The Survivalist

The opening shot of 'The Survivalist' cleverly sets the situation in which the film is set: the camera follows two lines on a graph, one showing oil production, the other world population. While the oil one starts to reduce, the population one continues its dizzying climb (appropriately, the film is set in Ireland, home of the European Union's highest birth rate!) until suddenly plummeting. Thus the scene is set.

An unnamed man (Martin McCann) lives in a forest, protecting his vegetable garden from occasional marauders with his rifle, his knife, and his totally naff haircut. This hand-to-mouth existence is disrupted one morning when a mother and daughter appear, seeking to barter the sexual favours of the daughter (Mia Goth) for food. The two women stay and, although suspicious, the man gradually, slightly, lets down his guard - but are the women as innocent as they appear?

Essentially a three-hander, at first glance this could make a good play, although live audiences might find their attention wandering during the long periods where nobody speaks as they tramp through the forest, do gardening, or irrigate the crops by urinating on them. But on film these sequences have a quiet beauty (well, not the urination) and, crucially, writer/director Stephen Fingleton - who has won several awards for this work - doesn't over-play them, or drag them out - something of which certain other directors of far more experience would be guilty.

The acting is good, with all three leads providing low-key but believable - as far as the circumstances allow - performances. Olwen Fouéré is especially noteworthy as the older woman seeking to manipulate things in order to survive, and McCann provides some good facial expressions that well convey emotions that would otherwise remain unexpressed, such is the monosyllabic speech of his character.

Combining human interest with tension and threat, this is a low-budget gem that is well worth seeing if you get the chance.

The Survivalist is BAFTA nominated film about a man who is trying to survive in a post apocalyptic world where food is scarce and where people will kill to take it from you . He comes across a mother and daughter and isn't sure he can trust their intentions. This is Grim to say the least. Not grim in a bad way because the story dictates it should be that way but it is hard watch at times. It's graphic as well. Sexually and violently and the characters on display don't say match. Possibly because they are continuously suspicious of each other or maybe because of what they have witnessed in the past , words are as scarce as the food they crave. Good performances from Martin McCann ( we never get to know his name) and Mia Goth add up to an interesting film that might not be to everyone's taste.

As a species, us humans have a curious fondness for grim and gloomy art. From skull tattoos to death metal bands, there is an unrelenting fascination with the macabre and morbid, and films are no exception. It's surprisingly difficult to recall a genuinely gloomy film which didn't get inexorable approval. From the true life horrors of Hotel Rwanda and The Elephant Man through to the fictional bleakness of The Road, Nil by Mouth and Tyrannosaur, there is something peculiarly fascinating about watching unrelenting despair and observing the malevolence of humanity on the big screen.

Intentionally set in an undefined year of the near future in an indeterminate part of the world, the human population has grown exponentially to the point of saturation; food is at a premium and from the movies sporadic intimations, society has regressed back to packs of hunter/gatherers. The survivalist (as we never learn his true name) has managed to create a small farmstead in the middle of a dense wood just large enough to keep himself self-sufficient. When mother and daughter couple Kathryn (Fouere) and Milja (Goth) appear at his door asking for food and shelter, the survivalist's controlled unaccompanied existence is threatened as his morals become confused; to keep himself safe or to assist his visitor's needs.

A sound method to keep costs low when producing a movie is to isolate the action to a restricted area, keep the number of actors limited and construct a simple and focused story line. The risk with this technique is that the movie becomes more of a theatrical production where each moment becomes intensified and less freedom is given to procrastination. It is unsurprising therefore that the lead character is given to an actor with an education in walking the boards. The film devotes a significant amount of time to building McCann's character, devoid of dialogue and with extensive intense close ups.

Due to the utter desperation of The Survivalist's plot, it requires total commitment to its audience and at times starts to meander yet manages to pull itself back every time just before the bleakness becomes tiresome.

There are enough plot and character surprises to keep the movie interesting, the acting is excellent and the limited scope of environment constantly feels claustrophobic but never artistically restrictive. The Survivalist demonstrates the way, once the whiteboard of social acceptability has been wiped clean, intimacy and sex become acceptable tradeable commodities.

The Survivalist is grim, depressing and about the least life- affirming film you're likely to see this year. Yet it is tense, wonderfully acted and a fascinating illustration of the instinctive brutality of humanity's will to survive.

Some unknown disaster has struck the planet causing a severe food shortage, it's every man for himself. The title character is held up all on his own in the woods, subsiding on the meagre scraps he can grow and repels anyone who encroaches on his land.

Then a woman and her, rather plain looking, daughter show up asking to trade. The Survivalist, devoid of all human contact apart from the marauders he kills, cannot resist the pull of some female companionship.

This film has a very small stage, concentrating entirely on the three central characters. Dialogue is minimal but effective, the Survivalist is especially grumpy and non-communicative.

There is a lot of nudity, expect dong shots and people washing their bits in the river and some very grubby sex scenes.

The scope of the story is small but the stakes for the characters are high. It has a poke around at desperation and necessity. Would you pimp your daughter out for a bowl of soup? I suppose it depends how hungry you are.

Well made, well acted, small budget but clever lighting makes it look gritty rather than cheap.

A very good, low octane watch.

This won't be everyone's cup of tea. I however have watched plenty of absolute rubbish and this film is well acted, filmed and written. I'm a big Walking Dead fan and this reminded me quite a bit on it, although more a slower stronger tequila without zombies than the beery dead. The atmosphere is palpable and a lot is left to the imagination as to the whys and whats however the interplay in a low number of characters is pretty intense. You do need to be able to enjoy this kind of thing and there's a lot of subtext social commentary in here, not much is in your face explicit generic movie script that spells everything out. Shot beautifully in Ireland, intense stuff with no laughs, but I thought pretty fresh.