AVALIAÇÃO DA IMDb
5,5/10
6,4 mil
SUA AVALIAÇÃO
No decorrer de uma noite de verão em Fermanagh em 1890, uma filha inquieta da aristocracia anglo-irlandesa incentiva o camareiro de seu pai a seduzi-la.No decorrer de uma noite de verão em Fermanagh em 1890, uma filha inquieta da aristocracia anglo-irlandesa incentiva o camareiro de seu pai a seduzi-la.No decorrer de uma noite de verão em Fermanagh em 1890, uma filha inquieta da aristocracia anglo-irlandesa incentiva o camareiro de seu pai a seduzi-la.
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- Prêmios
- 1 vitória e 7 indicações no total
- Direção
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Liv Ullman gets just about everything wrong in her slow, heavy, inert adaptation of "Miss Julie." The play needs white hot intensity; she kills its momentum with portentous silences. It needs the claustrophobia of its kitchen setting; she dissipates this by "opening it up" as you're supposedly required to do when filming plays, taking it down corridors and outdoors. It needs an atmosphere of raucous midsummer revelry right outside the windows, with the revelers at one point invading the kitchen; she lets us hear them, briefly, but otherwise the three characters seem to be the last people on earth. Instead of merry folk dancing, which provides an ironic counterpoint in the original, we get a string trio playing tasteful Schubert adagios. Jessica Chastain is well cast and, when allowed to come to life, very good, as is Samantha Morton, but Colin Farrell is misdirected; his Jean ("John" in this version) lacks the charm and sardonic humor that would make the character compelling. For no good reason the play is relocated to Ireland, a setting Ullmann makes no use of. (I guess it's to justify the actors' brogues.) Strindberg sets a clock going right from the start, so that the proceedings carry tremendous urgency; Ullman drains all the tension out of it so it plods drearily. The worst thing you can do in adapting any work is drape it in the deadening mantle of a "classic." There's nice decor, costumes and cinematography to gaze at, but don't let this be your introduction to Strindberg's electrifying play.
Huge Collin Farrell fan with his range is beyond comprehension. To stay focused with such emotional scene after another non-stop and maintain character is quite impressive. This is a tough film to sort through but the dialog is magnificent. Tortured class struggle with love, lust and escapism. Alot of divisiveness with these reviews but clearly it is not for your average viewer. Very dense script and moves slowly but there is a payoff. If you have ever had one wild ride with your man or woman, this defines how crazy you become when that animal attraction bites you. I have only had one experience like this and that was plenty for a lifetime! Recommend for the subtle undercurrents of BDM, extremely well-portrayed by Mr. Farrell. Longer than required, Liv did some creative shots but otherwise distracted by dialog. Chastain's character was sumptuously dressed, colors vivid and clairvoyant.
Adapted from a play, the film does have a very theater-like mood, portraying just three characters, besides a dog (well, and a yellow bird) and an unseen mob (and an unseen and unheard baron), with dialogues that not always fit naturally. The first 40 minutes portray an intriguing cruel game between the daughter of the owner of the estate and a servant, a game where passion, class, deeds, appearances, everything are interwined. However, although the film kept that very uncomfortable atmosphere, the duel became quite inconsistent, and consequently less engaging. Except for the nice lines of his fiancée, at 1h30, characters behave in too contradictory ways, which make no sense in my opinion even considering increasingly appearant madness of Miss Julie. Despite all those problems, I cannot help but mention that Jessica Chastain has a powerful performance in very different moments, in a broad range varying from femme fatale to lunatic.
I'm not familiar with the source material, but the movie version of it, will not be everyones cup of tea. It feels like a drag and the pacing is slow to say the least. The characters seem to be stuck at a place where it'll be hard to feel something for them. Having said all that, the acting is superb and if you like your drama to be slow paced, but filled with dialog to make you think about, this could be exactly the one you were looking for.
It never did have the punch or the feeling that it could be something great to me, but that's always in the eye of the beholder and might feel different for people who know more about it (more familiar with source material) than myself. It also feels like it is way too long for its own good. While good, there are things that make this tough to watch ...
It never did have the punch or the feeling that it could be something great to me, but that's always in the eye of the beholder and might feel different for people who know more about it (more familiar with source material) than myself. It also feels like it is way too long for its own good. While good, there are things that make this tough to watch ...
Jessica's Chastain in particular is brilliant. But really I'm writing this review to say this movie made me hate men forever.
Você sabia?
- CuriosidadesThis was filmed at Castle Coole, Enniskllen.
- Erros de gravaçãoMiss Julia's lipstick and coppery eye-shadow alternate from very faint to very apparent to very faint again during the long conversation in the kitchen.
- ConexõesReferenced in SAG-AFTRA Foundation Conversations: Al Pacino (2014)
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- How long is Miss Julie?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 527.094
- Tempo de duração2 horas 9 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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