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Joko Anwar has been known to make films with notable standards like great characters, interesting premise to follow, provoking dialogues, and doses of gore here and there. Grave Torture checks all of the items, but unfortunately, it also checks Anwar's notorious trademark: a weak third act.

Anwar has always been a good storyteller. This movie is no exception. It has a bubbling mystery in every corner, asking me to guess in every scene, unrolled with witty, almost absurd, characters, to keep me on my seat along with amazing technical aspects, especially the sound design. Then, the third act comes.

It reminds me of all of his previous horror works where the plot becomes chaotic and blurred. I don't know how, but it felt really exploitative. There's not much of a story, just series of audience-engaging scenes masquerading as a climax. How is that justify all of the buildups? How is that going to answer all of the questions? Those questions keep me on my seat until suddenly, it ends.

I realized that Anwar is not responsible to make a film that I can fully understand. Maybe I am not smart enough for that. Maybe it's a trick to anticipates for possible sequel (if any). Or maybe, it's time for me to accept that Anwar's style will never going to a direction that I like. But, I think most of his climax is an easy way out for such lucrative plot development that he makes.

Then again, the climax stays in my head for two days. It does impactful.

Grave Torture was a harrowing experience for me, standing out among the many horror films I've seen. As a fan of the genre, I was drawn into the film's immersive atmosphere, which I credit largely to Joko Anwar's impressive direction. While the storyline itself isn't particularly groundbreaking-reminiscent of other films that challenge common beliefs-the execution is what sets this movie apart.

The pacing and tension were masterfully handled, keeping me engaged even when familiar plot points emerged. What truly surprised me was the ending, which took an unexpected turn, adding depth to the otherwise conventional narrative.

Faradina Mufti's portrayal of Sita was both compelling and convincing, capturing the emotional weight of her character. Equally noteworthy is Widuri Puteri, who played 'Little Sita,' laying the groundwork for the character's development.

Overall, while the story may not be entirely unique, Grave Torture excels in its execution and atmosphere, offering a chilling experience that horror fans are sure to appreciate.

Many people said, this film are like Christopher Nolan of Indonesia. But, sadly, Not!! There's too much people praising this film. "It's just like western movie" they said. "It's not about jump scare" or "It's more psychological film."

The atmosphere are great. The cinematography are good. The acting are top notch. That's the only positive things from this film.

The first half of the film is about our brave women, Sita. She try to find the truth about "Siksa Kubur" or Grave Torture. There's so much ideology battle, especially about religion through the film. Quite enjoyed it, yes, this "psychologycal" thing are so great.

Sadly, after that, when, Sita goes to the grave, it's became down hill! The ghosts are laughable. Why? Because it's literally more like alien, like Venom. And the other ghost just crawling in the wall like spiderman.

And there's literally Zombies in here! Just beat it, man!! Those old man zombies are not menancing enough!!

Many people said, the most "scary" scene are the washing machine scene. But, sorry, it's a big NO. Nothing scary, that's scene just make my eyes roll, because, it's soo dumb. They're literally in super rich nursing home, why the patient washed their clothes alone?? Yes, it's a part of "big twist" but too dumb.

And Sita suddenly became weak minded. She's a brave women like Spider-Woman or Katnis Everdreen from the get go, but why do that to her at the end?? Ugh.

They're claimed this film would make people "believe" about grave torture and repent. But at the end, i just thought, "did i watched some superhero movie"??

Life after death is not a new story that has emerged around us. From the animist era (kejawen) of Semar's disappearance to the realm of virtue to the concept of heaven and hell in the religion of Abraham, we are attached to the belief to do self-moral as a form of devotion to God. Interestingly, this movie does not try to reflect on moral boundaries, but instead challenges the general concept of each belief without offending any party. From the beginning, we are brought into the movie feeling various sides of emotions and the impression of injustice for deep wounds. Leading us to be unsure of the direction of this movie. I personally did not feel a deep impact when watching this movie the first time. But realized that there was a hidden message being carried. Creating various question marks about the direction of this film. Realizing that many feel this film is good, but for me personally this film is less able to describe an explicit picture or traumatic impression in death itself. Which is the soul of the movie itself. I realized that the director (from some media interviews) did not delve into that area, from the beginning he tried to open new doors to create a space for discussion. For me, this is unacceptable because it seems selfish and will exclude ordinary viewers who don't really dig the absurdity. If I reflect on this movie, it is more suitable to be juxtaposed with films like Shutter Island (2010) or Seven (1995). But I appreciate that Jokan (as fans call him) remains consistent in bringing his world. Given that quite a lot of people are fanatical about his work. Various theories are proposed and concluded, but not many are satisfying for me. I would personally recommend this movie for anyone who wants to explore further the psychological sides of humans rather than looking for trivial fears that are widely peddled in most Indonesian films.

For the duration's worth and the marketing materials, I was expecting Joko Anwar to expand the discussion triggers on various perceptions of what would happen the moment someone was buried six feet under. Unfortunately, he spent too much time on the jumpscare build-up in the second act to fully develop his promising main characters, which made the story... kinda go nowhere.

The first act is solid, Widuri Puteri and Faradina Mufti did an immense job of making the seamless transition from young Sita to adult Sita. Her and Adil's childhood struggle is a stellar backstory, which is a shame that the follow-up in the second act felt cheap to handle their inner conflictions. Would love to see more screen time of young Sita and Adil in the pesantren because it would've given more betrayal value to add to drive Sita's motivation and also satisfactory value for what eventually happened to the villain. Personally, I wasn't invested enough in the villain to see his ass totally whipped as a payoff. The horror elements in the second act are what tickled me the most because for being something that supposedly affected Sita's state of mind, all of the events were actually meaningless and contradictory. Why bother making bad things happen to the people who don't deserve it when the point is that you'll reap what you sow before entering the afterlife?

Another thing is Adil's character journey. I feel like he had so much potential, especially with the exceptional delivery by the incomparable Reza Rahadian, that went wasted because the film didn't want to address him explicitly. For being half of the main characters, I wish we got more of his story shown.

All in all, the cast ensemble carried this film on their backs. No bad performances whatsoever. The sound design also popped off. If only the story is much stronger.

Probably not the best Joko has produced as some have pointed out, but it's the most enjoyable to me so far. Pacing's good, not too fast, not too slow. The story's pretty understandable too, well at least 80% of it without the help of forum and discussion. Open to different interpretations? Yep, it's not Joko if it's not. Funny thing is, the movie doesn't feel like religious to me (from one particular religion) if you think it through, as it has a universal message of humans in the face of death as they lie dying rather than it is about people finding out one particular religion is right, or in other words: More psychological than religious, more human than supernatural, a spiritual journey and reflection about the end we're all gonna face one day, even for those who don't believe.

8.5/10.

Netflix often drops international horror films with little promotion, so I'm here to keep you in the loop. If you're into chilling stories, I highly recommend "Grave Torture", the latest from Indonesian horror master Joko Anwar (known for Satan's Slaves and Impetigore). It's streaming now, and trust me, it's worth watching!

"Grave Torture" grabs you right from the fantastic opening scene and never loosens its grip. The film masterfully builds tension, keeping you on edge with every twist and turn. Joko Anwar creates an atmosphere so thick with dread that it's impossible to look away, no matter how unsettling things get.

If you're after something truly creepy, this is it. The slow-burn suspense and chilling moments will stick with you long after it's over. "Grave Torture" is a must-watch for horror fans looking for a film that delivers on every front.

Have you ever been in a group project where everyone had a good idea, but no one could agree on which one to use? That's exactly how this movie feels. While it does deliver some genuine scares (hence the bump to a 5), the overall direction is completely scattered. It feels like a college movie project gone off the rails.

This is not a 6/7-star horror movie like The Night House, A Dark Song, Session 9, Tigers Are Not Afraid, Huesera: The Bone Woman, or Lake Mungo (which I personally think deserve higher ratings, but are likely dragged down by non-horror fans). I suspect this film's rating may be inflated, possibly due to being more catered to a religious Indonesian audience.

It's worth a watch, but don't make it the main event for movie night. It's the kind of film you put on when you don't mind your friends talking during it. Or maybe the one you watch before diving into something really good.

Honestly, this movie would've worked better as an anthology. The number of different directions it tries to go in ends up being almost comedic at times.

"Siksa Kubur" (The Torture of the Grave) is a thought-provoking horror film that delves into the consequences of one's actions in the afterlife, focusing on the Islamic concept of "Siksa Kubur" or the torment that souls endure in their graves. The film paints a chilling picture of the fear, regret, and moral reckoning faced by its characters after death. It effectively blends elements of psychological horror with spiritual themes, creating a sense of dread and reflection that lingers long after the film ends.

The atmosphere is intense, with well-crafted visuals that heighten the tension. The portrayal of the supernatural elements is both disturbing and captivating, and the film does a good job of building an ominous tone throughout. It also raises important moral questions about sin, redemption, and the consequences of one's actions in life.

However, the film's pacing can be uneven at times, with certain moments feeling too drawn out, and some viewers may find the religious themes to be heavy-handed. Despite these issues, "Siksa Kubur" offers a unique blend of horror and spirituality that may resonate with fans of supernatural horror who are looking for a deeper narrative.

Ultimately, it's an engaging film for those interested in a more reflective and culturally grounded horror experience.

Sita and Adil are adorable siblings with Sita being the protective sister. Their's is an happy family, running a bakery and there is an extra crowd lined up outside due to the opening of new donut shop. A suicide bomber visits the bakery and hands over an audio cassette to Adil before warning him not step out. The following blast kills off the parents, leaving Sita and Adil scarred for life. Adil sticks to his belief but Sita, unable to cope up with the loss, starts questioning her faith. The suicide bomber had mentioned about grave torture and how it pushed him to the extreme. Now, Sita wants to prove this grave torture to be wrong and as a proof, she is willing to go to any extent. What truth does she uncover on her path to questioning her own faith, forms rest of the story.

Joko Anwar has come up with an unique horror film and that itself is an achievement in current time. What I enjoyed the most is how he built in the story through Sita's pov. She was still a little girl when she witnessed her parents death which justifies her questioning the very faith after hearing the suicide bomber's confession. She being the elder child, takes up the responsibility of raising her brother. Further events at the school, pushes her to strongly to not accept anything without proof. It is only in the final act, it is revealed that though she rightfully started questioning her faith, she did so out of her inability to cope up with her loss than being truly rationale. This arc of her character was well executed.

What left me with dual thoughts was the final act. Writing wise, I could connect with the proceedings including the twist. But as a balance between religious belief and rationale thinking, the conclusion wasn't truly satisfactory. This is just me as I hoped for a logical way to make one a true believer. The whole what is your biggest fear and that turning it to be an eternal nightmare, is appealing as it is. When the director turned the grave torture to be an Worldwide phenomenon, the story instantly turned bigger than what it was and the twist followed by the reveal seemed a bit too convenient for the sake of that climax. Again, the writing is still good and if one is not as nitpicking as me then that final act turns out even better.

Horror movies. Often a genre synonymous with jump scares, gore, and mindless entertainment. While these elements can be thrilling, they rarely delve into the deeper recesses of the human psyche. They seldom grapple with the existential questions that gnaw at us in the quiet hours, the ones that keep us up at night. This is precisely why Joko Anwar's Siksa Kubur a.k.a. Grave Torture, struck such a profound chord with me. It dared to be different, to transcend the genre's limitations and offer a horror experience unlike any other.

Unlike its conventional counterparts, Siksa Kubur didn't shy away from the very questions I myself grapple with. These weren't the usual horror tropes - ghosts seeking revenge or vengeful spirits. Instead, the film delved into the complexities of fear of the unknown, the nature of good and evil, motives and consequences. It forced me to confront these unsettling realities head-on, making me a willing participant in its exploration of the human mind.

But what truly elevated from Siksa Kubur was its ability to offer insightful answers to these harrowing questions. It didn't bombard me with simplistic solutions or preachy pronouncements. Instead, the film presented its ideas through a masterfully crafted narrative, allowing me to arrive at my own interpretations. The terror wasn't simply a means to an end; it served as a catalyst for introspection. The scares, while undeniably effective, weren't the sole focus. They were meticulously woven into the narrative, each one serving to push me further down the rabbit hole of self-discovery.

This is not to say that the film shied away from genuine scares. Siksa Kubur delivered moments of pure, unadulterated terror. However, these moments were not gratuitous. They were meticulously placed, serving to heighten the emotional stakes and reinforce the film's central themes. The true brilliance lay in the way these scares intertwined with the exploration of the aforementioned questions. Each jump or moment of heart-pounding suspense added another layer to the film's tapestry, deepening the overall impact.

The film's characters also played a pivotal role in its success. They weren't simply one-dimensional archetypes, instead, they were complex individuals wrestling with their own internal demons, mirroring the struggles of the audience. Their journeys became our journeys, their fears resonated with our own anxieties. We empathized with their plight, becoming emotionally invested in their fate, which made the film's exploration of these profound themes all the more impactful.

Ultimately, Siksa Kubur served as more than just a horror film. It was a thought-provoking experience that challenged me to confront my own fears and grapple with the existential questions that linger in the shadows. It offered no easy answers, but instead, empowered me to forge my own path of understanding. In a genre often content with cheap thrills, Siksa Kubur dared to be different, offering a horror experience that was both terrifying and intellectually stimulating. It reminded me that horror, at its best, can be a powerful tool for introspection, forcing us to confront the darkness within and emerge, perhaps, with a newfound sense of self-awareness.

The movie severely lacked a coherent and engaging story. It felt like a random assortment of horror tropes borrowed from other, better films. The plot revolved around a group of characters trapped in a haunted location, but their backstories were thinly sketched, and their motivations felt weak and inconsistent. Instead of building suspense or giving it depth, the film relied on predictable jump scares and gory set pieces that seemed to exist solely for shock value.

There was no central theme or clear direction-one minute it was playing on supernatural horror, the next it shifted to psychological horror, but it failed to develop either angle fully. The pacing was off, leaving long stretches of time where nothing significant happened, and then suddenly throwing the audience into chaotic and confusing scenes. Overall, the movie felt like a collection of scenes meant to shock or unsettle, but without a strong narrative backbone to tie everything together, it quickly lost steam. It missed the mark in delivering a horror experience that could truly captivate or terrify.

Building a puzzle story with the power of strong dialogue, music and atmosphere is not easy. Even dialogue that could be controversial with the Islamic religious culture can be conveyed well, without offending anyone, everything is based on their own views, Mas Joko Anwar's greatness has been tested.

The messages conveyed can vary, perhaps some will be disappointed because the title of the film Torture the Grave seems to describe only the torture itself. But Joko Anwar offers something more than that.

A big injection for Indonesian horror movie, something truly fresh. Without selfishness, the meaning must be conveyed, but it is mixed very beautifully because of the diversity of different beliefs regarding the torment of the grave.

This can be the worst horror movie that I've ever watched total waste of time. Appreciate the time and effort that the cast and crew put into this but next time please don't.... plot is actually interesting and the acting is really good but the way the plot was handled in the movie is just ugh.... You wanted to do something unusual I understand but you should do better. I cannot understand how people even liked this movie I mean is it the first horror movie you ever watched?? Come on people!! I really miss a good quality of horror movies recent years the movie quality is going worse and worse hope we can watch good quality horror movies soon..

Watching films is not just entertainment, but there is value that we bring home. Joko Anwar offers psychological horror, which is the time for film lovers to move up from just bland exotic horror. The cinematography and tone are perfect, the acting of all the actors is seasoned, even though some actors are debutants, the scoring is great, and the plot twist at the ending is typical Joko Anwar. The film is only 1 hour 57 minutes long, but it would take perhaps a week to discuss it.

Watching the Joko Anwar film is like reading an interactive children's novel by R. A. Montgomery. We are stimulated to think, every scene contains a clue. In fact, the ending of the film is also up to each viewer's interpretation. Joko Anwar never forces his will in any of his films.

Watched this on Netflix a couple of days ago. A child traumatised by childhood events lives a life to pursue if grave torture is true or just propaganda.

Compelling premise that lacks good story telling. Character development is missing and acting is sub par. The lead actress though delivers a good performance that holds the story together and makes the movie watchable in parts.

Otherwise, essentially it's just skipping scenes and moving forward to know what happens in the end.

Perhaps a few strong actors and character development may have helped.

The ending is predictable and it is unlikely that it could have been anything else.

Watching this movie gave me absolute creeps. In a good way and a bad way. This movie amazed/intensify and shivers me. The details when there was gore was so realistic and it looked horrifying. The story was intriguing and I got sucked into it. It was totally worth it and I knew that by the time I reached the halfway point. Near the end, it really kept me intensed me out, so that being something I could face if I don't repent. This is probably one of the better Indonesia films this year, Ive seen The Devils Lair, Train of Death and Ronggeng Kematian, ANYONE who is new to Indonesia Horror will wanting to watch a very goosebumpy intensity new horror movie. This is a new and great idea. Love the cast who worked on this film, this is the top 5 tens in the list of this year. I had to replay it over and over again so that I can get more intense.