Desafios

Wow. Just wow. It's truly a marvel how a film can assemble such a powerhouse cast-Nayantara, Siddharth, Madhavan-and still manage to produce something that feels like it was written during a power outage, possibly under the influence of... creative herbs. One has to genuinely applaud the person who pitched this script to these seasoned actors. That level of salesmanship? Unmatched. We're talking next-level persuasion-someone get this individual into international diplomacy immediately.

The script itself is a masterclass in monotony. It's almost impressive how consistently dull and uninspired it is. The Netflix India team must have a new approval strategy: spin a wheel, close your eyes, and greenlight whatever it lands on. Risky? Yes. Effective? Absolutely not.

As for the director and writer-daily soaps might be too ambitious. But hey, there's always the back pages of a local flyer or TikTok skits. Start small, dream big.

Gave it 3 stars though. Not for the movie-heavens, no-but as a small token of sympathy for the cast and crew who clearly signed up for something else entirely.

Anwar Says: What a waste of a top star cast by the director S. Shashikath , who played with the expectations of audiences. Netflix viewers were eagerly waiting for this movie and expecting an engaging one, but the slow pace and timid writing made it a quite mediocre.

The plot has so much to deliver and the best of Kollywood were cast and they tried to give their best but Shashikath Saheb was adamant to present it in a snail's pace and in spite of Maddy's large than screen presence in a grey character and reasonably appreciable performance by Nayanthara , it failed to click. Sidharth also kept on yelling or taking on phone throughout. Meera has nothing much to do except in one scene when she overpowered Sidharth.

On the whole, an excellent plot with terrific cast has been killed by director-editor duo.

#netflix #anwarsays #matchfixing #cricketlife #hydrofuel #overambitious #rmadhavan #nayanthara #sshashikath #weakdirection.

Sasikanth's first innings failed as producer and in second innings he failed as director.. worst film I ever watched.. as usual police comes in end and had no role in the film no police officer handle this slow. Notably the rowdy role played very immature. The director doesn't know the innovation and fund raising, a MIT student knew about startup funding is shocking, why he goes to rowdy to fund? No common sense about anything.: waste of time..

"Test" (2025) showcases the undeniable talent of R. Madhavan, who delivers a stunning performance. However, the film is ultimately let down by a flat and unengaging storyline that fails to captivate the audience.

R. Madhavan commands the screen with his charisma and acting prowess. His portrayal of the character is nuanced and compelling, demonstrating his ability to elevate even a weak script.

Unfortunately, the film's narrative struggles to maintain interest. The story lacks originality and fails to offer any compelling plot developments or emotional depth. The pacing feels slow and uneven, making it difficult to stay invested in the characters' journeys.

The supporting cast, while capable, is given little to work with. The characters are underdeveloped and their relationships lack complexity, further contributing to the film's overall lack of engagement.

The film's technical aspects are adequate, with decent cinematography and a fitting soundtrack. However, these elements are not enough to compensate for the film's narrative shortcomings.

Despite Madhavan's stellar performance, "Test" is a disappointing cinematic experience. Its lack of engaging story and emotional depth makes it a film that is easily forgotten.

Test (2025)" is a textbook example of a wasted opportunity. Despite a star-studded cast, the film falls flat due to its painfully dull screenplay and uninspired execution.

Madhavan seems to be trying hard to carry the film, but even his efforts can't save the sinking ship. Nayanthara appears completely out of sync with the narrative-her character lacks depth, and her presence feels more ornamental than impactful. Siddharth, on the other hand, delivers a robotic performance with zero emotional range, making it hard to connect with his character at any point.

The biggest letdown is the screenplay-disjointed, sluggish, and lacking any engaging moments. It drags without purpose, testing the patience of the audience rather than offering any meaningful cinematic experience.

Cricket scenes were disastrous.