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Julian Fellows creator of Downton Abbey and 2002 Oscar Winner for Best Original Screenplay for Gosford Park is a master of storytelling and character development.

The Chaperone is such an interesting insight into the differences in attitudes , judgements and moral and racial prejudices of the early 1920's between 2 American cities Kansas and New York.

I really liked the way Julian Fellows has made The Chaperone Norma the main character rather than her much later famous ward Louise Brooks played beautifully by Haley Lu Richardson , recently also very impressive in Five Feet Apart. The story is seen through the life experience of Norma ,who at first seems uncomplicated and sweet but as the story develops we soon know why Norma's not in Cherryville Kansas anymore .

I think this is the best role I've seen Elizabeth Mc Govern play we're so used to her famous role of Cora Crawley Countess of Grantham that this role as the Chaperone at times very dramatic and other times so touching and intelligent is a refreshing example of this actress and her range.

Louise Brooks went on to become one of the most famous and at times infamous Silent movie Jazz Age Stars and this movie is only a snapshot of Louise before her Hollywood fame. Haley Lu Richardson gives us a glimpse of why her determination and devil may care attitude propelled her to stardom but later sent her crashing to earth and virtual retirement in 1938 until much later her memoir Lulu in Hollywood published in 1982 3 years before she died caused such a renewed interest in her films and talent.

As in previous Julian Fellows productions the attention to detail in costumes sets and direction are faultless .

I really loved this film and thoroughly recommend it.

A well-paced and excellent adaptation of the Laura Moriarty novel. The film captures the symmetry between the differences in 1920's Kansas and NYC, as well as the differences between the two main characters, Norma and Louise. Both highly intelligent, Norma is a reflection of the still-Victorian culture of 1922 Kansas while Louise has a near-feral need to burst out of the culture's restrictions. The journey to NYC results in both learning valuable life lessons.

Norma, the title character, is the central point of the film. While Louise becomes the famous one, this movie is not her biography. Her role is one that feeds the Norma character and propels her through the story. Prohibition, post-WWI dynamics and the tossed salad of the 1920's NYC atmosphere provide a fascinating historic framework.

While not for everyone, I highly recommend this film to anyone interested in 20th century US history, and good film making in general.

Elizabeth McGovern is the reason to see this. She brings to life what, in other hands, could be a cliched character. She has become a much more interesting actress as she's aged; you can't take your eyes off her (those eyes!). The Louise Brooks subplot serves its purpose but seems a bit strained. Blythe Danner, Miranda Otto, Campbell Scott and other familiar names essay their supporting roles well, and the period is recreated nicely. Overall, very entertaining and not nearly as predictable as you would think.

The Chaperone definitely didn't feel as roaring as they say about the 1920s, so it's safe to say you don't need to bring one yourself.

The film has its pleasures, but nothing too wild actually happens. Which is interesting, since the story is actually about Louise Brooks (Haley Lu Richardson), an actress best known for some provocative silent films and her free-spirited life who was living her life way ahead of time. The other main character who goes through a life changing experience is Norma Carlisle (Downton Abbey's Elizabeth McGovern), Brooks' chaperone.

We meet Norma in Wichita, Kansas, in 1922, where she and her husband Alan (Campbell Scott) are attending an evening of dance to benefit the Children's Home. The star of that event is young Louise, who charmingly glides over the floor in her white robes and captivates Norma within seconds. When she overhears Louise's mother talk about needing a chaperone to accompany Louise to classes given in New York by the biggest company in modern dance, run by Ted Shawn (Robert Fairchild) and Ruth St. Denis (Miranda Otto), she impulsively volunteers for the job.

Soon we'll realise that Norma's marriage is not in an ideal state. But that's not the main reason for the trip: she arrived in Kansas on an orphan train from NYC, and she hopes to find more information about her birth parents in the metropolis. On the other hand, young Louise is only interested in her future and her dreams of becoming the best dancer on the planet. She doesn't believe in rules and isn't afraid to break them, but being a teenager she doesn't have another choice than to bring an adult with her on this voyage.

Early on in the story, it becomes obvious that Louise is a magnet to men of all ages, she can convince them to do anything for her, but also doesn't realise how this makes her look to the world surrounding her. Norma's quote about "men not liking candy that has been unwrapped" will get a much deeper meaning further along in the story. Once arrived in New York, each of them embark on a self-discovering journey that will change their lives forever.

Both writer and director (Julian Fellowes and Michael Engler respectively) worked on the Emmy-winning tv-series Downton Abbey and its forthcoming feature film. The entire idea for the film was pitched by producer and star of the film McGovern, who came across the novel the film is adapted from. It was also great to see Géza Röhrig playing a key role in the story, after seeing his work in Academy Award-winning feature Son of Saul.

Everything is pretty much by the book, but it's wonderful to see two women in different stages of their lives, changing the course of events and by doing so, changing the world around them how big or small that world may be.

A married woman, Norma, in the 30s decides to chaperone a young girl, Louise, from Wichita to New York so she can try out for a prestigious dance class. Norma has her own reasons for making the voyage, to learn about her personal heritage but why? There are many situations and talking points that address a traditional small town way of life vs a more free-spirited big city excitement. Especially, while Norma has to play the role of mother to Louise during their excursion. Both woman's character arcs are easily noticeable as they depart the small town for the big city and how both handle the more freeing environment differently. Solid acting, nice period piece sets and costumes. Satiates an appetite for this genre nicely.