Alvo de uma armadilha, Edmond Dantès é preso no dia do casamento por um crime que não cometeu. Após quatorze anos na prisão, ele consegue fugir. Agora rico, ele assume a identidade do Conde ... Ler tudoAlvo de uma armadilha, Edmond Dantès é preso no dia do casamento por um crime que não cometeu. Após quatorze anos na prisão, ele consegue fugir. Agora rico, ele assume a identidade do Conde de Monte Cristo e se vinga de seus traidores.Alvo de uma armadilha, Edmond Dantès é preso no dia do casamento por um crime que não cometeu. Após quatorze anos na prisão, ele consegue fugir. Agora rico, ele assume a identidade do Conde de Monte Cristo e se vinga de seus traidores.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 17 indicações no total
- Gérard de Villefort
- (as Laurent Lafitte de la Comédie Française)
- Caderousse
- (as Stéphane Varupenne de la Comédie Française)
- Jacopo
- (as Abdé Maziane)
Resumo
Avaliações em destaque
Have you ever been betrayed by people you trusted?
Have you ever had the feeling of wanting to show them all and teach them a lesson?
Have you ever been mad with rage?
Have you ever thought that if you had the chance you would do so much good in the world?
Have you ever wondered about what cost your actions and words have on other people far out in the future?
Have you ever been consumed with an idea you wouldn't separate from?
Have you ever held onto someone even though they moved on?
Have you ever had your life fall apart?
Have you ever convinced yourself that you were right, only to learn that you were wrong?
If you can say yes to just one of these things. This movie is for you. A masterpiece. I sat with profound feelings of mercy and grace towards myself and others after watching this movie.
I enjoyed the Richard Chamberlain TV movie, and the 2002 film despite some wholesale plot chopping in both. Even the 1998 6 hour 23 minute miniseries couldn't do the complete story and that's been my definite adaptation for the last 25 years.
The point being that to fit into 3 hours it was clear that some plot-lines were going to axed, characters changed and a streamlining of the narrative.
It then becomes a case of whether it was done in a way that allows those who don't already know the story, those who may have read the book three or four times, and all those in between to enjoy it.
Clearly the producers understood the underlying themes and (apart from one quibble I had which I'm not going to post as a spoiler) did great service to the original and still managed to include some sub-plots I thought they were going to cut out.
Of course, if you're a purist who hated Lord of the Rings because Peter Jackson changed characters and aspects from a 100% faithful adaptation of the book then you aren't going to like this either.
Totally entertained and it never once felt like a 3 hour film.
It also has a great soundtrack, the reprise of which had me stay for the whole credits.
French cinema produces a lot of forgettable movies (in my opinion), a lot of fun ones, some greats and here and there a movie that actually makes me love cinema and the theater. Le comte de Monte-Cristo is of the latter.
Rarely do I find a movie that depicts love, friendship, treason, courage, solitude, caring, vengeance, and much more, in at least a decent manner. Nothing felt rush to me. The three hours were deserved and it felt like less than two.
I encourage you to watch this movie, it has many qualities and it won't be a waste of time.
Now if you are a Dumas enthusiast, you opinion will certainly differ.
The Count of Montecristo is another of those cases: those who read the book will be astounded by how the ending was completely distorted; and for no evident reason I'd submit, as the book's ending was dramatic enough.
So, again, if you didn't like it, why make a movie about it? If you want to ride your own ideas by all means do that, use your fantasy and in that case the sky will be the limit.
OK, end of runt...If I had to disconnect my literary memory and judge the movie for its sheer cinematographic merits, The Count of Montecristo is a honest cloak and dagger movie, with good performances by all the key actors, good photography and decent pace.
But then again, my literary memory kicks in again and a bittersweet aftertaste lingers in my mouth...
Você sabia?
- CuriosidadesWith a budget estimated in EUR42.9 million, The Count of Monte Cristo is the most expensive French film of 2024.
- Erros de gravaçãoWhen Albert watches Hydee sing and play the guitar, it is very obvious that she is not even touching the strings half of the time.
- Citações
Danglars: The story makes no sense. We're swimming in madness. My boats were still in Marseilles yesterday. I will need a delay to pay you back. If...
Edmond Dantès: You have nothing left, Baron. Everything that was yours is now mine. The only thing you have left are these clothes. Leave Paris, and perhaps I will not let your wife and your daughter starve.
Danglars: But, Count, I...
Edmond Dantès: Do you find me brutal, Baron? "Not only do I know it, but I take pride in it." You should escort your wife home. She looks quite pale.
- ConexõesFeatured in La grande semaine: Episode #1.13 (2024)
Principais escolhas
- How long is The Count of Monte-Cristo?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- El conde de Montecristo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 42.900.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 529.830
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.426
- 22 de dez. de 2024
- Faturamento bruto mundial
- US$ 78.623.140
- Tempo de duração2 horas 58 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1