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Bazooka

  • 2025
  • 2 h 34 min
AVALIAÇÃO DA IMDb
7,6/10
2,4 mil
SUA AVALIAÇÃO
Mammootty in Bazooka (2025)
Assistir a Trailer [OV]
Reproduzir trailer2:33
1 vídeo
31 fotos
AçãoCrimeSuspense

Um jogo de suspense de gato e rato cheio de ação sobre um policial e um empresário que se unem em uma missão para capturar um psicopata por meio de uma série de jogos elaborados para localiz... Ler tudoUm jogo de suspense de gato e rato cheio de ação sobre um policial e um empresário que se unem em uma missão para capturar um psicopata por meio de uma série de jogos elaborados para localizá-lo.Um jogo de suspense de gato e rato cheio de ação sobre um policial e um empresário que se unem em uma missão para capturar um psicopata por meio de uma série de jogos elaborados para localizá-lo.

  • Direção
    • Deeno Dennis
  • Roteirista
    • Deeno Dennis
  • Artistas
    • Mammootty
    • Gautham Vasudev Menon
    • Shine Tom Chacko
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    2,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Deeno Dennis
    • Roteirista
      • Deeno Dennis
    • Artistas
      • Mammootty
      • Gautham Vasudev Menon
      • Shine Tom Chacko
    • 32Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer [OV]
    Trailer 2:33
    Trailer [OV]

    Fotos31

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    + 26
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    Elenco principal29

    Editar
    Mammootty
    Mammootty
    • Vinod Menon
    Gautham Vasudev Menon
    Gautham Vasudev Menon
    • Benjamin Joshua
    Shine Tom Chacko
    Shine Tom Chacko
    • Franco Salvatore
    Hakkim Shah
    Hakkim Shah
    Iswarya Menon
    Iswarya Menon
    • Jovita
    Divya Pillai
    Divya Pillai
    • Annie Benjamin
    Bhama Arun
    Bhama Arun
    Sumit Naval
    • Ansari
    Sidharth Bharathan
    Sidharth Bharathan
    • Arjun Ramaswamy
    Babu Antony
    Babu Antony
    Sneha Ajith
    Abin Bino
    Abin Bino
    Dinu Dennis
    Sphadikam George
    Sphadikam George
    Giovanni V. Giusti
    Giovanni V. Giusti
    • Shivani Chief Friend of Vinod Menon
    • (apenas creditado)
    Gayathri Iyer
    Gayathri Iyer
    Jagadish
    Jagadish
    Joemon Jyothir
    Joemon Jyothir
    • Direção
      • Deeno Dennis
    • Roteirista
      • Deeno Dennis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários32

    7,62.3K
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    Avaliações em destaque

    7moviemonkreviews

    Bazooka - Mammootty in the most stylish avatar

    Rating - 3.5/5

    An action packed game thriller that stands out with a unique filmmaking style and glamour treatment.

    The story revolves around a Special investigation team cracking the mystery of a dacoity series in Kochi executed in the form of a multilevel puzzle game and their efforts of hunting the masterbrain forms the crux of the story.

    Kudos to Deeno Dennis for materialising a distinctive and unprecedented narrative genre and filmmaking style to Malayalam.👌🏻He has managed to portray the story with top-notch technicality and the styling given,mood, ambience and color tone set for the movie is simply marvellous.🔥The handful characters portrayed through the story has got immense scope for performance even in the shortest screen space. The film must be watched in a 4K Dolby Atmos theatre to get the best sound experience.

    Incredible performances by Mammootty,Gautam Menon & Hakim Shajahan. Sidharth Bharathan,Dino Dennis,Bhama Arun,Divya Pillai & Joemon Jyothir gave notable performances.

    Nimish Ravi has precisely picturised the vision of the director on screen. Hats off to the musician Saeed Abbas and the sound designers Sachin Sudhakaran & Hariharan for giving wholesome and groovy sounds. All credit goes to his personal stylist Abhijith for presenting Mammootty in the most stylish,swagger avatar like never before. The effort he has put in choosing the perfect accessories for the Megastar is evident on the screens. Impressive efforts by Srik Varier for the color grading for maintaining the mood of the movie deserves appreciation. Last but not the least the editor Praveen Prabhakar,Nishadh Yusuf (late) and the Production Design team and Stunt choreographers also deserves appreciation for their contribution.

    A must watch films for Mammootty fans in theatres promising a novel experience.
    7afsiii

    Could Have Been Better!!!!

    First Of All Overall Movie Is Great. A Weak First Half Followed By A Good Second Half. And TheLast 20 Min Of The Movie Is Also Great. The One Thing That Made Me Feel This Movie Is Weak Was The Direction. The Subject Was Good. But The Something Is Missing In The Direction. Like The Grippness Of The Story Is Too Low And Felt Lag. The Music Was Great. And Mahn There Is Sequence: Title Card That Was A Fanboy Sambhavam. And It's A Mammooka Show!!. Through Out The Movie Mammookka Jzt Did Excellent. Other Cast Like GVM Was Good And Etc... Watch Out In Theatres For Better Experience. Dont Expect Tooo Much Cause It Will Definetely Disappoint You.
    4LHarikumar

    A role is a role is a role

    April 1992, in cinematic lingua - towards the latter part of the BM era ( Before Multiplex) , a smattering of us college mates in Ernakulam waited anxiously outside Kavitha theatre on MG road. It was 9 am on a hot summer morning. We were not alone, in fact we were part of a massive crowd. A police jeep pulled up and as was the practise in those days - a couple of cops jumped out and showered abuses in general - not at anyone in specific and brandished the lathi specifically at some head load labourers who shouted back at the cops. The crowd moved to one side of the road allowing vehicles to pass by. Amidst this flutter the gates opened resulting in everyone rushing in to get to the box office - most of them running, some of them screaming - much like a river in spate. The box office was a caged enclosure and a sweaty queue formed quickly destined to wait for the next couple of hours, packed like a box of sardines. Devoid of the smarts and dexterity of the experienced folks we ended up disheartened at the tail end of the queue but given the dynamic situation of more people streaming in to join the line we were happy to see that after some time we were relatively in the middle of the queue. Some of us being students of science, maths and statistics began calculating our chances of getting tickets but as luck would have it the counter closed and displayed a houseful board when there were about 10 persons ahead of us in the queue. Heads hung low in frustration and body considerably exhausted after all that we had endured for nearly two hours, we began walking back to the gate. That's where we encountered a resourceful chap - unshaven, clad in a vest and chequered lungi, who approached us offering us tickets at double the stated price. We jumped with joy, paid him extra and ran in to sit wherever seats were available since those days seats did not carry numbers and late comers invariably ended up closer to the screen. That was on the release day of a Malayalam film of a reigning megastar. The name of that film bore resemblance to a popular brand of whiskey.

    April 2025 ie firmly in the AM era ( After Multiplex), Kavitha theatre is still standing, refurbished. As I drive by around 10 in the morning I see the posters of a Malayalam film which is releasing that day, of a reigning megastar - he is also still standing, reinvented and standing strong. This time there isn't any crowd outside the theatre. On a lark, I park the car and check online for availability of tickets. The show has just begun. Next door to this theatre stands a mall which houses a multiplex and I notice that a few tickets are available and that the show starts there in the next 15 minutes. Bitten by the First Day First Show (FDFS) bug I make an attempt of navigating a U turn, driving into the basement of the mall, making it up all the way to the multiplex to reach 5 minutes before the show time and pull out my phone to book the ticket. That's when I notice a ticket counter there and walk up to join the line since there are only two persons waiting in the queue. A resourceful chap - well groomed, clad in a chequered shirt and jeans approaches me stating that he had booked two tickets but needs only one and is willing to sell me the ticket at half the price. I hesitate and dither when he informs that it is a premium aisle recliner seat in the last but one row farthest from the screen. I transfer money digitally and take a screen shot of the ticket and unhurriedly walk in to watch the FDFS. The name of this film bears resemblance to an anti tank weapon.

    The FDFS experience of a superstar film is relatively muted in multiplexes in comparison to single screen theatres - understandably so. But that doesn't stop the cheers, claps and whistles when the megastar makes an entry and on various other occasions which could be called re-entry for want of a better word . Most of those scenes are similar with the megastar stylishly clad in casual chic clothes and cool shades which aren't repeated in any scene, walking into the frame in predictably slow motion set to a pulsating background score. On many occasions characters switch to teacher- student mode wherein one explains things to the other in detail and the other listens patiently. This behaviour is exhibited by many characters and they sometimes switch between these modes to enlighten us throughout the film about the world of gaming, types of games, psychology of gamers etc. The film very broadly is a cat and mouse game depicted through cops and robbers under the overarching umbrella of gaming. The ability of the megastar to emerge unscathed without a blow from his opponents or even a speck of dust falling on him in all those fight sequences is praiseworthy. The loudest cheers, claps and whistles are when the megastar utters those mass dialogues for his fans. One such situation is when a character tells him that times have changed and his time is up. His response with a twinkle in his eyes is that this line has been uttered by many but it is their time which ran out and he continues to flourish. Another line is when a character quizzes the megastar about his role in the plot to which he answers - I've done all kinds of roles.

    After the credits roll I leave the theatre with the feeling - I just wish he hadn't done this role.
    8sonumvpa

    A good introduction to genre.

    The movie is actually written good but due to amateur direction and average bgm the movie was going on a medium pace till it reaches the final point. The last 30 minutes of the movie and execution was actually good. The plot twist which was unfolded during that period was a brilliant one. Overall a good experience for me. If the movie was given a bit more good editing and bgm along side a good director it would have been a great one. Mammooty and GVM did a good job while others didn't get any thing to do rather than seeing them in action. The action scenes were good but could have been made better. The investigation scenes and ideas were good in the paper but somewhere got lost in the making. Still don't miss it in the theater if you love to explore the game thriller genre.
    4vinod_bp2000

    Mammotty gone mad while acting

    All because of a stupid screenplay, writing and direction.. I hope gamers in Kochi wont take offence of this movie that attempts to portray the whole gamers are crackheads and pot smokers.

    Mammooty's character undergoes phenomenal transformation with the climax and you will have to either love it or hate it. There is no middle grounf. In my case I only hate the director and attribute the whole disaster to his dimwit movie making process. Avoid this movie at all costs, such an appalling last 10 mins, made the inevitable disaster underlined.

    The director must also be immediately sent to a direction for dummies course work otherwise he will continue to make oscar worthy scrapstick of a movie.

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    Detalhes

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    • Data de lançamento
      • 10 de abril de 2025 (Índia)
    • País de origem
      • Índia
    • Idioma
      • Malaiala
    • Empresas de produção
      • Jumping Tomato Studios
      • Saregama India
      • Theatre of Dreams
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 601.567
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 34 min(154 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
      • Dolby Digital
    • Proporção
      • 2.66 : 1
      • 2.76:1

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