Um grupo de amigos que sempre jogam nas noites se vem atrapados num mistério da vida real quando o estranho irmão dum deles é supostamente seqüestrado.Um grupo de amigos que sempre jogam nas noites se vem atrapados num mistério da vida real quando o estranho irmão dum deles é supostamente seqüestrado.Um grupo de amigos que sempre jogam nas noites se vem atrapados num mistério da vida real quando o estranho irmão dum deles é supostamente seqüestrado.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 vitórias e 22 indicações no total
Zerrick Williams
- Val
- (as Zerrick Deion Williams)
Avaliações em destaque
While unlikely to ever be regarded as a classic side-splittingly hilarious comedy kingpin, Game Night is a refreshing and original mainstream experience, which is far and away the best high-profile Hollywood comedy to come our way in sometime.
Directed by Horrible Bosses writing duo and Vacation director's John Francis Daley and Jonathan Goldstein, Game Night takes the one-time nerd only board game night to the big-time as we find ourselves a part of a games night with a difference as Jason Bateman and Rachel McAdam's game loving couple Max and Annie and their collection of friends find themselves trying to rescue Max's successful brother Brooks (played brilliantly against type by Kyle Chandler) from a real-life hostage situation.
It's a high concept central idea and one that works thanks to Daley and Goldstein's assured and often imaginatively constructed direction and the ability for the film to both not take itself too seriously or not playing to the lowest common denominators.
It feels like many moons since a comedy of this ilk wasn't filled with unnecessary profanities, sex jokes and loud-mouthed side characters but thankfully Game Night largely avoids these comedic pitfalls and just focuses itself on telling a genuinely good story with a large collection of jokes that work on their own merits.
It's great to see Daley and Goldstein advance from their Horrible Bosses writing breakthrough and the relative misfire of their updating of the Vacation series as Game Night is without question the most assuredly filmed Hollywood comedy in sometime.
David Fincher himself would be proud as the duo give the film a visual flair and pizazz not often found in such genre films, from the way in which they shoot some establishing shots like a real-life board game or an eye-popping keeping's off sequence in a glamorous house, Game Night is filled with visual gems that when combined with Drive and Neon Demon composer Cliff Martinez's score, create a memorable mood and setting.
Coinciding with Daley and Goldstein's wins is the work of the films cast. Jason Bateman is as Jason Batemany as you'd expect but surrounded by the likes of Rachel McAdams (who looks like she's never had this much fun) and a downright hilarious Jesse Plemon's as Max and Annie's super awkward and potentially serial-killer like neighbour Gary, the whole cast elevate each other's work to a level that makes you hope this isn't the last game night we will be spending with this colourful bunch.
Final Say -
Like any good games night, Daley and Goldstein's film provides a lot of fun, laughs and genuinely memorable times. Game Night is Hollywood comedy filmmaking done right and by avoiding the problems that have faced its recent cohorts (overlong running times, unnecessary vulgarity, annoying characters); Game Night becomes a highly recommendable night out at the movies.
4 Fabergé egg's out of 5
Directed by Horrible Bosses writing duo and Vacation director's John Francis Daley and Jonathan Goldstein, Game Night takes the one-time nerd only board game night to the big-time as we find ourselves a part of a games night with a difference as Jason Bateman and Rachel McAdam's game loving couple Max and Annie and their collection of friends find themselves trying to rescue Max's successful brother Brooks (played brilliantly against type by Kyle Chandler) from a real-life hostage situation.
It's a high concept central idea and one that works thanks to Daley and Goldstein's assured and often imaginatively constructed direction and the ability for the film to both not take itself too seriously or not playing to the lowest common denominators.
It feels like many moons since a comedy of this ilk wasn't filled with unnecessary profanities, sex jokes and loud-mouthed side characters but thankfully Game Night largely avoids these comedic pitfalls and just focuses itself on telling a genuinely good story with a large collection of jokes that work on their own merits.
It's great to see Daley and Goldstein advance from their Horrible Bosses writing breakthrough and the relative misfire of their updating of the Vacation series as Game Night is without question the most assuredly filmed Hollywood comedy in sometime.
David Fincher himself would be proud as the duo give the film a visual flair and pizazz not often found in such genre films, from the way in which they shoot some establishing shots like a real-life board game or an eye-popping keeping's off sequence in a glamorous house, Game Night is filled with visual gems that when combined with Drive and Neon Demon composer Cliff Martinez's score, create a memorable mood and setting.
Coinciding with Daley and Goldstein's wins is the work of the films cast. Jason Bateman is as Jason Batemany as you'd expect but surrounded by the likes of Rachel McAdams (who looks like she's never had this much fun) and a downright hilarious Jesse Plemon's as Max and Annie's super awkward and potentially serial-killer like neighbour Gary, the whole cast elevate each other's work to a level that makes you hope this isn't the last game night we will be spending with this colourful bunch.
Final Say -
Like any good games night, Daley and Goldstein's film provides a lot of fun, laughs and genuinely memorable times. Game Night is Hollywood comedy filmmaking done right and by avoiding the problems that have faced its recent cohorts (overlong running times, unnecessary vulgarity, annoying characters); Game Night becomes a highly recommendable night out at the movies.
4 Fabergé egg's out of 5
This movie was a great comedy that also kept me guessing to the end. A lot of comedies turn me off lately because they rely too much on adolescent humor that's gross or mainly sexual jokes. This movie got laughs the old fashioned way and felt like a smart Cary Grant / Katherine Hepburn comedy. It also made me think of the types of British comedies you see Simon Pegg in.
There are a lot of reviewers who panned this quite harshly and when I read those reviews I feel like they were watching a different movie. I'd be interested to know how old these reviewers were - perhaps older people will enjoy this more than people in their 20s? (I'm in my mid-40s). Some complained about the acting - I think everyone was spot on. Some complained the plot was predictable - I actually found myself surprised at several turns the plot took and found it quite funny when the audience was clued into new information that the characters hadn't figured out yet.
Rachel mcAdams had great chemistry with Jason Bateman and the supporting cast were each terrific. The characters were well drawn and funny, and the side plots were all engaging and humorous. I was impressed with the writing and acting, and the pace of the movie never made me look at my watch to see how long was left. I definitely recommend it.
There are a lot of reviewers who panned this quite harshly and when I read those reviews I feel like they were watching a different movie. I'd be interested to know how old these reviewers were - perhaps older people will enjoy this more than people in their 20s? (I'm in my mid-40s). Some complained about the acting - I think everyone was spot on. Some complained the plot was predictable - I actually found myself surprised at several turns the plot took and found it quite funny when the audience was clued into new information that the characters hadn't figured out yet.
Rachel mcAdams had great chemistry with Jason Bateman and the supporting cast were each terrific. The characters were well drawn and funny, and the side plots were all engaging and humorous. I was impressed with the writing and acting, and the pace of the movie never made me look at my watch to see how long was left. I definitely recommend it.
This was a very enjoyable comedy. Plenty of jokes hit their mark and the audience loved it from the laughter I heard in the session. To be upfront I some advanced session tickets from the Australian distributor, won in a competition. So we all saw it for free, but if I wanted to see a good comedy this one is worth paying to watch.
The humour is good, nothing too highbrow but you won't find any crass humour here, just good fun throughout the film.
The film does have its silly moments and the twists towards the end stretch believability, but you don't really care as you don't watch this film to critique, but just to enjoy the ride for a few hours. The characters are not deep, but you quickly grow to like them all or feel sorry for them as the film flows on.
Enjoyable, good clean fun with the odd bit of blood, that is even used to humourous effect.
The humour is good, nothing too highbrow but you won't find any crass humour here, just good fun throughout the film.
The film does have its silly moments and the twists towards the end stretch believability, but you don't really care as you don't watch this film to critique, but just to enjoy the ride for a few hours. The characters are not deep, but you quickly grow to like them all or feel sorry for them as the film flows on.
Enjoyable, good clean fun with the odd bit of blood, that is even used to humourous effect.
This is not a movie I went in expecting to love, in all honesty it was just the next film showing. Imagine my surprise when I was treated to one of the best comedies I have see in quite a while. Bateman and McAdams are as likeable and charismatic as you would expect and the rest of the cast are pretty great too. It helps that this cast were given well written, interesting characters to work with. This film also boasts brilliant and creative camera work as well as very imaginative transitions that help to draw the viewer into the story and show that a lot of thought and effort was put into the making of this film. There are a small handful of jokes that don't land and a small number of logical errors but for the most part it is a very funny and entertaining thrill-ride, also stay during the beginning of the credits as they are very well done. Keep away from trailers for this film as they do give some things away that are better not to know going in, once this hits Netflix definitely check it out.
Most mainstream comedies these days are incredibly predictable and only good for maybe a handful of laughs. Game Night is not like these comedies. While some may see the "twists" coming, it's still enough to keep you interested while also laughing constantly throughout. Yes, Jason Bateman does play pretty much the same guy that he plays in everything, but that's not necessarily a bad thing, as what he does it well. If you're looking for a comedy worth more than just a few laughs, I highly recommend this film
Você sabia?
- CuriosidadesA tilt-shift lens is used to give several wide aerial shots the miniaturized look of the Game of Life board game.
- Erros de gravaçãoWhen Brooks gets kidnapped the door gets broken down and busted up, but in a later shot the door looks fine and has no issues.
- Cenas durante ou pós-créditosThe Warner Bros, New Line Cinema and Access Entertainment logos are in the form of game pieces.
- ConexõesFeatured in WatchMojo: Top 10 Best Movies of 2018 (So Far) (2018)
- Trilhas sonorasGood Pills
Written by Justin Toland, Thomas Starz and Andrew Denham
Performed by Dirty Streets featuring Justin Toland, Tommy Starz and Andrew Denham
Courtesy of Alive Naturalsound
By arrangement with Ocean Park Music Group
Principais escolhas
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- How long is Game Night?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 37.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 69.268.230
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.005.332
- 25 de fev. de 2018
- Faturamento bruto mundial
- US$ 117.768.230
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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