Mrs

Yet another Sanya Malhotra film that quietly drops on OTT and gets added to her other "underrated gems." Mrs is good, but it could have been great-if only it had better supporting characters instead of a walking, talking red flag factory.

The film is essentially an emotional beatdown for the main character, Richa. Whether you relate to her or not, you will feel bad for her because every other character exists solely to make her life miserable. Her family? Useless. Support? Nonexistent.

And here's the problem-good character writing requires some balance. You need flaws and redeeming qualities, but the supporting cast here is just a collection of people belittling women or being subtly (and not-so-subtly) prejudiced. Because of this, the film unintentionally lets some viewers off the hook. A lot of men watching this will think, Wait, I've never treated anyone this badly. This isn't me. And just like that, the film's social message loses its punch.

That being said, Mrs is visually stunning. The symbolism is great. Richa adjusting only the female statues while ignoring the male ones was a nice touch. The cinematography was on point. The background score? Could've been better.

Overall, Mrs is a well-made film, but one that leans too hard into misery without giving the audience much else. A little nuance in the supporting characters could have elevated this from sad to powerful. Instead, it's just really sad.

This film is exactly what Indian cinema needs nowadays, grounded, relatable, and a true slice of life that resonates with audiences. A huge thanks to the Bawejas (Harry and Harman) for backing such a powerful project. Sanya Malhotra delivers an outstanding performance, effortlessly controlling and calibrating her expressions through various situations, making you feel every emotion her character experiences. The supporting cast, including Nishant Dahiya (her husband) and Kanwaljit Singh (her father-in-law), play crucial roles in helping carry the story.

The film portrays a real, painful journey that many women, both in India and worldwide, can relate to. It highlights the challenges of dealing with demanding in-laws, the loss of self-identity, a self-absorbed husband, and most of all the typical "Hamare ghar ke rules maan ne padenge" syndrome of many patriarchal Indian families. While some moments might seem exaggerated, it's important to remember that these are experiences many women face or have faced. For those who find certain scenes triggering, it's a reflection of real-life struggles many women go through every day.

For those who are saying the ending is rushed, it is not. They have just skipped the unnecessary mud slinging parts that would have followed after the events of the party. They have instead shown what is the eventuality of that situation.

Such a nice breath of fresh air with the old conservative thoughts which is frustrating the women in the kitchen for such a long time. The story very well deals with the idea and shows us the day to day life of how our mothers and grandmothers have been treated. The acting performances were good and kept you engaged in the story. Music is a part which could have been worked upon and the ending seemed a bit rushed, could have played the ending well but apart from that, it was a really delicious dish. Recommended. Must watch for all the man-child out there. It will give you the picture of how Indian society works, and how it should stop doing that.

Mrs." is a 2025 Hindi-language drama directed by Arati Kadav, featuring the brilliant Sanya Malhotra in the lead role. This film is an official remake of the acclaimed Malayalam movie The Great Indian Kitchen (2021), and it beautifully translates the essence of the original into a Hindi context, making it deeply relatable across cultures.

The story revolves around Richa, a trained dancer and dance teacher, who marries Diwakar, a well-to-do doctor. Post-marriage, Richa finds herself grappling with the crushing weight of traditional expectations-managing household chores, cooking elaborate meals, and fitting into the mold of the "ideal wife." Despite her talents and aspirations, her identity is slowly consumed by the repetitive drudgery of domestic life.

Sanya Malhotra delivers a stunning performance, capturing the silent struggles and simmering frustrations of a woman trapped in the confines of patriarchy. The film's strength lies in its portrayal of mundane routines-kneading dough, scrubbing utensils, preparing elaborate meals-each chore symbolic of the invisible labor that often goes unnoticed and unappreciated.

One particularly striking scene is when Richa, after toiling in the kitchen to prepare a perfect meal, faces her husband's dismissive remark: "You smell of the kitchen," a line loaded with contempt that starkly reveals how the very labor expected from women is also what diminishes them in the eyes of men. The irony is palpable-what's considered a woman's duty is also what's used to belittle her. This moment hits hard, showcasing the deep-rooted misogyny embedded within seemingly casual remarks.

The film also explores the dynamics of cultural and religious practices, particularly around the Sabarimala pilgrimage, subtly exposing the gender inequalities woven into these traditions. Richa's growing rebellion against these oppressive norms becomes a powerful metaphor for self-liberation.

Mrs. Is a must-watch for all couples. It forces viewers to reflect on the unspoken, often unfair, dynamics within relationships. It's not just a film; it's a mirror held up to society, urging us to question the normalized gender roles we rarely challenge.

In essence, Mrs. Is bold, thought-provoking, and profoundly relevant-a film that stays with you long after the credits roll.

Well, after their first meeting it appeared that they met several times before tying the knot! Even they fell in love!!

Any normal girl who is getting into such arranged - love marriage would clearly tell her would be husband about her interests, profession, career and also that she would work after marriage.

Why such simple thing was kept out of the movie????

See, that's because then there wouldn't be any Masala!!

But the truth about movie's plot is - They both belonged to educated families. But they expected families a full time homemaker. And , why did she also expect that they will understand her?

Here I thought movie went wrong when it was just started! There was no communication, especially by girl. And I fail to understand, how come she did not continue talking about her interest in being dance teacher when this topic was brought before marriage!!

Sanya, you are awesome dear! But this simple communication thing, ruined movie for me.