GoGo Boy - O Projeto Da Minha Vida

A gorgeous, early-20s gay virgin in Manhattan (if you believe there ever could be such a person), just about to graduate from Columbia and then west to Iowa for grad school, fakes a documentary film project in an attempt to meet a gorgeous gay go-go dancer he's become obsessed with online. To his surprise the dancer goes along with the idea. The fake documentary leads pretty quickly to some very real sex and a lovely, tender, sort-of relationship.

Actor and singer Tanner Cohen, the star of Were the World Mine (made by the same guys who made this one, but MUCH different), plays Doc, the almost-Columbia-grad virgin. Matthew Camp, a real live go-go dancer, plays Go, who is actually himself. The movie was shot in Camp's own apartment, gym, club, supermarket, etc, and follows his regular daily and nightly routine. The only fiction is the business with Doc.

From beginning to end, nothing about this movie is conventional or predictable. Unlike 99.9% of gay men who see this, I thought Doc was lots sexier than Go, but the nerdy type with a totally natural body appeals to me lots more than the buff, shaved, go-go boy type. But Go is very smart and has an angelic face, and inside he's ten times sweeter and more appealing than Doc is - one of the sweetest and most appealing characters ever to appear in a gay movie. Matthew Camp is thoroughly delightful. Definitely, definitely worth seeing.

This is quite a hard movie to pin down. It blurs documentary with movie with reality, and sometimes it does so amazingly. And sometimes it does so HORRIBLY.

At times, I cringed at how stilted and dull the acting was between the two leads. It is painfully obvious when they are reciting lines from a script.

But then... the curtain is pulled back and everything feels so REAL. Did they suddenly find a burst of acting talent, bringing the script to life? Are they simply flying by the seat of their pants, every line adlibbed? Or are they simply playing "themselves", bringing their own thoughts and feelings onto the screen?

Personally, I don't know, but it gives the film this odd duality of fabricated reality. Sometimes its so painfully obvious that you're watching two subpar actors parroting lines at each other. But then not even five minutes later, the dialogue is flowing so seamlessly and the chemistry damn near jumping off the screen.

I can't understand it. It just boggles my mind and leaves me in a weird place.

I think with better actors we wouldn't have gotten some of the "real" moments that the film portrays, making the film weaker. But on the other hand, talented actors would have elevated the more obviously scripted portions of this film.

I just don't know. I say approach this film with an open mind and you'll probably be both pleasantly surprised and woefully dissapointed in equal measures.

A small surprise: an extremely low budget movie, much of it shot on an iPhone, that manages to explore issues like objectification and heteronormativity with intelligence and wit and even some tenderness. It takes a romcom setup and transcends it, turning stock figures - the nerd and the hunk - into real people, thanks to shrewd performances by its leads, Tanner Cohen and Matthew Camp, who improvised a good deal of their dialogue. Cohen plays a college student and aspiring writer whose sex life is almost entirely online, jerking off to images of men, particularly a go-go dancer in a gay bar. He becomes obsessed with the dancer, and one drunken night emails him, claiming to be a documentary filmmaker who wants to do a film about the life of a dancer in a bar. To his surprise, the dancer responds, and he finds himself rounding up the necessary camera equipment. The dancer, known in the film as Go, wants to know if he'll be paid, and the student, whom Go calls Doc, agrees to give him five percent of any profits the film might make - although he knows full well that there will probably never be a real film. And then they fall into a real relationship, which, in conventional romcom fashion, we know will be damaged when Go finds out the truth. Except that it doesn't quite work the way, a smart reversal of our expectations. Getting Go doesn't seem to have found much of an audience beyond LGBTQ film festivals, but its attractive performances and intelligent dialogue make it a film that should be more widely known.

I really didn't expect this to be very good. I watched it because the guys looked hot. And one of them was, and it has a lot of very sexy, erotic scenes, but it's also a pretty good story underneath. It's nothing incredibly original, but the two leads have an undeniable chemistry and the writing and dialogue is mostly on point. it's a pretty good LGBT film dealing with issues, and in that respect it reminds me of a more aesthetically energetic Weekend, even if it doesn't hit that film's deeper themes. Overall, for those with low expectations, this will be very surprising in quality. As a film, it really works. I definitely recommend it.

Just saw it and better than I expected. Despite it's super limited budget, almost every aspect well done, the acting, story, editing, and photography.

Interesting to see Tanner Cohen again on screen after his last film was Were the World Mine (2008), he made reputation there, as the film too, one of the top greatest gay movies according to AfterElton. This some kind of good breakthrough. And the acting, no doubt, he's good.

No wonder, the director, Cory Krueckeberg, chose him as the lead. He was the writer of Were the World Mine (2008) and this is a great debut for him as a director.

The most interesting about this film is the story. It made like semi self-documentary, made by the 'Doc' (Tanner Cohen), who happened to be amateur fake director in a tricky way to get close to his favorite go-go dancer, 'Go' (Matthew Camp). He was very obsessed to 'Go' as he obsessed with online cam and blog. A little bit exhibitionist I say. He contacted 'Go' said that he's a director and want to make him and go-go dancing issue as the topic. Luckily, it was approved.

Then, story between the 'Doc' and the 'Go' begin. The shooting begin as their love of each other also begin to grow. Emotional build and love made, but the truth always altered the story.

Another great aspect of the film is the emotion, intimacy, and the bond between the two main actors really strong. We can felt this aspect almost at the entire film when filming the "amateur fake" documentary. At the point, I almost believe that this film was a "real" documentary starring by two "real" couple.

Some might said it's sad ending, some might said not. For me, it's fair ending and I liked it, because made less "Hollywood ending."