core to their character, the group in 'Abigail' are "professionals" who only make moronic decisions to further the contrived plot.
One aspect that surprised me was how many loud and amateur jump-scares there were. None of them were effective, and the editing is akin to something you'd expect from a horror short on YouTube. The sound design is particularly egregious and insistent, and all but one of the needle drops are total cringe. There's no moments of tension or thrill. I doubt even a 12 year old would find any of this scary.
It even uses the same exploding-bodies trick from 'Ready or Not', but in a much dumber and unsatisfying way. It even ends in the same way, with one character saying pretty much the exact same thing as Samara Weaving in 'Ready or Not'. It's just them playing the hits from their one good movie. There's not an original bone in this movie, despite it clearly insisting that it's some fresh, slick new take on vampires.
I've seen a lot of stuff these two directors have done, including their sections in 'Southbound' and 'V/H/S', and it's clear that Gillet and Bettinelli-Olpin only have one good movie in them, and that's mostly due to the fact that the premise in 'Ready or Not' is really hard to screw up. I don't ask for much, I've seen tonnes of tiny budget, straight-to-streaming comedy horrors that are far more inventive, funny and transgressive than this forgettable chore.
The acting all round is pretty bad. Dan Stevens is hamming it up, Melissa Barrera is a blank slate, but the worst performance by a mile is from Kathryne Newtown. Newtown has been bad in everything I've seen her in ('Detective Pikachu', the 'Death Note' remake), but here she's impressively awful, she can't even scream convincingly. The little girl is good for a child actress, but her dialogue is embarrassing lazy and stilted. She's the exact same kind of "toying with her victims" villain we've seen a million times before, now just in child form.
There are TWO 3-minute exposition scenes in this movie where a character just stops the film dead in its tracks, and explains everyone's backstory. It wouldn't be as unbearable if these characters weren't stock and unlikeable, but not one of them has an interesting backstory, so wasting this time trying to "flesh them out" ends up being a complete, cliched waste. Theres even a gag where the big "muscle" character screams like a little girl, as if we haven't seen that joke a million times before...
There were no engaging twists or revelations, and the characters were impossibly stupid. Unlike 'Ready or Not', where the lead character makes smart decisions, and the villains only make idiotic decisions because that's core to their character, the group in 'Abigail' are "professionals" who only make moronic decisions to further the contrived plot.
One aspect that surprised me was how many loud and amateur jump-scares there were. None of them were effective, and the editing is akin to something you'd expect from a horror short on YouTube. The sound design is particularly egregious and insistent, and all but one of the needle drops are total cringe. There's no moments of tension or thrill. I doubt even a 12 year old would find any of this scary.
It even uses the same exploding-bodies trick from 'Ready or Not', but in a much dumber and unsatisfying way. It even ends in the same way, with one character saying pretty much the exact same thing as Samara Weaving in 'Ready or Not'. It's just them playing the hits from their one good movie. There's not an original bone in this movie, despite it clearly insisting that it's some fresh, slick new take on vampires.
I've seen a lot of stuff these two directors have done, including their sections in 'Southbound' and 'V/H/S', and it's clear that Gillet and Bettinelli-Olpin only have one good movie in them, and that's mostly due to the fact that the premise in 'Ready or Not' is really hard to screw up. I don't ask for much, I've seen tonnes of tiny budget, straight-to-streaming comedy horrors that are far more inventive, funny and transgressive than this forgettable chore.
If is rare for a horror movie to give away it's twist in its trailer. And still rarer to hold your interest, after the aforementioned cardinal sin, for almost its entire length, because of the vivid characters, their banter and their gory endings.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
The producers of Abigail did the first sacrilege before its release, leading to it crashing at the hustings.
The director and the script writers nearly pulled off a miracle by still making a gripping thriller, which looses some steam right at the very end.
This is an even- toned film. It maintains its momentum and its editing doesn't let the speed flag down. The last 20 minutes are slightly convoluted as if the writers couldn't think of a way to end it.
Liked it. Had the potential to be a real classic.
This is an entertaining horror movie with comedic elements sprinkled throughout it and everyone in the cast does a pretty good job with the parts they're given but Dan Stevens kills it, he steals the show in every scene he's in, killer lines and he's so damn funny you can't help but laugh. The movie is nothing you haven't seen before but even with that in mind it still manages to surprise you and be unpredictable at times with different twists and turns in the story.
Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.
Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.
Você sabia?
- CuriosidadesThe directors were so impressed by Alisha Weir's dancing that they added more dance sequences to the film.
- Erros de gravaçãoIt's too late to collect cell phones after they've already arrived at the scene of a crime, as the phones have already pinged local cell towers. However, given the true nature of the heist, this may be irrelevant.
- Cenas durante ou pós-créditosAt the very end of the credits, Abigail's sinister chuckling is heard.
- ConexõesFeatured in The 7PM Project: Episode dated 19 April 2024 (2024)
Principais escolhas
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- How long is Abigail?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Ебіґейл
- Locações de filme
- Glenmaroon House, Dublin, Irlanda(Main house location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.867.515
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.297.110
- 21 de abr. de 2024
- Faturamento bruto mundial
- US$ 42.791.449
- Tempo de duração
- 1 h 49 min(109 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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