A Noite do Jogo

This was a very enjoyable comedy. Plenty of jokes hit their mark and the audience loved it from the laughter I heard in the session. To be upfront I some advanced session tickets from the Australian distributor, won in a competition. So we all saw it for free, but if I wanted to see a good comedy this one is worth paying to watch.

The humour is good, nothing too highbrow but you won't find any crass humour here, just good fun throughout the film.

The film does have its silly moments and the twists towards the end stretch believability, but you don't really care as you don't watch this film to critique, but just to enjoy the ride for a few hours. The characters are not deep, but you quickly grow to like them all or feel sorry for them as the film flows on.

Enjoyable, good clean fun with the odd bit of blood, that is even used to humourous effect.

This movie was a great comedy that also kept me guessing to the end. A lot of comedies turn me off lately because they rely too much on adolescent humor that's gross or mainly sexual jokes. This movie got laughs the old fashioned way and felt like a smart Cary Grant / Katherine Hepburn comedy. It also made me think of the types of British comedies you see Simon Pegg in.

There are a lot of reviewers who panned this quite harshly and when I read those reviews I feel like they were watching a different movie. I'd be interested to know how old these reviewers were - perhaps older people will enjoy this more than people in their 20s? (I'm in my mid-40s). Some complained about the acting - I think everyone was spot on. Some complained the plot was predictable - I actually found myself surprised at several turns the plot took and found it quite funny when the audience was clued into new information that the characters hadn't figured out yet.

Rachel mcAdams had great chemistry with Jason Bateman and the supporting cast were each terrific. The characters were well drawn and funny, and the side plots were all engaging and humorous. I was impressed with the writing and acting, and the pace of the movie never made me look at my watch to see how long was left. I definitely recommend it.

7/10

GAME NIGHT may not be a great film by any stretch of the imagination, but it's definitely a genuine blast and an entertaining ride from beginning to the very end (seriously, stay for the post-credits scene!) The rare major studio comedy that actually feels like a film, rather than a soulless exercise in assembly-line filmmaking, thanks to such creative choices like Cliff Martinez's thumping score and Barry Peterson's cinematography, which not only introduces new locations as if zooming in on a board game piece, but also sports a surprisingly well-executed long take. Lamorne Morris and Billy Magnussen are some of the obvious standouts among the film's enjoyable cast of characters, but Jesse Plemons is the true MVP, stealing every single one of his scenes with ease. The film isn't without its problems, with the convoluted third act jumping the shark almost to the point of parody, and not all of the jokes land (although most do thanks to the cast's great comedic timing), but nonetheless GAME NIGHT makes for a perfectly fun time at the movies.

This expertly crafted film works as both a gut-bustingly funny comedy & a pulse-pounding thriller. Great performances across the board, McAdams & Bateman has great chemistry, & Plemmons steals the show as Todd.

"Where'd you find her? TED Talk?"

If you're game for a hilarious night at the movies, then see the black comedy Game Night. This romantic thriller is a mix of screwball comedy, Marx Brothers slapstick, and witty repartee you'll vow to go back for (about the handsomer brother: "He's like the Mark Wahlberg to Max's Donnie!") so you can catch at least half of the brilliant dialogue from the pen of writer Mark Perez.

Max (Jason Bateman) and Annie (Rachel McAdams) is a childless married couple who relax with friends playing highly competitive games like Scrabble and Charades. This night, however, with the return of his charming, successful brother, Brooks (Kyle Chandler), the game becomes fraught with sibling rivalry and violence that somehow never eclipses the humor. For the audience, determining what is just a game and what is real is the enjoyable endgame, and not easily solved.

The high-flying chases and quips remind me of Grant and Russell in their screwball days, throwing intellectual barbs while their lives are at stake (about a ditzy blonde guest: "Where'd you find her? TED Talk?"). Although Bateman has cornered the market on the clueless but still sharp middle class professional with the classic slow burn, McAdams is a discovery as a robust bright partner only a little clueless but plenty savvy. Her takeoff on Amanda Plummer with the diner hostages in Pulp Fiction is priceless.

Besides McAdams' surprise comedic chops, Jesse Plemons as the off- center, next-door cop Gary sheds his Matt Damon lookalike calling card and crafts a memorable role to prove his talent as a comic character. However, he's just another achiever in an ensemble overloaded with charm. Now and then a fine film comes in this dead-zone time of year: Game Night is that one, a promise of good films to come long after Oscar has gone to hibernation.