Adicionar um enredo no seu idiomaIt is 1937 and Stella, a German Jewish refugee, finds work in a Scottish country estate owned by the fascist Earl of Rig, only to be accepted as one of the family and must hide her true iden... Ler tudoIt is 1937 and Stella, a German Jewish refugee, finds work in a Scottish country estate owned by the fascist Earl of Rig, only to be accepted as one of the family and must hide her true identity to survive.It is 1937 and Stella, a German Jewish refugee, finds work in a Scottish country estate owned by the fascist Earl of Rig, only to be accepted as one of the family and must hide her true identity to survive.
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I looked forward to seeing this film, as the description appealed to me and I was not disappointed. The plot absolutely kept me engaged, the film looked great and Oli Fyne in particular was excellent. The developing relationships between Stella and Lord Rig and his family were well done, as we waited to see if Stella would be exposed. The relationship between Rig and Mosely and the the British fascists was also really interesting to watch unfold . I also ended up having a lengthy argument with my family as to what happened to Stella and her husband (after the film) during the war!! Definitely kept us watching.
10edhoffma
I watch and enjoy movies for the story, characters, and visuals. I watched this with my wife, and we loved all three. The story transported us to the time and place. Stella maintained our interest from beginning to end. The acting was real and I loved the cinematography. The locations are beautiful and fascinating. This is a thoughtful and well-paced story. It is more of an old-fashioned dramatic period movie, then a modern 'force action every minute so the audience doesn't have to think and feel' film. I imagine this being perfect for a TMC classic experience. Really loved it and it's ability to transport us to a different time and place with people I cared about.
Stella is a beautifully told story of a German Jewish university student in England who was cut off from family and support after Kristallnacht in 1938. Now a refugee, she makes her way to Scotland to find employment as a German tutor in the home of a Nazi sympathizer. As in the tale of Cinderella, Stella must make her way in an alien environment, hiding her identity and ultimately making a life for herself.
This film is a gem. Jessica Fox has written and directed a lyrical story that is tight and beautifully resolved. The actors, without exception, give fine performances. Oli Fyne, as Stella, is a standout. The skillful cinematography, beautiful original score and carefully designed costumes and sets richly evoke 1930's rural Scotland. This film deserves the awards it has garnered.
This film is a gem. Jessica Fox has written and directed a lyrical story that is tight and beautifully resolved. The actors, without exception, give fine performances. Oli Fyne, as Stella, is a standout. The skillful cinematography, beautiful original score and carefully designed costumes and sets richly evoke 1930's rural Scotland. This film deserves the awards it has garnered.
From start to finish, this was a beautiful film. New characters, great dialog. I I felt like I was somewhere else for a few hours which is sometimes exactly what I need in a film. I particularly enjoyed the pacing of the film. It felt very even and relaxed. Everything seem to support the dialogue which you just don't see in movies right now. It wasn't so much as a "period piece" as a character driven story in appointment, history that was both calm and the "lull before the storm." i'm very much looking forward to what this Director does next and what new characters and worlds she brings to the screen.
Oh Dear, I really wanted to like this film. The theme is interesting, the cast includes some distinguished names and it was filmed in an area I know well. But to say Stella is pedestrian is an insult to pedestrians. The theme of a Jewish refugee seeking work in a country house run by a rabid fascist in the 1930s should be fascinating and charged with drama and stress. But I'm afraid the combination of an undisciplined script with weak dialogue, frequently amateurish acting, single level directing and lazy editing results in a movie with few low or high spots and at least thirty excess minutes. What was required was a team of script editors who knew what makes a film pull the audience along with it and creates pace and emotional excitement. I'm afraid neither are present here and you are left wondering at the end, what actually changed over the previous two hours. Such a shame to see excellent actors like Gary Lewis make a perfunctory appearance, spew out unrealistic propaganda and then disappear. Some reasonably good cinematography, but the opportunity to establish the action in a beautiful rural landscape was largely missed.
Você sabia?
- Erros de gravaçãoIn 1937 Stella is given a lift back to the Big House in an open top Land Rover. The Land Rover wasn't launched until 1947.
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