Um comandante experiente tem que tomar decisões difíceis enquanto ele e sua equipe abrem caminho pela Alemanha em abril de 1945.Um comandante experiente tem que tomar decisões difíceis enquanto ele e sua equipe abrem caminho pela Alemanha em abril de 1945.Um comandante experiente tem que tomar decisões difíceis enquanto ele e sua equipe abrem caminho pela Alemanha em abril de 1945.
- Direção
- Roteirista
- Artistas
- Prêmios
- 6 vitórias e 23 indicações no total
Brad William Henke
- Sergeant Davis
- (as Brad Henke)
Avaliações em destaque
War is hell. It is a macabre sarcasm of Life. It perverts all normal socially-accepted truths. And, in such a hell, only demons can survive -- - only demons can know how to excel.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: "We're not here for 'Right or Wrong'... we are here to kill them."
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence... but, after such implacable destruction, not only of lives... but of Life... what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war... and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact... for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who's lust for conquest will obliterate everything they know... even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm... or, even after. The perversity of war... the final image... testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: "We're not here for 'Right or Wrong'... we are here to kill them."
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence... but, after such implacable destruction, not only of lives... but of Life... what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war... and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact... for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who's lust for conquest will obliterate everything they know... even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm... or, even after. The perversity of war... the final image... testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
The goofs and historical inaccuracies are everywhere in this movie. War historian Youtubers pick this movie to pieces. As they should. The inaccuracies and goofs are overwhelming for anyone with an ounce of WW2 military history knowledge.
As a military historian myself, I spotted errors within the first 5 minutes, BUT, I enjoyed this movie. It is WW2 war movie entertainment only. Military historians go to ton on this movie/... the inaccuracies are overwhelming... but it is a damn fine movie. The acting is superb. Fantastic film work, and what id o personally like is the German Tiger tank in the movie, is an actual German Tiger tank being the only fully functional restored Tiger in the world.
Where to even begin.... I don't make out to be a historian, but I take a keen interest in this time period, it's a fascinating, horrendous era, this .... doesn't give any historical fact or detail, it's basically a shoot 'em up movie which happens to be set during The Second World War.
It surprises me that they didn't have someone beating Hitler up, uppercutting Goebbels in a bunker action sequence.
The Second World War, Hollywood style, some white amazing looking action sequences throughout, it's incredibly atmospheric, you can almost smell the gunpowder and feel the tension.
I hate myself for saying it, but I love this film, it's Brad Pitt and Shia laBeouf both absolutely nailing it.
If you watch any reviews, or read many of the written reviews, you'd come away thinking this film wasn't worth your time, my advice would be to try it, but know what you're getting.
It's absurd, but it's so enjoyable.
8/10.
It surprises me that they didn't have someone beating Hitler up, uppercutting Goebbels in a bunker action sequence.
The Second World War, Hollywood style, some white amazing looking action sequences throughout, it's incredibly atmospheric, you can almost smell the gunpowder and feel the tension.
I hate myself for saying it, but I love this film, it's Brad Pitt and Shia laBeouf both absolutely nailing it.
If you watch any reviews, or read many of the written reviews, you'd come away thinking this film wasn't worth your time, my advice would be to try it, but know what you're getting.
It's absurd, but it's so enjoyable.
8/10.
I was blown away by this film, I thought the acting was on point (even from Shia, who I don't really like anymore since his "I am not famous anymore" stunt), Brad put in a brilliant performance & looked awesome. I didn't really rate Pena until seeing End of Watch & this, I was dubious at first.
Fury seems to have annoyed several historians, I don't know much about all that so my 9/10 rating takes none of that into account.
I loved how gritty it was, reminded me of Saving Private Ryan/Band of Brothers & depicted how brutal war can be & is.
Yes, okay, the final scenes might be a bit ridiculous & over- exaggerated but that takes nothing away from this film for me, I would recommend to anyone & everyone
Fury seems to have annoyed several historians, I don't know much about all that so my 9/10 rating takes none of that into account.
I loved how gritty it was, reminded me of Saving Private Ryan/Band of Brothers & depicted how brutal war can be & is.
Yes, okay, the final scenes might be a bit ridiculous & over- exaggerated but that takes nothing away from this film for me, I would recommend to anyone & everyone
Strikingly far from mainstream war movie, Fury is unapologetically messy and brutal. The crude nature affects more than the visual, with the cast uttering unrefined profanity along with some military jargon. While the cinematography is splendid, it's nothing near the glossy or cinematic flair of other war movies, such as Saving Private Ryan, this is am unfiltered portrayal of war. It goes out of its way to display the gritty, sometimes intentionally overlooked aspect of war, the entire dirty ugliness of it.
Brad Pitt as Wardaddy provides a solid leader persona. He's as consistent as he could be, and with the experience of war movie under his other belt, albeit a rather different one, it comes as no surprise that he performs amazingly. It's not a macho leader character as Wardaddy occasionally has doubt, mostly heavily suppressed. Shia LaBeouf as Bible is good, displaying better on-screen flair than most of his recent ones. Michael Peña as Gordo and Jon Bernthal as Coon-Ass (classy name) round up the crew.
Peña works well, delivering a couple of good scene when least expected. Bernthal from Walking Dead has a certain niche, as an ally who sometimes looks like about to snap. Perhaps the highlight of Fury is Logan Lerman as Norman, the newly recruited crew. He's suddenly thrust into battle at its bloodiest. He gradually trades his innocence with experience of the horrid war out of necessity. Screenplay and dialogues are great, using direct, occasionally rude approach. The characters sound and act like soldiers, and it's not the usual presentable ones for cinema screen.
What gives it more depth is how it's rooted on military. From inside of the tank or down time between skirmishes, every bit seems realistic. The strategy is sound, thus giving more weight to action sequences. This one is not for the fainthearted however, as limbs will fly or get chopped off clean. The movies doesn't dwell on particular gore for shock purpose, it simply brushes fatal graphic and burning bodies as if they are normal occurrences. Soundtracks are effective as well. While most tunes are subtle or orchestra for tense scenes, a few hymns, as if chanted by the soldiers themselves, are eerily moving.
If there' are some minor complains of the movie, it's that the plot progresses in predictable way and the action in darker scenes are murky. Fury is a straightforward ride into the center of war. It's a less flamboyant, certainly not romanticized, but a damn fine one.
Brad Pitt as Wardaddy provides a solid leader persona. He's as consistent as he could be, and with the experience of war movie under his other belt, albeit a rather different one, it comes as no surprise that he performs amazingly. It's not a macho leader character as Wardaddy occasionally has doubt, mostly heavily suppressed. Shia LaBeouf as Bible is good, displaying better on-screen flair than most of his recent ones. Michael Peña as Gordo and Jon Bernthal as Coon-Ass (classy name) round up the crew.
Peña works well, delivering a couple of good scene when least expected. Bernthal from Walking Dead has a certain niche, as an ally who sometimes looks like about to snap. Perhaps the highlight of Fury is Logan Lerman as Norman, the newly recruited crew. He's suddenly thrust into battle at its bloodiest. He gradually trades his innocence with experience of the horrid war out of necessity. Screenplay and dialogues are great, using direct, occasionally rude approach. The characters sound and act like soldiers, and it's not the usual presentable ones for cinema screen.
What gives it more depth is how it's rooted on military. From inside of the tank or down time between skirmishes, every bit seems realistic. The strategy is sound, thus giving more weight to action sequences. This one is not for the fainthearted however, as limbs will fly or get chopped off clean. The movies doesn't dwell on particular gore for shock purpose, it simply brushes fatal graphic and burning bodies as if they are normal occurrences. Soundtracks are effective as well. While most tunes are subtle or orchestra for tense scenes, a few hymns, as if chanted by the soldiers themselves, are eerily moving.
If there' are some minor complains of the movie, it's that the plot progresses in predictable way and the action in darker scenes are murky. Fury is a straightforward ride into the center of war. It's a less flamboyant, certainly not romanticized, but a damn fine one.
Você sabia?
- CuriosidadesThe second time a genuine Tiger I tank has been used in the production of a WWII film. It features "Tiger 131" from the UK's Bovington Tank Museum, the only fully functioning Tiger I tank in the world.
- Erros de gravaçãoAll Sherman tank hatches are secured, or otherwise lockable, from the inside. The Fury crew would have never left one unlocked for the Germans to open from outside the tank.
- Citações
Boyd 'Bible' Swan: Wait until you see it.
Norman Ellison: See what?
Boyd 'Bible' Swan: What a man can do to another man.
- Cenas durante ou pós-créditosReal Word War II archive footage is shown during the first part of the end credits.
- Trilhas sonorasThe Old Rugged Cross
Written by George Bennard
Principais escolhas
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- How long is Fury?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Corazones de hierro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 68.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 85.817.906
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.702.421
- 19 de out. de 2014
- Faturamento bruto mundial
- US$ 211.822.697
- Tempo de duração
- 2 h 14 min(134 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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