Uma série de assaltos a bancos e carros-fortes assustou as comunidades do noroeste do Pacífico. Um agente solitário do FBI acredita que os crimes não foram obra de criminosos com motivação f... Ler tudoUma série de assaltos a bancos e carros-fortes assustou as comunidades do noroeste do Pacífico. Um agente solitário do FBI acredita que os crimes não foram obra de criminosos com motivação financeira.Uma série de assaltos a bancos e carros-fortes assustou as comunidades do noroeste do Pacífico. Um agente solitário do FBI acredita que os crimes não foram obra de criminosos com motivação financeira.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 7 indicações no total
- Bank Manager
- (as Bryan McHale)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Avaliações em destaque
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
Saw in AMC theater 12-14-2024.
Despite all these important aspects, the movie didn't really pull me in. The pacing was slowish, not in a way that builds suspense or depth, but rather in a way that made it hard to stay emotionally invested. Scenes lingered without always adding much, and I often found myself waiting for something to fully click.
I think the main issue is that the film lacked some much-needed background, particularly when it came to crucial character development and the broader historical context. While I understood the general facts and timeline, I never really felt connected to the people involved or what was truly at stake, both for them as individuals and for the country as a whole. It felt like there was an emotional distance that the film never bridged.
In the end, it's a film I admire for its craft, but not one that truly moved me. They really were spot on in some crucial areas, the acting, the visuals, the tone, which only made it more disappointing when the film didn't quite come together as a whole. It had so much potential to be powerful and immersive, but instead, it left me feeling a bit cold and unfulfilled.
What Nitram did though, and this film never managed, was it made me look at things from a different perspective. The concept that the person behind a mass shooting is, exactly that, a person, is just nothing I had given consideration to before. Easier to label a monster (which they are, but there are reasons behind this) and move on than to think about it.
I guess therefore I was expecting to try and understand something here. Like it was going to say something. But in the end it felt very procedural. Some white guys are racist because they are and some other guy hunts them down because he does. Honestly, that's about it.
I never felt for a second like I understood anything about Nicholas Holts character or why he was a complete (insert word rhyming with duck) head. I guess there is an argument that you don't want to give oxygen but I feel this film maker has had a lot more to say in the past and if you aren't going to say anything then probably don't say anything at all.
Anyway, not offensive but just very very average.
There were a few well-executed scenes-moments where the direction and cinematography showed real promise-but they were too few and far between. The tone also seemed confused at times, shifting awkwardly between thriller and drama without fully committing to either. It's the kind of movie that had all the pieces but couldn't quite put them together in a compelling way. Not terrible by any means, just very forgettable. I wouldn't warn people against watching it, but I wouldn't recommend it either.
Você sabia?
- CuriosidadesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- Erros de gravaçãoAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Citações
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- ConexõesReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- Trilhas sonorasKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
Principais escolhas
- How long is The Order?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Order
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.010.901
- Fim de semana de estreia nos EUA e Canadá
- US$ 877.855
- 8 de dez. de 2024
- Faturamento bruto mundial
- US$ 2.270.354
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1