A Boa Mentira

THE GOOD LIE was only seen in theaters for a brief time back in October, but it has left a lasting impression on me. There are few movies that have a heart like this one. And don't let the advertising mislead you: Reese Witherspoon has a supporting role and doesn't even appear in its first half hour. This story is one of uplift in the face of incredible odds. Its cast of virtual unknowns are superb. And all four of the young African actors are themselves refugees or children of refugees and their ability to relate to the experience allows for a kind of acting you don't see in your average film. I can't wait for it to be available for download or on a DVD. I intend to have friends over to watch it and see for themselves what a really good movie is all about.

I was invited to a screening of this movie and wasn't sure what to expect. The only thing I had heard was a bit of Oscar buzz concerning Reese Witherspoon.

I found the movie very interesting and moving, comical at times, yet sad as well. I was moved to tears multiple times at just the thought of what these children to adults had to endure. For her part, I didn't feel that Witherspoon did much in depth acting at all, much less an Oscar worthy performance. The real emotion was depicted by the Sudanese actors. They are the ones who deserve an award.

I was left wanting more, as some parts of the story were not fully told. Overall, a very good movie and worth seeing.

The Good Lie, it's a great movie about humanity and values. It's not a documentary about the civil war in Sudan. The trailer is very misguiding, letting the viewer thinking of a cliché' comedy which is not. Nor it's an informative guide about the who and why of a civil war. What I've found interesting, listening to the Q&A at the Tiff, is that the writer took ten years to build this story mixing the life real event of few Sudanese refugees. During the first part of the movie, I was expecting more blood, more extreme violence. But then, the more the movie was going, the more I understood that skipping graphic brutality was a choice, and the whole product was becoming more poetic at moments without losing that neorealism characteristic of Philippe Falardeau's work. At times, I felt like when I was watching for the first time Benigni's "Life is Beautiful" or the work of a modern De Sica. Acting wise, Whiterspoon's work is great in this movie, realistic and never overwhelming and so Corey Stoll does a great job.

But I was greatly pleased with the excellent performance of Arnold Oceng, all the Sudanese actors in the movie, all former refugees, and the stunning newbie Kuoth Wiel.

Overall, I'd suggest to bring your preteens to watch this movie: it would set an example on how family and value should never be forgotten no matter how hard life gets.

Thank you.

We saw this movie on the spur of the moment while vacationing in Tel Aviv. I was worried it would be a hokey version of "The Blindside," where the focus of the story is on a white woman helping some underprivileged people of color, but instead it was a captivating, beautifully written story that was both authentic and deeply moving. The film skillfully portrays the enormous difficulty facing the Lost Boys of Sudan as they try to adapt to America while absorbing the unbearable trauma of their childhoods. Reese Witherspoon was a delight, and was surprisingly restrained -- the movie was not all about her. The acting was superb, performed by Sudanese who did a remarkably good job. The writers did a great job of not allowing this story to wander off in to mawkishness or sentimentality. There is no attempt to tie it all up in a neat bundle, yet it's ultimately uplifting. It's a great film that I have continually recommended to friends.

This can be a touching and humorous movie, which has the rare ability to transfer thematic elements from the harrowing and horrific to sugary sweet humor, all in one film. It centers around a group of young Sudanese refugees living in the Kakuma Refugee Camp, in Kenya, who are selected after 13 years at the camp to participate in a relocation program to America, which became known at the time as the "Lost Boys of Sudan". Actually, they will be sponsored and under the auspices of the Faith Based Charities organization once they arrive in the U.S.A..

The first part of the movie can be difficult to watch, as it depicts the horrors of the Sudanese Civil War, and how these surviving children saw their families killed by invading troops. Also, how they trekked nearly 900 miles across the sub-Sahara, under the most dangerous and difficult conditions to reach the Kakuma Camp. The remainder of the film depicts the culture shock awaiting them in Kansas City as they relocate to America.

Reese Witherspoon is superb, as usual, as Carrie Davis, an employment counselor assigned to help the new arrivals find local jobs as soon as possible, but who will also become more involved in their well being. Corey Stoll and Sarah Baker also add well to the mix in supporting roles.

The group of young Sudanese that the film focuses on, are all either actual refugees from the camp, some being child soldiers at one point, or direct descendants of refugees in the camp. Their performances are terrific and there's lots of deadpan humor that emerges from their characters. The group includes Arnold Oceng, as Mamere, Ger Duany, as Jeremiah, Emmanuel Jal, as Paul, and Kuoth Weil, as Abital.

The film was directed by Canadian filmmaker Philippe Falardeau (Monsieur Lazhar), and written by Margaret Nagle.

By the way, there is a well presented documentary on this exact subject called "Lost Boys of Sudan", which I viewed in the last year or so, that you may want to check out.

In summary, I thought this movie had heart and was able to illustrate the ravages of war, but then show what can happen when people are given a second chance in life.