Hellmouth

Stylized, surreal and thoroughly captivating. If you're looking for a scary horror movie, this isn't it. But if you are looking for something oddly charming, memorable and creepily funny that makes you ask, "Wait, what?!" with each new turn of the plot, this movie has much to offer. (Fans of Dellamorte Dellamore will probably enjoy this.) In my opinion, the only thing that could have improved this movie was a soundtrack by Danny Elfman.

I picked up this movie from my local library without knowing anything about it other than the brief plot synopsis on the back of the DVD case. While it's not one of the worst movies I have ever seen, it's definitely one of the strangest I have seen. And that explains the main problem I had with the movie - it is so determined to be strange and murky that it doesn't give the audience anything to hang on to. The characters are vague; you hardly learn a thing about them. And it doesn't take long for the plot to become all but incomprehensible. As a result, it was hard for me to care about what was going on. Sure, it's visually striking at times, as well as being fairly slick despite what had to be a really low budget. I just wish that the filmmakers had put as much work into the script as they did with the visuals. It didn't come as a surprise when the end credits revealed it was a Canadian movie - it has that Canadian feel as well as pretentious attitude you often get in Canadian cinema. (Though at least the Canadian government's film funding agency didn't waste any of my tax dollars on this particular movie.) Maybe this might have worked as a short subject, but as a feature film it's pretty deadly.

This Constantine (2005) meets Sin City (2005) is a mostly black and white, graphic novel approach to hell. It's glaringly stark cinematography adapts well to the horror filled nightmares of children and the black despair and creepiness of hell. Strangely simplistic in its approach, the fifties element of the despondent detective in the form of a aging, dying, close to retirement grave-digger is caught up in a wrenched dilemma of perhaps having to continue dig his own grave on his terrible, nightmarish job until he dies (his dream of more sunny retirement Florida seemingly beyond his reach). This movie may have been much more effective had it been directed and scripted as an R-rated feature film so that its graphic profanity of a hellish nature and sexual emotional bonding could have enriched and enlivened the movie even more so. The somewhat soft ending can be taken either as a cop out or a refreshing little breath of mental sunshine, probably left up to the viewer. Nevertheless, this movie borders on the ranks of What Dreams May Come (1998) and to a lesser epic extent The Lord of the Rings (2001) in an epistemological (inner knowledge or truthful way).

I knew within the first five minutes of watching this move that it was something really unique. Not really a horror movie, which the name and poster suggest. First of all there is Stephen McHattie, who is a seriously underrated actor. Second, the visuals and filming of the movie are really quite unique. It wanders a bit as the movie progresses, but is well wroth watching. Fantastic.

Hellmouth (2014) is a film I stumbled upon on Tubi. The storyline follows a graveyard groundskeeper, played by Stephen McHattie, who's about to retire but is drawn into a journey to hell to save the soul of a young woman.

Directed by John Geddes (Creep Nation), the movie stars Stephen McHattie (Pontypool), Siobhan Murphy (The Sisterhood), Boyd Banks (Dawn of the Dead), Julian Richings (Man of Steel), and Bruce McDonald (Pontypool).

The film is shot in a Sin City-style format, which is visually captivating and engaging throughout. While the storyline and character development are a bit uneven, the striking cinematography and unique setting more than make up for it. McHattie's character is easy to root for, and as a mortician on the verge of retirement, the plot keeps you guessing where things will lead. There are some clever twists and turns, and an unconventional "love story" woven into the narrative. It's a refreshing take on the horror hero genre. Though far from perfect, Hellmouth is a visually distinctive film that's definitely worth checking out. I'd give it a 6/10.