Surrounded

Beautiful scenery, fantastic acting by the leads, exciting action and characters you've never seen before. That stagecoach scene was just a ow. Not sure where between the action and frequent changes of dynamics anyone had the opportunity to feel this was slow or dragged. I did find some of the dialogue and conflict a bit confusing when multiple parties were talking at the same time and will rewatch with subtitles for some missing lines. Overall a good adventure that has you on the edge of your seat (literally) rooting for Letitia to make it. Even my husband liked it and we rarely agree on movies these days.

This was a great western that isn't typical in the sense of the characters. The storyline although typical is good. It does push you to explore the struggle of humanity within to make choices based on their limited knowledge. A must watch, if you are looking something that isn't littered with foul language and nudity. The cinematography was beautiful, and the landscape scenery was very nice. This film also gave a realistic view of what Life after the War for the Buffalo soldier might have been like in a worlds that was still very primitive and at odds. The actors and soundtrack were impressive as well.

Surrounded surprises. In the very beginning, you get the feeling that this is going to be yet another Hollywood movie aimed at teaching the audience a lesson on intersectionality in a historical setting. We get a lot of those from Hollywood these days, and suffice it to say that in their self-satisfaction, pedagogical arrogance and commercial intent, they rarely impress.

But in a few minutes, Surrounded takes a different turn. It uses the condition of Mo Washington (a black woman in the Far West) as a true dramatic lever, creating real tension and interest in the character and the story, and it even links it to cinematic history with abundant references to classic Western films (such as Stagecoach or The Searchers), as if saying that one can both see the injustices in history and also appreciate its beauty. It then adds the possibility of a relationship between this woman and a feared bandit (Tommy Walsh, a white man) who becomes her prisoner, cleverly inverting for a few scenes the traditional balance of power between white men and black women. And it even affords the luxury of adding ambiguity on what's right and what's wrong, who's noble and who's evil, by introducing a bounty hunter character and extracting a sense of humanity and victimhood from Tommy Walsh, and making him a potential savior for Mo, while also her main threat. This type of ambiguity, so rare in Hollywood productions today, adds a ton of dramatic interest to the story.

In that effort, Surrounded loses nothing of its political or society message. On the contrary, the message of historic oppression of black and female populations in the past is only reinforced by the reality of the characters and the intelligence of the scenes. In that first half of the film, Laetitia Wright is amazing as a ruthless woman cowboy, reflecting both the strength and contradictions of her character with depth that almost makes you forget the platitude of the Marvel character that she built her fame on.

Unfortunately, Anthony Madler (the filmmaker) seems to throw the towel in the second half of the film, creating a predictable and somewhat silly second half of the film that is more reminiscent of Rambo than of great Westerns in film history. The depth of the story, the mystery of Mo fall down like a soufflé, and all you're left with is just another B-series Western for a lazy Sunday afternoon. It's too bad. It could have been so much more.

No pun intended - and obviously our main character is not alone in the classical sense. There always is at least another person in close proximity. Not that she is happy for anyone being near her ... but that is a different story. Actually it is the same story - and something that plays out quite nicely towards the end.

But let's not get ahead of ourselves. I am a bit of a sucker when it comes to western movies or the genre in general. I really like them - and I also have been accused of rating too good. So I reckon you have to take this into account. But I really liked the female lead here (you may know her from Black Panther or some other stuff she has done over the years), but also the other actors. This may be the last movie Michael K. Williams appeared in - he will be missed.

Good suspense, good shootouts - what more can you want and need? Story is well told too of course.

I'm writing this given the limited number of reviews, obviously skewed by those likely associated with the film writing gross exaggerations (worthy of awards etc.) and 1 viewer whose written essentially the same review with a 1 rating three times.

Cinematography is very good, plot has a few good twists that keep up the suspense. For me there were 3 glaring times that essentially "speeches" were awkwardly worked into the dialogue on race, feminism, etc. That really disrupted the continuity and credibility.

On the credibility front the slight female lead proceeds to kill about a dozen men, claims to have been the best soldier in the Union army during the civil war (a war in which physical strength mattered) and at the end chooses to violate the very values she refused to compromise for the entire movie despite great risk and pressure.

It's a mixed bag from my perspective but an interesting watch for a number of reasons.