GoGo Boy - O Projeto Da Minha Vida

This is a delightful and enjoyable lightweight film about the unusual relationship between two young gay men in NY. It's slight as the story is exactly what the synopsis here says. The little tale of a shy young man obsessed over a far from shy go-go dancer in New York who pretends to want to make a documentary about him. The go-go dancer agrees and their "work" and personal relationship begins. They are only known as Go and Doc and they are both adorable. Doc (Tanner Cohen) falls for Go (Matthew Camp), as expected, but things turn out slightly different. Once we get to the point that they are involved, the film is an endless parade of scenes of these two kissing, cuddling, talking, playing & caring about each other with plenty of skin including a long and very romantic montage of kissing scenes filmed in various parts of NY. This was filmed 9 years ago as of this writing and Cohen is so good I am surprised at the lack of more credits than he has. Camp was really a go-go dancer at this point in time and he is just a charming natural in front of a camera and perfect for this part. I could have watched these two for longer as they are so enjoyable together. Special kudos to whoever edited this as it is a major part of what makes this little movie work so well.

A gorgeous, early-20s gay virgin in Manhattan (if you believe there ever could be such a person), just about to graduate from Columbia and then west to Iowa for grad school, fakes a documentary film project in an attempt to meet a gorgeous gay go-go dancer he's become obsessed with online. To his surprise the dancer goes along with the idea. The fake documentary leads pretty quickly to some very real sex and a lovely, tender, sort-of relationship.

Actor and singer Tanner Cohen, the star of Were the World Mine (made by the same guys who made this one, but MUCH different), plays Doc, the almost-Columbia-grad virgin. Matthew Camp, a real live go-go dancer, plays Go, who is actually himself. The movie was shot in Camp's own apartment, gym, club, supermarket, etc, and follows his regular daily and nightly routine. The only fiction is the business with Doc.

From beginning to end, nothing about this movie is conventional or predictable. Unlike 99.9% of gay men who see this, I thought Doc was lots sexier than Go, but the nerdy type with a totally natural body appeals to me lots more than the buff, shaved, go-go boy type. But Go is very smart and has an angelic face, and inside he's ten times sweeter and more appealing than Doc is - one of the sweetest and most appealing characters ever to appear in a gay movie. Matthew Camp is thoroughly delightful. Definitely, definitely worth seeing.

This is quite a hard movie to pin down. It blurs documentary with movie with reality, and sometimes it does so amazingly. And sometimes it does so HORRIBLY.

At times, I cringed at how stilted and dull the acting was between the two leads. It is painfully obvious when they are reciting lines from a script.

But then... the curtain is pulled back and everything feels so REAL. Did they suddenly find a burst of acting talent, bringing the script to life? Are they simply flying by the seat of their pants, every line adlibbed? Or are they simply playing "themselves", bringing their own thoughts and feelings onto the screen?

Personally, I don't know, but it gives the film this odd duality of fabricated reality. Sometimes its so painfully obvious that you're watching two subpar actors parroting lines at each other. But then not even five minutes later, the dialogue is flowing so seamlessly and the chemistry damn near jumping off the screen.

I can't understand it. It just boggles my mind and leaves me in a weird place.

I think with better actors we wouldn't have gotten some of the "real" moments that the film portrays, making the film weaker. But on the other hand, talented actors would have elevated the more obviously scripted portions of this film.

I just don't know. I say approach this film with an open mind and you'll probably be both pleasantly surprised and woefully dissapointed in equal measures.

There are too many sequences of this film that drag on past the narrative point of including them. In particular the final near silent montage of kissing delays the climax far too much. The pace of the story is killed as a result. Further, several of the montages of Go border on the hypocritical given the rest of the film's commitment to discuss the rampant objectification of people in the gay community. The film is 20 minutes too long as a result. Likewise, there is a amateurish quality to the performances that prevent a more polished film. Camp and Cohen have good chemistry but they are not great actors. Camp, especially, doesn't seem to understand what subtext is. The docudrama construction feels like a vain attempt too hide this. The film is largely experimental in its filming (They shot at Camp's actual apartment for example) and this can be rather off putting at times.

With that being said the film is quite good. The story is a painful, and a painfully accurate exploration of several major tensions present within the gay community. The notions of too much sex, the cost-benefits assimilation, how to be gay, the various "tribes" of gay men and fickle nature of the male gaze all get a hearing in the film. I related to much of it but I can't say I found it much more than hey this problem exist. A lot of it is left unresolved. That is probably a realistic viewpoint but it adds to the indie vibe of the film.

The film is quite forward in its depiction of homoeroticism. I found the sex scenes very naturalistic. I am not sure if I have seen gay sex depicted as realistic as I have seen here. The film does provide a nice counterpoint to the heteronormative depictions of the male form one usually finds.

I am glad I own this but it is a challenging film to watch.

A small surprise: an extremely low budget movie, much of it shot on an iPhone, that manages to explore issues like objectification and heteronormativity with intelligence and wit and even some tenderness. It takes a romcom setup and transcends it, turning stock figures - the nerd and the hunk - into real people, thanks to shrewd performances by its leads, Tanner Cohen and Matthew Camp, who improvised a good deal of their dialogue. Cohen plays a college student and aspiring writer whose sex life is almost entirely online, jerking off to images of men, particularly a go-go dancer in a gay bar. He becomes obsessed with the dancer, and one drunken night emails him, claiming to be a documentary filmmaker who wants to do a film about the life of a dancer in a bar. To his surprise, the dancer responds, and he finds himself rounding up the necessary camera equipment. The dancer, known in the film as Go, wants to know if he'll be paid, and the student, whom Go calls Doc, agrees to give him five percent of any profits the film might make - although he knows full well that there will probably never be a real film. And then they fall into a real relationship, which, in conventional romcom fashion, we know will be damaged when Go finds out the truth. Except that it doesn't quite work the way, a smart reversal of our expectations. Getting Go doesn't seem to have found much of an audience beyond LGBTQ film festivals, but its attractive performances and intelligent dialogue make it a film that should be more widely known.