Uma série de assaltos a bancos e carros-fortes assustou as comunidades do noroeste do Pacífico. Um agente solitário do FBI acredita que os crimes não foram obra de criminosos com motivação f... Ler tudoUma série de assaltos a bancos e carros-fortes assustou as comunidades do noroeste do Pacífico. Um agente solitário do FBI acredita que os crimes não foram obra de criminosos com motivação financeira.Uma série de assaltos a bancos e carros-fortes assustou as comunidades do noroeste do Pacífico. Um agente solitário do FBI acredita que os crimes não foram obra de criminosos com motivação financeira.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 7 indicações no total
- Bank Manager
- (as Bryan McHale)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Avaliações em destaque
I don't have too much to say about this film since it's actually not really stand-out in any way. It's at its best when focused on the life and times of members in The Order and fleshing out this world of the rural pacific northwest. Nicholas Hoult is having a hell of a year and this is another great performance to add to the resume for the year. Everyone is was just okay performance-wise but there has to be some blame on the writers for leaning so deeply into the hard-boiled detective tropes. Sometimes the FBI officers just act way too-cool-for-school and it shows some laziness on the writers' part. A nice foil to that is Jamie (Tye Sheridan) who does a fantastically accurate impression of a small town cop. I'll be a defector and say that I actually enjoyed the action sequences, and I like that details within action plot points have actual effect later in the story. I'm getting a lot of No Country For Old Men influence, and that's a good thing.
The film has a really good handle on itself with a steady mix of tension building and discovery until the third act in which themes muddy significantly. There was some kind of two-sides-of-the-same-coin subtheme being attempted in the end between Terry and Bob that didn't really work for me, and cops suddenly lose all the discipline they had earlier in the film to do action hero things. There is a whole lot of world building in the film that adds to the whole rural aesthetic but I wonder if it contributed to its slow pacing. The film certainly felt long for a less than 2 hour movie.
Enjoyable crime thriller with some salient themes of racism and uprising to think about.
Despite all these important aspects, the movie didn't really pull me in. The pacing was slowish, not in a way that builds suspense or depth, but rather in a way that made it hard to stay emotionally invested. Scenes lingered without always adding much, and I often found myself waiting for something to fully click.
I think the main issue is that the film lacked some much-needed background, particularly when it came to crucial character development and the broader historical context. While I understood the general facts and timeline, I never really felt connected to the people involved or what was truly at stake, both for them as individuals and for the country as a whole. It felt like there was an emotional distance that the film never bridged.
In the end, it's a film I admire for its craft, but not one that truly moved me. They really were spot on in some crucial areas, the acting, the visuals, the tone, which only made it more disappointing when the film didn't quite come together as a whole. It had so much potential to be powerful and immersive, but instead, it left me feeling a bit cold and unfulfilled.
The positives: The casting is great and the idaho landscape makes for beautiful shots. I really liked the exciting bank robbing parts as well as well as a being a grizzled detective drama. Bob Matthews is a interesting but vile character who has a weird personality of being a "family-man" and friendly but also blowing up p*rn theatres and killing innocents. I thought he was the best character in the movie, however the rest of the character's are pretty much one-note. I will get to that in the negatives, I also liked the score as well with it being very melodic but brooding at times (not your average detective drama score). The plot overall is fascinating and can be thrilling at times with well done robberies, chases, and some emotional moments.
Negatives: Like I said the characters besides Bob Matthews are pretty one note. I liked Jude law as a detective but he really dosen't do much except be the veteran grizzled detective with a young naive partner. The movie dosen't have the story structure to really make you care all that much about anyone. Sometimes scenes would bounce from one to another just to get to the next thrilling moments (which were solid). Also some dumb moments like a multiple moments where characters risk their lives in obvious situations where the cards are stacked against them and they don't need too.
All in all I would recommend if you wanna watch a pretty alright detective drama with some beautiful shots. I do not dislike the movie but its more of a vehicle for this great cast to handle a interesting story rather than interesting characters.
There were a few well-executed scenes-moments where the direction and cinematography showed real promise-but they were too few and far between. The tone also seemed confused at times, shifting awkwardly between thriller and drama without fully committing to either. It's the kind of movie that had all the pieces but couldn't quite put them together in a compelling way. Not terrible by any means, just very forgettable. I wouldn't warn people against watching it, but I wouldn't recommend it either.
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
Você sabia?
- CuriosidadesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- Erros de gravaçãoAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Citações
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- ConexõesReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- Trilhas sonorasKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
Principais escolhas
- How long is The Order?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Order
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.010.901
- Fim de semana de estreia nos EUA e Canadá
- US$ 877.855
- 8 de dez. de 2024
- Faturamento bruto mundial
- US$ 2.270.354
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1