Where the Devil Roams

WHERE THE DEVIL ROAMS is another creepy film from The Adams clan. Set during the Great Depression era, we are taken along with a family of three carnival performers (John Adams, Toby Poser, and Zelda Adams), as they embark on their spree of grisly murder.

Known for making the best of meager funds, this movie is no exception. As usual, the story is unique and gruesome, and the practical gore effects are well-realized. It's cool to see a family of filmmakers put together such a dark genre effort. The music -also performed by the Adamses- is a sort of ethereal sounding gloom-metal that might not have been around in the 1930s, but fits the overall mood of the film.

Recommended for those who appreciate low-budget horror movies that are quite out of the ordinary...

And this one is out there. In my best estimate, it is as though they have pureed Alejandro Jodorowsky's Santa Sangre with Arthur Penn's Bonnie and Clyde and distilled that into a feature-long Dresden Dolls music video.

Set during the Great Depression, it's a tale of ukeleles, dronecore, baby shoes, shell shock and side-show extremity regeneration. As with most of their previous offerings, the Adamses have done a lot of lore and world-crafting but leave a good deal of it unexplained. Weird things just happen in their films as if all is normal.

And I am totally fine with that.

They are making films they want to make - which is admirable in its own right.

Is it shot on a budget? Sure.

Is the acting oddly stilted? Absolutely.

But that is the charm. Like John Waters carefree guerilla cinema style. They're just making quirky horror in upstate NY with anachronistic scoring with no fear of taking things in odd directions. And that is what makes their movies interesting and different.

This one maintains that trend.

I really love the other titles this family has given us. My expectations for a film are rather particular and my tastes are a little exacting. Not many pictures particularly move me. When I heard Wonder Wheel had a new movie, I was genuinely excited. Trying to keep my hopes in check, I still knew they're not going to shy away from making a gripping movie that's unafraid of a supernatural concept. The creepy carnival gig is right up my proverbial street.

But there's so little plot. This isn't a movie so much as an art project and a showcase for their daughter's ability to sing a capella.

I respect what they were going for, I respect what they were trying to accomplish but it's not for me, as much as I really wanted it to be.

This would've been a lot better as a short film and hopefully that concise format would've actually gotten the point of it across. It was painful to sit through and the only way I got through it was by laughing at how absurdly serious they were taking themselves throughout the entire film. Their cinematography has improved since Hellbender and I enjoyed the atmospheric music, but other than those two elements, I have nothing positive to say about this film. As a horror fan and someone who generally loves things to do with carnival settings, I would not recommend this film. If you really want to see it, wait until it comes into a streaming service so you're not paying any extra for it.

Please wait through the opening poetry reading (which I didn't care for), and you'll be rewarded with a solid little indie horror. I've liked other Adams family movies, and this one fits into their work nicely.

"The Deeper You Dig" was my first one and is still on my list of favorite "must see" October movies. It has a wonderful twist at the end, and the ending of this one provides just as good of a payoff.

Story = 5/10. I wasn't quite sure why the family wasn't traveling with the circus, but their horrific side trips wouldn't have happened otherwise.

Cinematography = 8/10 -- it's visually stunning. I loved the look of it and paid more attention to enjoying the imagery than to the story in some parts.

Recommended if you like different, weird stories.