A Boa Mentira

"The Good Lie" is a drama movie in which we watch the fight of Sudanese to survive in the start and after how they resettle in America. Especially this movie focuses on a group of Sudanese refugees who arrive in Kansas City, Missouri for a new start.

I liked this movie because it is based on true facts and because it shows us what difficulties and obstacles had to pass all these people in order to just feel safe. I liked very much the cinematography of this movie and also the direction of it, which made by Philippe Falardeau. Another thing that it has to be mentioned is the difference between the western culture and the African, and how simple and more beautiful can be your life without having all these conveniences that we have nowadays. I have also to admit that the interpretation of Reese Witherspoon was very good. Equally good was also the interpretation of Arnold Oceng who played a Sudanese refuge called Mamere.

Finally I believe that "The Good Lie" is a very good movie and worth watching because it is a lesson of life. This movie can make you understand very good how some people are very lucky in life without knowing it.

THE GOOD LIE was only seen in theaters for a brief time back in October, but it has left a lasting impression on me. There are few movies that have a heart like this one. And don't let the advertising mislead you: Reese Witherspoon has a supporting role and doesn't even appear in its first half hour. This story is one of uplift in the face of incredible odds. Its cast of virtual unknowns are superb. And all four of the young African actors are themselves refugees or children of refugees and their ability to relate to the experience allows for a kind of acting you don't see in your average film. I can't wait for it to be available for download or on a DVD. I intend to have friends over to watch it and see for themselves what a really good movie is all about.

We saw this movie on the spur of the moment while vacationing in Tel Aviv. I was worried it would be a hokey version of "The Blindside," where the focus of the story is on a white woman helping some underprivileged people of color, but instead it was a captivating, beautifully written story that was both authentic and deeply moving. The film skillfully portrays the enormous difficulty facing the Lost Boys of Sudan as they try to adapt to America while absorbing the unbearable trauma of their childhoods. Reese Witherspoon was a delight, and was surprisingly restrained -- the movie was not all about her. The acting was superb, performed by Sudanese who did a remarkably good job. The writers did a great job of not allowing this story to wander off in to mawkishness or sentimentality. There is no attempt to tie it all up in a neat bundle, yet it's ultimately uplifting. It's a great film that I have continually recommended to friends.

This movie is based on true events and plays on the audiences emotions on every level. It tells a tale of brother-sisterhood, love, friendships, and dedication to family. Most importantly, it shows the extremes of humanity...how we as human beings can be so cruel but yet be so kind and caring. And as dramatic a movie as this was, there were several humorous points to ease the tensions of what this movie was really about. Also, just when you're thinking you're watching a movie starring Reese Witherspoon, the accompanying cast of Sudanese refugees steal the show. Great story, great directing, great cast, and great acting all around.

'A Good Lie" was possibly the best movie at TIFF this year.

The Good Lie, it's a great movie about humanity and values. It's not a documentary about the civil war in Sudan. The trailer is very misguiding, letting the viewer thinking of a cliché' comedy which is not. Nor it's an informative guide about the who and why of a civil war. What I've found interesting, listening to the Q&A at the Tiff, is that the writer took ten years to build this story mixing the life real event of few Sudanese refugees. During the first part of the movie, I was expecting more blood, more extreme violence. But then, the more the movie was going, the more I understood that skipping graphic brutality was a choice, and the whole product was becoming more poetic at moments without losing that neorealism characteristic of Philippe Falardeau's work. At times, I felt like when I was watching for the first time Benigni's "Life is Beautiful" or the work of a modern De Sica. Acting wise, Whiterspoon's work is great in this movie, realistic and never overwhelming and so Corey Stoll does a great job.

But I was greatly pleased with the excellent performance of Arnold Oceng, all the Sudanese actors in the movie, all former refugees, and the stunning newbie Kuoth Wiel.

Overall, I'd suggest to bring your preteens to watch this movie: it would set an example on how family and value should never be forgotten no matter how hard life gets.

Thank you.