Um épico de terror de várias histórias interrelacionadas sobre o desaparecimento de estudantes do ensino médio em uma pequena cidade.Um épico de terror de várias histórias interrelacionadas sobre o desaparecimento de estudantes do ensino médio em uma pequena cidade.Um épico de terror de várias histórias interrelacionadas sobre o desaparecimento de estudantes do ensino médio em uma pequena cidade.
- Prêmios
- 20 vitórias e 78 indicações no total
Scarlett Sher
- Narrator
- (narração)
Resumo
Reviewers say 'Weapons' blends mystery, horror, and dark humor through an innovative narrative featuring multiple perspectives and non-linear storytelling. Its suspenseful atmosphere, cinematography, and sound design are praised for creating tension. Garner and Brolin are noted as giving standout performances. However, some criticize the film's pacing, plot inconsistencies, and horror effectiveness. Despite mixed opinions on the film's unique blend of horror and comedy, many appreciate the film's ambition and original approach within the horror genre.
Avaliações em destaque
I'm surprised by all the "fantastic" reviews on this movie. It's definitely an ok film but in no way is this a 10/10 movie. It's a slow burn and then it goes into character POV, which is really unnecessary. It's too long and there are unanswered questions. I wasn't rooting for any of the characters except the ending scene (and you'll know what I'm talking about). So it's really just average. It could have been so much more. I'll never watch it again but I'm not upset that I saw it.
Weapons is a tense and gripping new horror from Zach Cregger that lives up to much of its immense hype. The story follows a community reeling after all but one child from the same class vanish on the same night at exactly the same time, and from there it unfolds with a sharp mix of mystery, dread, and dark humor. The acting across the board is phenomenal, the suspense is crafted with precision, and the world building for the small town setting feels rich and lived in. Practical effects shine, the score adds weight to the tension, and there are even moments of levity that break up the intensity without ever killing the mood.
What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.
What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.
I'm tired, so I'll make this brief. I was entranced for the first and second act of this movie. Like, I was really into it. And that's rare these days, as I often find myself checking out in a lot of movies because the writing is just awful, and it's obvious that the director and producers don't care about half the crud they make anymore. But this was different. This was something special. I was actually really enjoying myself-pretty much all the way until the end. But then something changed. And it changed fast. It suddenly switched to a comedy. I was jolted out of my entrancement and was suddenly reminded that people who make movies nowadays just can't help themselves. Do they hate their audience? Do they just not understand their audience anymore? Or does the audience just love crud now, so they feel obligated to give it to them?
WHY did they play the end for laughs? WHY did they take a dive into the absurd? It wasn't by accident. The director clearly wanted us to have a laugh, but I just didn't understand why. All that buildup just to have a laugh at the absurd? I just don't get it. I don't regret seeing this, but knowing what I know now, I will never be revisiting this movie.
WHY did they play the end for laughs? WHY did they take a dive into the absurd? It wasn't by accident. The director clearly wanted us to have a laugh, but I just didn't understand why. All that buildup just to have a laugh at the absurd? I just don't get it. I don't regret seeing this, but knowing what I know now, I will never be revisiting this movie.
There's a steady hand at work building tension as the movie progresses but unfortunately it all leads to a rather dull climax. You get hints of an explanation, and I'm not the type of person who needs everything spelled out, but it feels as though the film simply ends things "because it's time." I appreciate the different storylines overlapping and converging but it all felt pointless by the time the credits rolled. I'm also not sure what tone the director is going for here. There's certainly a horror element, but I've seen it classified as a dark comedy and I don't know that I would remotely consider it in that category. The acting is fine and the photography is decent but there's nothing here that you haven't seen before in better packaging.
I liked Creggers' Barbarian a lot, but he didn't entirely stick the landing for me. Weapons is his sophomore effort, and you can see the confidence in direction and story telling is more refined. I had a blast watching this, as much as i love serious horror, Weapons wasn't afraid to inject some huge laughs to release the tension. Its gonna be hard to choose between this and 'Bring her Back', as my fave horror of the year thus far...
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Você sabia?
- CuriosidadesTo further capitalize on the themes of the movie, theaters listed showtimes at 2:17, the same time the children in the film vanish.
- Erros de gravaçãoThe film is set in Pennsylvania where liquor can only be purchased in "State Stores". One can also buy wine in the state stores, but beer is purchased at package goods stores, bars, or some supermarkets. Nowhere in Pennsylvania can one buy liquor and beer at the same place.
- Citações
Gas Station Clerk: [as Justine runs from Marcus] Get outta my store!
Justine: Fucking help me!
- Cenas durante ou pós-créditosThe New Line Cinema and Domain Entertainment logos have the sounds of children talking in the background.
- ConexõesFeatured in Tyrone Magnus: Weapons | Official Trailer | Reaction! (2025)
- Trilhas sonorasBeware of Darkness
Written and Performed by George Harrison
Courtesy of G. H. Estate Limited
By arrangement of BMG Rights Management (US) LLC
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Radical On-Screen Transformations
Radical On-Screen Transformations
Amy Madigan in Weapons and more actors who totally transformed for their roles. How many do you recognize?
- How long is Weapons?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- La hora de la desaparición
- Locações de filme
- Atlanta, Geórgia, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 151.550.044
- Fim de semana de estreia nos EUA e Canadá
- US$ 43.501.217
- 10 de ago. de 2025
- Faturamento bruto mundial
- US$ 269.050.044
- Tempo de duração
- 2 h 8 min(128 min)
- Cor
- Mixagem de som
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