Um pai afro americano da classe trabalhadora tenta criar sua família na década de 1950, enquanto enfrenta os eventos de sua vida.Um pai afro americano da classe trabalhadora tenta criar sua família na década de 1950, enquanto enfrenta os eventos de sua vida.Um pai afro americano da classe trabalhadora tenta criar sua família na década de 1950, enquanto enfrenta os eventos de sua vida.
- Direção
- Roteirista
- Artistas
- Ganhou 1 Oscar
- 60 vitórias e 122 indicações no total
Lesley Boone
- Evangelist Preacher
- (as Leslie Boone)
Gregory Bromfield
- Courthouse Worker
- (não creditado)
Tra'Waan Coles
- Townsperson
- (não creditado)
Sean Cummings
- Garbage Man
- (não creditado)
Sean Cummings
- Sanitation Worker
- (não creditado)
Ellwood Davis
- Brownie
- (não creditado)
Craig Fisher
- Street Pedestrian
- (não creditado)
Wes Fisher
- Pedestrian
- (não creditado)
Floyd Jackson
- Pedestrian
- (não creditado)
Avaliações em destaque
Troy Maxson missed out on so many opportunities as a young man, held back for one reason alone, his colour, when it comes to his own family, he can't help but be influenced by the bitterness inside of him.
It's a solid movie, it's one of those where when it finished, I contemplated how awesome it would be seeing this on stage, I could only imagine seeing Troy ranting to a captivated audience about the injustice of it all.
I've got to be honest, at times I found this quite a frustration watch, the movie's time line seemed to randomly jump about at times, I couldn't see the purpose it served. I found Troy quite hard to connect with, definitely an angry and frustrated guy, he seemed to take his frustrations out on those closest to him, talk about tough love.
I found the visuals very pleasing, nice camera work, very easy on the eye.
Fences is definitely well acted, Washington was very good, but Viola Davies was outstanding, I thought she stole the show, as she so always does.
6/10.
It's a solid movie, it's one of those where when it finished, I contemplated how awesome it would be seeing this on stage, I could only imagine seeing Troy ranting to a captivated audience about the injustice of it all.
I've got to be honest, at times I found this quite a frustration watch, the movie's time line seemed to randomly jump about at times, I couldn't see the purpose it served. I found Troy quite hard to connect with, definitely an angry and frustrated guy, he seemed to take his frustrations out on those closest to him, talk about tough love.
I found the visuals very pleasing, nice camera work, very easy on the eye.
Fences is definitely well acted, Washington was very good, but Viola Davies was outstanding, I thought she stole the show, as she so always does.
6/10.
I didn't like this movie as much as I expected to. Sorry. The movie centers around Troy Maxon (Denzel Washington), a father to two boys of different mothers, a husband to Rose (played wonderfully by Viola Davis) for the past 18 years, an ex-con, a garbage man, and above all, an ordinary black man in the 1950's.
No doubt it was a powerful script that most likely created an incredible play but it was not meant for the screen. It was obvious that it was a play, in the way they spoke and entered a room and carried themselves in a scene. I, of course, have not seen the play so I cannot speak with 100% certainty but I feel like the script wasn't adapted for the screen at all. It's not like it needed any major changes, just a few here and there to improve clarity. The passage of time confused me throughout. A scene would end and it would be the next day, then a minute passes and it abruptly jumps to six months later with no indication. This could be a statement on how his life passed quickly and routinely, but it felt like a swing and a miss for me.
Viola Davis was wonderful. She deserves every award coming her way. I could sing songs of praise about how magnificent she was. 10/10 for her. Beautiful.
Denzel Washington was certainly egging for an Oscar as he did what he did, but that's not degrading his performance. He did do good, but it was a bit distracting when he stole the show and didn't really let the other actors bounce off each other and him as much. It was all about him.
Even though I constantly found myself criticizing this movie, I did like it. It had a magnitude that I cannot explain, otherwise I would've given it a much lower rating. I recommend this if you are willing to. I will warn you, it is tough to sit through a movie with no one to root for. Washington's character is not a good person and very unlikable, you don't really want to cheer him on.
No doubt it was a powerful script that most likely created an incredible play but it was not meant for the screen. It was obvious that it was a play, in the way they spoke and entered a room and carried themselves in a scene. I, of course, have not seen the play so I cannot speak with 100% certainty but I feel like the script wasn't adapted for the screen at all. It's not like it needed any major changes, just a few here and there to improve clarity. The passage of time confused me throughout. A scene would end and it would be the next day, then a minute passes and it abruptly jumps to six months later with no indication. This could be a statement on how his life passed quickly and routinely, but it felt like a swing and a miss for me.
Viola Davis was wonderful. She deserves every award coming her way. I could sing songs of praise about how magnificent she was. 10/10 for her. Beautiful.
Denzel Washington was certainly egging for an Oscar as he did what he did, but that's not degrading his performance. He did do good, but it was a bit distracting when he stole the show and didn't really let the other actors bounce off each other and him as much. It was all about him.
Even though I constantly found myself criticizing this movie, I did like it. It had a magnitude that I cannot explain, otherwise I would've given it a much lower rating. I recommend this if you are willing to. I will warn you, it is tough to sit through a movie with no one to root for. Washington's character is not a good person and very unlikable, you don't really want to cheer him on.
A very strong emotional performance by the great Denzel Washington, not his best per say but it gives us everything we love about this great actor. A well driven vehicle for Washington as well as well made by Washington who also directed the film.
Denzel and Viola Davis were a pretty outstanding combination. It seems like a no brainier that one day these two would work together on this level and here it is. It was worth seeing just to see these two as a couple going through their hard times.
It's a very basic movie, despite putting some money into the CGI to make it look like the 1950s, it all takes place in one area and relies a lot on the experience actors and the performances they give, so little is done to change the tone. It really feels like the movie is giving us a Broadway production.
It was also very gritty. Denzel and Viola gave some real life to these characters. It's very rare that you get the movie star whose also an actor and he's unafraid to open up, but that's what Denzel does and so did Viola, just not afraid to let it all hang out for the role.
Worth seeing to see some real craftsmanship in acting. It was a great movie adaption to a great play.
http://cinemagardens.com
Denzel and Viola Davis were a pretty outstanding combination. It seems like a no brainier that one day these two would work together on this level and here it is. It was worth seeing just to see these two as a couple going through their hard times.
It's a very basic movie, despite putting some money into the CGI to make it look like the 1950s, it all takes place in one area and relies a lot on the experience actors and the performances they give, so little is done to change the tone. It really feels like the movie is giving us a Broadway production.
It was also very gritty. Denzel and Viola gave some real life to these characters. It's very rare that you get the movie star whose also an actor and he's unafraid to open up, but that's what Denzel does and so did Viola, just not afraid to let it all hang out for the role.
Worth seeing to see some real craftsmanship in acting. It was a great movie adaption to a great play.
http://cinemagardens.com
This film is about a man. A man who carries the burden of generations of hardship, who couldn't fulfill his own greatest dreams because of the oppressive context in which he lived and who tries to close himself off from the world with fences. Tragically, in closing himself off he loses site of the changing times, he boxes his loved-ones in, and he creates an oppressive environment that emulates everything he tried to guard against. The timeless question lies within this story (adapted from a Pulitzer winning play) is: can we hate a man like this? Or, when we consider his circumstances and trials, is he a hero to admire?
It's worth seeing and is worthy of praise. If not from the acting (particularly Viola's), from the captivating and poetic screenplay. Every word uttered seems calculated by the mind of a genius.
It's worth seeing and is worthy of praise. If not from the acting (particularly Viola's), from the captivating and poetic screenplay. Every word uttered seems calculated by the mind of a genius.
"Some people build fences to keep people out, and other people build fences to keep people in."
The first thing movie-goers should understand about Fences is that it is very much a filmed play. An adaption of August Wilson's Tony- winning play, director Denzel Washington has kept the project as minimalist as possible. There's good reason for this. Wilson's words are exciting enough that there is just no need for big action, large sets nor grandiose cinematography. Fences is a small, intimate story about Troy Maxson (Denzel Washington) and his close-knit circle of family and friends. This small cast of characters is used to speak volumes about how far the Black community had come in overcoming prejudices by the 50s-era the story takes place in, but how far they still had to go. It talks about the roles of husbands, wives and children; the sacrifices we all make to support each other, often giving up our own dreams but never losing sight of them.
Much has been said of the performances here, and with good reason. They're terrific. Viola Davis will get her Oscar this year, there's little doubt in my mind. Her Rose Maxson is so reserved and subtle for much of the film, allowing Troy's continual imperfections and abuses to store inside her and chip away at her emotionally until the final straw causes her to erupt near the final act of the movie. It's an emotional and painful performance to observe, and one many, particularly long-time wives and mothers, will find easy to relate to but at times difficult to watch.
As for Washington, I find it difficult to understand why he isn't the front-runner for Best Actor this year. I've seen front-runner Casey Affleck's performance in Manchester By The Sea and it is excellent and look forward to Ryan Gosling's turn in La La Land; but what Washington does in Fences is special. Simpy put, it's one of the best performances I've ever seen an actor give. Troy is a very imperfect man to say the least. He's not necessarily a "bad guy", in fact most men will be able to see a little of themselves in Troy. He's a likable personality who does some despicable things. HIs tough love approach to raising his son seems more out of spite than love. And while there can be no doubt that he loves Rose, his behavior proves that love and respect are not the same thing. Washington crawls into this raw and complex character, becoming Troy to the extent that no matter how big a star Washington is, you forget you're watching an actor.
The supporting cast fairs well, particularly Stephen Henderson as Troy's friend and work-mate Bono, Jovan Adepo as his son Cory and Mykelti Williamson as his mentally-challenged brother Gabriel. Everyone seems to be working their hardest to do Wilson's words justice, and their efforts result it what may be the most overall well-acted film of the year.
Fences won't appeal to everyone. Those looking for action and extravaganza, this is not your movie. But if you're like me and enjoy watching good actors perform a well-written script, then you'll be enthralled by every minute of Fences.
The first thing movie-goers should understand about Fences is that it is very much a filmed play. An adaption of August Wilson's Tony- winning play, director Denzel Washington has kept the project as minimalist as possible. There's good reason for this. Wilson's words are exciting enough that there is just no need for big action, large sets nor grandiose cinematography. Fences is a small, intimate story about Troy Maxson (Denzel Washington) and his close-knit circle of family and friends. This small cast of characters is used to speak volumes about how far the Black community had come in overcoming prejudices by the 50s-era the story takes place in, but how far they still had to go. It talks about the roles of husbands, wives and children; the sacrifices we all make to support each other, often giving up our own dreams but never losing sight of them.
Much has been said of the performances here, and with good reason. They're terrific. Viola Davis will get her Oscar this year, there's little doubt in my mind. Her Rose Maxson is so reserved and subtle for much of the film, allowing Troy's continual imperfections and abuses to store inside her and chip away at her emotionally until the final straw causes her to erupt near the final act of the movie. It's an emotional and painful performance to observe, and one many, particularly long-time wives and mothers, will find easy to relate to but at times difficult to watch.
As for Washington, I find it difficult to understand why he isn't the front-runner for Best Actor this year. I've seen front-runner Casey Affleck's performance in Manchester By The Sea and it is excellent and look forward to Ryan Gosling's turn in La La Land; but what Washington does in Fences is special. Simpy put, it's one of the best performances I've ever seen an actor give. Troy is a very imperfect man to say the least. He's not necessarily a "bad guy", in fact most men will be able to see a little of themselves in Troy. He's a likable personality who does some despicable things. HIs tough love approach to raising his son seems more out of spite than love. And while there can be no doubt that he loves Rose, his behavior proves that love and respect are not the same thing. Washington crawls into this raw and complex character, becoming Troy to the extent that no matter how big a star Washington is, you forget you're watching an actor.
The supporting cast fairs well, particularly Stephen Henderson as Troy's friend and work-mate Bono, Jovan Adepo as his son Cory and Mykelti Williamson as his mentally-challenged brother Gabriel. Everyone seems to be working their hardest to do Wilson's words justice, and their efforts result it what may be the most overall well-acted film of the year.
Fences won't appeal to everyone. Those looking for action and extravaganza, this is not your movie. But if you're like me and enjoy watching good actors perform a well-written script, then you'll be enthralled by every minute of Fences.
Você sabia?
- Curiosidades"Fences" opened on Broadway in 1987, winning the Tony Awards for Best Play, Best Actor (James Earl Jones), and Best Featured Actress (Mary Alice). A revival of "Fences" opened in 2010, winning the Tony Awards for Best Revival of a Play, Best Actor Denzel Washington, and Best Actress (Viola Davis). All five adult actors reprise their roles in this film adaptation, with Washington also directing.
- Erros de gravaçãoA store sign had a phone number shown as 412-nnn-nnnn. In 1956 phone numbers would not have been all-numeric (instead, they would have been something like EXbrook 7-1234), nor would they have had area codes as Direct Distance Dialing was not yet commonly used and most local calls would have been dialed with only the 7-character phone number - hence no need to show an area code.
- ConexõesFeatured in WatchMojo: Top 10 Movies of 2016 Already Getting Oscar Buzz (2016)
Principais escolhas
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- How long is Fences?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Barreras
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 24.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 57.682.904
- Fim de semana de estreia nos EUA e Canadá
- US$ 129.462
- 18 de dez. de 2016
- Faturamento bruto mundial
- US$ 64.414.761
- Tempo de duração
- 2 h 19 min(139 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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