Despedida em Grande Estilo

Let's hope not, for a long time. While it's not a perfect movie, the 3 leads are so charismatic, they carry anything the movie throws at them. Some things may bit coincidental and may feel too convenient, but again you won't be thinking about that while watching the movie. You know a couple of things just by watching the movie and you can almost guess the "twists" entirely.

That still doesn't take away too much of the fun you can have while watching it. Dialog is nice and they play into the generation thing (social media, wordplay and of course limitations of age). But all in a really respectful way and yet still funny. If you like to have a good old time (no pun intended), you could do worse

"Going in Style (2017) is a professionally produced crime comedy about three lifelong friends who have fallen on hard times through the loss of their pension. Their plan to fix their financial woes comes in the form of a bank robber of their own personal bank that happens to control their pension. This is the second time I have watched this film and I love it every time. It is a reminder that there are good friends in the world that will go through the business with you. It also helps that some of my favorite actors are in the film. This is an overall great film and very sound technically.

For a comedy, the cinematography was surprising at how gripping it was in just the opening scene. The angles of the camera provided a glorious look into the bank that was far from boring. Director Zach Braff must have had the easiest job working with actors Morgan Freeman, Michael Caine, and Alan Arkin, which allowed him to be so creative in his shot selection and editing choices because the acting was so great. I believe the story is very strong, only because it is a comedy. I don't think it would be feasible to make a realistic heist movie with limited mobility elderly. Overall, I think this film is great and would recommend it to all that want to know what real friendship looks like.

The new film, GOING IN STYLE, is the equivalent of eating a Grilled Cheese Sandwich with Tomato Soup on a cold, rainy Sunday afternoon - very familiar, very welcome and very comforting.  It's not going to win any Academy Awards or change the course of movie history, but this film delivers - competently and professionally - what it promises to deliver with no fuss and no muss.

Starring film veterans Michael Caine, Morgan Freeman and Alan Arkin, GOING IN STYLE tells the story of how these three are pressed against the wall, financially, and their last resort is to rob a bank to get the money they need.

And...it's fun...not hilarious...not groundbreaking, but fun.  Caine, Freeman and Arkin believably play 3 long time friends who are nearing the end.  There is a comfort there with each other and it was pleasant to spend time with them.  Joining them was the one and only Ann- Margret and the always fun Christopher Lloyd (in, hands down, the best performance and most interesting character in the film).

Notice, I've used the words comforting, pleasant and pleasing.  I did NOT use the words groundbreaking, hilarious or epic.  I certainly enjoyed myself and am glad I saw it.

And you will too, whether you see this film in the movie theater or run across it as you are lying on the couch some rainy Sunday afternoon.

Letter Grade:  a solid "B"

7 (out of 10) stars and you can take that to the Bank (of Marquis)

So here's the thing: if you told me, out of the blue, with no context whatsoever, that there was a heist flick with Michael Caine, Morgan Freeman, Alan Arkin and Ann-Margaret (or you could have me at just Caine) where they plot to rob the Brooklyn bank that's screwed them over after a royal f***-over from their blue collar job, I'd say 'sign me up!' That it would also be a comedy wouldn't be so bad an enticement either; one might be reminded of something that could've starred these same actors from the 70's (ever seen The Hot Rock?) and spiked with some relevant social issues. Matter of fact, as I only recently learned, this is a *remake* of a movie from the 70's (whether it had the same horrible-bank horrible-company thing I'm sure I don't know).

The problem is it's now 2017 and their age can't be taken out of the text of the film - this is the Grumpy Old Men or even The Bucket List of NYC heist movies - and the director Zach Braff is a hack. Sorry, but... no, I'm not sorry to type that. While I haven't Wish I Was Here, Garden State is not simply in retrospect but what I knew at the time to be an unconvincing and cloying indie that had some decent acting and (not mutually exclusive) some highly self-conscious directorial moves and writing that... well, it didn't date well then much less now.

I don't mean to beat up on Braff's film - good for him for making a movie, it wasn't a crime or anything - except to point to how in his third film out he has moved up to now making an unconvincing and typical and safe middle-brow comedy. It's not that the trailer even showed anything like an edge, but... damn, he could've tried, not to mention some twists and reveals near the end that made me groan so loud I got looks from some of the AARP folks in the theater. Oh, and the social issues are dealt kind of up front and we only sort of see the consequences/ramifications of what this does to people (it's closer to the depth of something like Tower Heist in that way).

And yet I have an admiration for this movie getting to see these faces and, at the least, Braff doesn't get too much in the way of Caine and Freeman and Arkin to do what they can with Melfi's also safe script. They work well together and I found myself laughing more than I expected from if not all of the dialog (though there's one or two clever moments from Melfi) then from how they deliver it. There's lifetimes of experience and knowledge and depths of pathos from these actors, even with Arkin who always seems to be Cranky-Ass Arkin (but this is likely an act, so to simply be this personality so convincingly is impressive), and they play off with as much comedy as they can get from the supporting cast like Christopher Lloyd as a dementia-ish Knights of Columbus fellow and Ann Margaret as Arkin's would-be love interest.

The heist itself is shown in broad strokes and we can buy it because, um, movie. I was fine with most of it, up until it strains credulity though this is largely when the alibis have to come out and all of the loose ends come together (and even here I could believe it, at least in the predictable-safe world its set in). Maybe my critical standards are getting rusty and I should harsher on this, not the least because it features a set-up involving a botched preparatory theft of... ingredients for Chicken Cordon-Bleu from a small super-market that is paid off in a way that makes less sense than it should. I wanted it to do a little more, but what it gave me was fine - I may just be a sucker for this cast and that, for what morsels they're given, they do as much and then some with it. It's an excellent Laundromat Movie: if it came on while I was doing/waiting for my laundry, I'd be highly satisfied.

In a theater.... ehhh... Extra points too for Matt Dillon as a non-plussed cop and a humorous Keenan Thompson as the security hack at the super-market.

The best part about this movie is seeing Morgan Freeman, Michael Caine, and Alan Arkin all on screen together. They have fantastic chemistry, and you really feel like their characters have actually been friends for 30+ years. They just glow on screen, and seeing them riff on each other and have a good time made for me to have a good time as well. They all gave great performances. The supporting cast was also really good. It was fun to see Christopher Lloyd pop up in a film again. We also got see some good performances from Kenan Thompson and Ann-Margret. Look, with this movie, there are no revolutionary jokes. It's everything you would expect there to be. I do tend to prefer edgier comedy than this, but I made my peace with it the second the first joke hit. This isn't meant to be a Seth Rogen kind of comedy. This is supposed to just be a fun, light- hearted, feel-good comedy, and it was really good for what it was...