Boulevard: O Amor no Retrovisor

Boulevard is not a particularly great movie, and suffers from its utter generic-ness and lack of ambition. The absolute best thing I can say about the film, however, is it contains one of Robin Williams's last acting performances, and in spite of such an average picture, he manages to turn in a fine, very restrained, dramatic performance. The kind we had come to expect from Williams.

The set-up of the story is simple. A bank clerk, named Nolan (played by Robin Williams, lives a pretty standard life. He and his wife (played by Kathy Baker) have set-up their marriage as a way to distract themselves from the outside world. All of this changes one night while driving. Nolan encounters a troubled young man, named Leo (played by Roberto Aguire), and his entire life changes, as he comes to embrace who he really is, and even his own sexuality.

Boulevard is a pretty atypical film. It's well directed by Dito Montiel (who also made Guide To Recognizing Your Saints) and the script is okay, even having some genuine laughs in it. The performances all around, not just Williams, are fine, including Kathy Baker as his wife, Roberto Acquire as the troubled youth he befriends and Bob Odenkirk in a small role as one of his accomplices and friend named Winston. It's really Robin Williams who shines through though. This may not be one of his absolute best performances, but for being one of his final roles, it isn't a bad role either. Williams isn't being manically over the top (overly dramatic) in this film. He's showing the level of restraint that he's usually showed in some of his best roles like Good Will Hunting and Dead Poets Society. For example, when he confronts his wife after missing dinner, instead of screaming and hollering, he tries to calm her down, and is very resourceful as playing it cool.

Boulevard is a rather short film with less than 90 minutes. The director clearly has skill in making a competent picture, but aside from Williams's performance, I wasn't drawn into much of the story. For being one of Robin Williams's last performances, it does make me sad, but either way, it was a good role for him to go out on.

"Sometimes it's nice to be somewhere else." Nolan (Williams) has a great wife and a huge promotion coming at his job. He has everything going for him, but he has been keeping a secret from everyone his whole life. When he meets Leo (Aguire) he finally finds a way to be himself, but he still struggles with revealing himself. There are some movies that are made better by casting choices. There are some things that a person is the perfect choice for and you can't imagine watching it without them (Gandolfini in the Sopranos). This movie is the rare combination of those plus real world events that makes the movie actually transcend the screen and makes it feel more real and it has that much more of an impact. In this movie Robin Williams plays a character that struggle with something that he has to keep hidden from everyone while trying to be who they want him to be. The fact that he himself was trying to hide depression from everyone while trying to still be "Robin Williams" really adds an extra dimension to the character and makes the movie all the more emotional. The movie itself if just OK, but the real world events are really what makes this a movie to watch. Overall, very poetic that this is the final live action Robin Williams movie. It is almost his way of telling us how he was dealing with his problems. For that reason I recommend this. I give this a B+.

The fact that it is / was the last film of Williams add something to the viewing itself. I am not completely familiar with his death, so I can not really say how - maybe - this movie fits into his last months of life...But I can see that some stories can unfold something deeply hidden in someone and make an explosion.

This is a good drama. Williams is very believable in his role. It does feel genuine and somehow fits him good.

Someone wrote that the film is predictable.Well, for me, at least, I did not see that kind of an ending. I am not sure if I expected a happy ending with the boy, but... I am happy that my predictions ( whatever they were) did not come true.

Somehow, the slow pace of the movie and kinda darker colors / cinematography reminded me of the 60's and 70's and that added something moody, melancholic to the movie which I liked.

Seven from me.

BOULEVARD will always remain a remarkable film despite the fat that it did so poorly in the theaters. Written by Douglas Soesbe and directed with immense subtlety by Dito Montiel, this film is a fitting tribute to one of America's greatest comedians, the star Robert Williams who offers a performance that echoes the lives of many men who elect to lead their lives as gay men in the closet for whatever reason. Williams was 63 years old when he died of apparent suicide following a long struggle with depression and this, his last film, is dedicated to this memory.

Nolan Mack (Robin Williams in a performance so understated that it makes us forget during the film that he was one of the funniest crazies in the comedian arena) is 60, quietly married to an independent Joy Mack (Kathy Baker), quietly working in the same desk in the same back for years, tending his dying father, up for promotion as a bank manager, who turns down a wrong boulevard one evening – a street for hustlers and prostitutes and almost inadvertently picks up a young hustler Leo (Roberto Acquire) and begins a 'relationship' with him, supporting him financially and with attempts to find work for him, but never having a physically consummated act – just being in the hustler's presence is enough. We discover that Nolan is gay and has known since he was twelve but elected to never acted out on it. He has a close friend Winston (an Excellent Bob Odenkirk) with whom he communicates but never admits to anyone except his barely conscious father that he is gay. How he deals with his new discovery of the life for which he has yearned is the manner in which the film plays out – his confession to Joy, the rejection by Leo who has his own interpersonal relationship issues and flaws (a very impressive bit of writing that shows the insecurities of a hustler's mindset), and the trauma that finally exposes his real identity makes for a deeply moving though very quiet story.

The film, in retrospect, seems an homage to the other side of the comedy mask Robin Williams wore. In many ways it is his Ave Atque Vale. Sensitive, subtle, deep, and heart- wrenchingly real, it is a fine yet sad way to say goodbye to Robin Williams.

Nolan Mack (Robin Williams) is a stiff banker married to Joy (Kathy Baker). They seem devoted but he's been a closeted homosexual for all of his adult life. His father is in a nursing home. His best friend Winston (Bob Odenkirk) has a young girlfriend. He is being primed to be the manager of a new bank branch. One night, he cruises a boulevard and runs over male-prostitute Leo. He tries to take care of Leo who is under the thumb of his pimp Eddie.

Robin Williams does a good job. There is a neediness in Nolan that is both off-putting and compelling. The story is almost quaint by today's standard. The problem is that he could come out to everybody and there wouldn't be any damage. Times have basically passed by this movie. Ten years ago, this would be edgy. Today, his homosexuality could actually help in his banking job. It would probably be a relief to Joy to let the secret out into the open and Winston would throw him a party.